Concertos Mandoline

Jonathan Rees, Scottish Ensemble - Bach: Brandenburg Concertos, Violin Concertos (1998)

Jonathan Rees, Scottish Ensemble - Bach: Brandenburg Concertos, Violin Concertos (1998)
EAC | FLAC | Image (Cue & Log) ~ 749 Mb | Total time: 76:54+69:21 | Scans included
Classical | Label: Virgin Classics | # 5 61403 2 | Recorded: 1990-1992

This is a perfectly reasonable recording of Bach's works for violin and orchestra and anyone who has not heard the works before will no doubt find them more than adequate. Violinist and leader Jonathan Rees is a fine player with a sweet tone and a warm style and he takes the strings of the Scottish Ensemble through thoroughly professional performances of the works. When joined by spry violinist Jane Murdoch in the Concerto for two violins and plangent oboist Nicholas Daniel in the Concerto for violin and oboe, Rees proves himself a graceful and considerate partner. Virgin's early-'90s sound is a bit thin on top but still clean and clear.
(James Leonard)
Simon Standage, Collegium Musicum 90 - Alessandro Marcello: 'La Cetra' Violin Concertos (1995)

Simon Standage, Collegium Musicum 90 - Alessandro Marcello: 'La Cetra' Violin Concertos (1995)
EAC | FLAC | Image (Cue & Log) ~ 267 Mb | Total time: 55:45 | Scans included
Classical | Label: Chandos | # CHAN 0563 | Recorded: 1993

There are many other highly recommendable recordings by Collegium Musicum 90 under Simon Standage on the Chandos early music label, Chaconne. If you’ve heard a reasonable cross-section of the music of Vivaldi and would like to experiment with some of his near-contemporaries, their recording of Alessandro Marcello’s six Violin Concertos, Op.6, known as ‘La Cetra’, together with an extra Concerto in B-flat, would be a good place to start.
A contemporary of Tomaso Albinoni, Alessandro Marcello was the son of a senator in Venice. As such, he enjoyed a comfortable life that gave him the scope to pursue his interest in music. He held concerts in his hometown and also composed and published several sets of concertos, including six concertos under the title of La Cetra (The Lyre), as well as cantatas, arias, canzonets, and violin sonatas.
Emanuel Ax, Eugene Ormandy - Chopin: Piano Concertos Nos. 1 & 2 (1991)

Emanuel Ax, Eugene Ormandy - Chopin: Piano Concertos Nos. 1 & 2 (1991)
EAC | FLAC (log,tracks+cue) -> 264 Mb (5% Rec.) | Scans included
Classical | Label: RCA Victor Silver Seal / BMG Music, VD60789 | 01:14:08

"This recording is remarkable for it's mixture of quiet, subtle virtuosity, musicianship and style. Both concertos are played as if they are works of art as opposed to technical showpieces. Mr. Ax is this generations Rudolph Serkin. Ormandy provides the idiomatic, thankless accompaniment with expert finesse."
J.S. Bach - Branderburg Concertos (1-6) and Orchestral Suites (1-4) (1990) {3CD Festival Strings Lucerne, Rudolf Baumgartner}

J.S. Bach - Branderburg Concertos (1-6) and Orchestral Suites (1-4) (1990) {3CD Festival Strings Lucerne, Rudolf Baumgartner rel 1977-1978}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 986 Mb | MP3 @320 -> 433 Mb
Full Artwork @ 300 dpi (png) -> 122 Mb | 5% repair rar
© 1977-78, 1990 EuroDisc / BMG Ariola | 69219-2-RV
Classical / Baroque / Concerto / Orchestral

I've been listening to Brandenburgs non-stop for the past three weeks, for some reason. I love the Ristenpart recording, and I like the Britten version even better in some ways. This Baumgartner recording has a certain elegance. The pace is a tad slower and the ambience a bit thicker. The second movement of the first Brandenburg hits that emotional place a bit better than in the Britten version. I would be hard pressed to say which I prefer overall, but on first listening I sure loved this recording.

(Arte) Concertos pour mandoline de Vivaldi (2017)  Music

Posted by Morocco at July 1, 2017
(Arte) Concertos pour mandoline de Vivaldi (2017)

(Arte) Concertos pour mandoline de Vivaldi (2017)
Webrip | 43min | 1280 x 720 | 25.000 fps | MKV | AVC Main@L3.1 @ 2367 Kbps | AAC @ 125 Kbps | 772 MB
Genre : Classical music

Mandoliniste virtuose et imaginatif, l'Israélien Avi Avital a donné ses lettres de noblesse à la petite cousine du luth. L’essentiel du répertoire de celle-ci date du XVIIIe siècle avec, en particulier, des compositions italiennes. Mais Avi Avital l'a élargi en transposant des œuvres écrites pour d’autres instruments.
Vivaldi - Yepes - Lute Concertos (1972, 1990, Deutsche Grammophon # 429 528-2) [RE-UP]

Antonio Vivaldi - Lute (Guitar) Concertos; Mandolin Concertos (Repost)
Narciso Yepes / Monique Frasca-Colombier / Takashi Ochi / Sylvia Ochi / Paul Kuentz Chamber Orchestra
EAC+LOG+CUE | FLAC: 380 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Deutsche Grammophon # 429 528-2 | Country/Year: Germany 1990, 1972
Genre: Classical | Style: Baroque

Narciso Yepes was one of the finest virtuoso classical guitarists of the twentieth century, generally ranked second after Andrés Segovia.
(Arte) Avi Avital interprète les concertos pour mandoline de Vivaldi au Château de Versailles (2015)

(Arte) Avi Avital interprète les concertos pour mandoline de Vivaldi au Château de Versailles (2015)
Webrip | 1h23min | 1280 x 720 | 25.000 fps | MKV | AVC Main@L3.1 @ 2340 Kbps | AAC @ 125 Kbps | 1,44 GB
Genre : Musique classique

Avi Avital donne un second souffle à la mandoline. Né en 1978 en Israël, cet artiste pousse son instrument préféré dans ses retranchements : il en étudie toutes les possibilités, en repousse les limites et développe son répertoire - notamment en proposant des transcriptions inédites. Ce travail acharné lui a permis de jouer dans les salles du monde entier et d'être récemment nommé aux Grammy Awards. Un troubadour des temps modernes, plein de fougue. Dans le cadre somptueux du Château de Versailles, Avi Avital interprète les concertos pour mandoline de Vivaldi. Épaulé par le Venice Baroque Orchestra, le mandoliniste fait résonner de délicates notes baroques. Un exercice au centre de Vivaldi, un album en l'honneur du compositeur italien et de Venise. Avi Avital est donc prêt à nous ravir avec une musique parfaitement maitrisée, à la fois légère et spirituelle, simple et entraînante.
Vivaldi - Yepes - Lute Concertos {Germany 1972, Remastered 1990} (Repost)

Antonio Vivaldi - Lute (Guitar) Concertos; Mandolin Concertos (Repost)
Narciso Yepes / Monique Frasca-Colombier / Takashi Ochi / Sylvia Ochi / Paul Kuentz Chamber Orchestra
EAC+LOG+CUE | FLAC: 380 MB | MP3 CBR 320: 130 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Deutsche Grammophon 429 528-2 | Country/Year: Germany 1990, 1972
Genre: Classical | Style: Baroque

Narciso Yepes was one of the finest virtuoso classical guitarists of the twentieth century, generally ranked second after Andrés Segovia.
Ingrid Fliter, Scottish Chamber Orchestra, Antonio Mendez - Schumann & Mendelssohn Piano Concertos (2016) MCH SACD ISO + FLAC

Ingrid Fliter, SCO, Antonio Méndez - Schumann & Mendelssohn Piano Concertos (2016)
SACD Rip | SACD ISO | DST64 2.0 & 5.0 > 1-bit/2.8224 MHz | 60:36 minutes | Digital booklet | 3,46 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Digital booklet | 1,09 GB

Ingrid Fliter is set to thrill her fans with a new recording of piano concertos; eagerly awaited since her acclaimed recording of Chopin 1 & 2, which saw Fliter nominated for a Gramophone Award. Fliter performs repertoire that is very close to her heart: concertos by two nineteenth century heavyweights, Schumann and Mendelssohn. With both composers giving equal focus to soloist and orchestra, the musicality of the Scottish Chamber Orchestra’s award-winning musicians shines through as they partner Fliter perfectly. This also marks the recording debut of Antonio Méndez, who is fast becoming one of the most exciting conductors of his generation following engagements with a host of international orchestras.
Kirill Gerstein, DSO Berlin, James Gaffigan - Tchaikovsky & Prokofiev Piano Concertos (2015) MCH SACD ISO + Hi-Res FLAC

Kirill Gerstein, Deutsches Symphonie-Orchester Berlin - Tchaikovsky & Prokofiev Piano Concertos (2015)
SACD Rip | SACD ISO | DST64 2.0 & 5.0 > 1-bit/2.8224 MHz | 65:15 minutes | Digital Booklet | 3,84 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Digtal Booklet | 1,11 GB

Since 1894, Tchaikovsky‘s Piano Concerto No. 1 has been published and performed in a version containing numerous unauthorized editorial alterations that were added posthumously. This is the first recording using the new scholarly edition by the Tchaikovsky Archive and Museum in Moscow of the 1879 version of the Piano Concerto - the version that was approved and conducted by Tchaikovsky until his last public appearance in 1893.