IQ are a British neo-progressive rock band founded by Mike Holmes and Martin Orford in 1981 following the dissolution of their original band The Lens. Although the band have never enjoyed major commercial success and had several line up changes, IQ have built up a loyal following over the years and are still active as of 2016. In 2011, IQ performed a series of concerts in the UK and Europe celebrating their 30th anniversary.
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. An overlooked gem from reedman Sam Rivers – and a set that's surprisingly soulful, given that most of his other work from this stretch is much more outside! The album's got a laidback groove on most numbers – with rhythm from Daryll Thompson on guitar, Rael Wesley Grant on bass, and Steve McCraven on drums – often in this midtempo mode that has the electric currents providing a subtle bounce, which opens up as Rivers solos on tenor, soprano sax, and flute! The style's a few steps down from funky fusion, but not that far away, either – and Sam proves to be an expressive soloist in the setting, in ways we really wouldn't have expected. Titles include "Swirl", "Chant", "Coral", "Lazuli", "Ripples", "Dandelions", "Devotion", "Beatrice", and "Sprung".
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. A sweet 70s set from the ultra-hip rhythm duo of bassist John Lee and drummer Gerry Brown – working here in a European setting with loads of great reed work to support the "bamboo" vibe of the title! Flute player Chris Hinze blows both bamboo and regular flute – and the feel of the set is like some of his excellent fusion dates from the same time – but the record also has lots of great work from Gary Bartz on alto and soprano sax, plus some keyboards from Hubert Eaves and Jasper Van'T Hof – two very different players who balance out the mood nicely. Some tracks are full-on fusion, but they're offset by mellower, more introspective passages – of the sort that really let the reed players come out strongly – and titles include "Jua", "Rise On", "Who Can See The Shadow Of The Moon", "Infinite Jones", and "Deliverance".
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. Finland's premier saxophonist Koivistoinen ventured to New York City for this CD and employed some of the finest jazz players, including trombonist Conrad Herwig, trumpeter Randy Brecker, pianist David Kikoski, bassist Ron McClure, drummer Jack DeJohnette, and guitarist John Scofield (on four cuts). Bugge Wesseltoft plays rather innocent, unobtrusive sythesizer on three other pieces. The horn charts are smartly arranged by the tenor and soprano saxophonist, and played to perfection. The music is contemporary, bop-based, modernistic, and well-swung by DeJohnette's personalized chatty signature rhythms.
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. West coast meets Dutch jazz – in this sweet set that features Bob Cooper on tenor and Conte Candoli on trumpet – both musicians who rose to fame in the LA scene of the 50s, but who still stand plenty strong here with the trio of Rein DeGraaff in the 90s! Cooper and Candoli continued to play often over the years – even after both had lost the opportunity to record much as leaders – and the musicians are in fine form here, with strong backing from Rein's trio that also features Koos Serierse on bass and Erik Ineke on drums.
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. The Dutch jazz scene had plenty to offer back in the 70s – not just the better-remembered avant jazz from big free jazz musicians, but also some great straight ahead material too! This album's a key set from that wonderful time – and features a combo led by pianist Rein DeGraaf and reedman Dick Vennik – a great player who blows tenor, soprano sax, and flute on the record – with a depth of feeling that has us wondering why he never scored bigger fame on this side of the Atlantic. Even the mellower moments have a nice sort of bite – and rhythms are from Koos Serierse on bass and Eric Ineke on drums – on titles that include the stunning 13 minute title track "Modal Soul", plus "Short Rainbow", "Sweet Basil", "Detour Ahead", and "Lonely Hunter".
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. Beautiful solo work from pianist Mike Nock – a set that's got some of the dark edges and dynamic energy of Nock's previous 70s recordings – but an album that also shows some newly lyrical elements as well! Some passages have Mike hitting the keys with the sort of frenzied creation he reached on fusion recordings – but with wonderful results on the acoustic piano – and other moments have this enhanced sense of melody that makes for very beautiful, expressive passages – maybe a touch more sentiment than the younger Nock would have allowed himself, but never in a way that's soppy or overdone. The balance in these modes is great – and reminds us that Nock can be equally compelling a solo performer as he is in a group – on titles that include "Enchanted Garden", "Polyhedron", "Fallen Angel", "California Country Song", "Soliloquy", and "Jacanori".
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. A great little date from pianist Monty Alexander – a set that's maybe got a bit more bite than some of Monty's American records from the time – even though this overseas release was still recorded in Florida! The core trio also features added percussion – which provides a stronger rhythmic impulse than usual, and which has the group really stretching out on some longer tunes – especially the album's version of "Since My Baby Left Me", which features guest cornet from Nat Adderley! The group on the rest of the record features Alexander on piano, Reggie Johnson on bass, Ed Thigpen on drums, and Robert Thomas Jr. on percussion.