SBE play classic stoner rock, with a strong sixties/seventies psychedelic vibe, that is a positive joy to hear looping out of your speakers and filling the room. Somehow SBE seem to make a well worn genre seem fresh and powerful. There is nothing particularly new here, but who cares? It sounds fucking great. If these two tracks are anything to go by then SBE cook like a manic depressive master chef on crystal meth.
After the release of Jake Blues from prison, he and brother Elwood go to visit "The Penguin", the last of the nuns who raised them in a boarding school. They learn the Archdiocese will stop supporting the school and will sell the place to the Education Authority. The only way to keep the place open is if the $5000 tax on the property is paid within 11 days. The Blues Brothers want to help, and decide to put their blues band back together and raise the the money by staging a big gig. As they set off on their "mission from God" they seem to make more enemies along the way. Will they manage to come up with the money in time?
Bert Wray Blues brings together slide-guitarist/singer Bert Wray with drummer Mitch Cooper and bassist Dave Wall. The band’s music merges the vintage juke joint sound with plenty of Carolina twang and fresh songwriting. Equally inspired by Delta blues pioneers, rockabilly cats, and 1960’s blues-rockers, the trio hits the sweet spot between classic blues and good ol’ rock and roll. The new album Gut Bucket Radio will be released on March 10, 2017. The recording captures the band's energy and slide blues antics in an 8-song album that takes the listener on a road trip across the blues landscapes of the past like a gut bucket radio blaring into a new century…
Mastering progressive blues soloing & improvisation In the same way people learn their native language with ease, Shin'ichi Suzuki reasoned that people could also learn music environmentally simply by being immersed in an enjoyable musical and nurturing environment, an osmosis of sorts. "If a child hears fine music from the day of his birth and learns to play it himself, he develops sensitivity, discipline and endurance. He gets a beautiful heart."
All of King's recordings for the Bobbin label are on this 22-track disc, including everything from his 1959-1963 singles for the label and previously unissued alternate takes of "Why Are You So Mean to Me," "The Time Has Come," and the previously unissued "Blues at Sunrise." While these are decent journeyman urban blues/R&B, they're not up to the level of his subsequent recordings for Stax. Albert King just sounds too much like the records another King – B.B. King, that is – was making during the same era. There are similar horn arrangements and alternation of stinging guitar with smooth, confident vocal phrasing. It's a tribute to Albert King's abilities, in a way, that it does sound confident, and not the work of an imitator, despite the similarities.