Concertos Mandoline

(Arte) Avi Avital interprète les concertos pour mandoline de Vivaldi au Château de Versailles (2015)

(Arte) Avi Avital interprète les concertos pour mandoline de Vivaldi au Château de Versailles (2015)
Webrip | 1h23min | 1280 x 720 | 25.000 fps | MKV | AVC [email protected] @ 2340 Kbps | AAC @ 125 Kbps | 1,44 GB
Genre : Musique classique

Avi Avital donne un second souffle à la mandoline. Né en 1978 en Israël, cet artiste pousse son instrument préféré dans ses retranchements : il en étudie toutes les possibilités, en repousse les limites et développe son répertoire - notamment en proposant des transcriptions inédites. Ce travail acharné lui a permis de jouer dans les salles du monde entier et d'être récemment nommé aux Grammy Awards. Un troubadour des temps modernes, plein de fougue. Dans le cadre somptueux du Château de Versailles, Avi Avital interprète les concertos pour mandoline de Vivaldi. Épaulé par le Venice Baroque Orchestra, le mandoliniste fait résonner de délicates notes baroques. Un exercice au centre de Vivaldi, un album en l'honneur du compositeur italien et de Venise. Avi Avital est donc prêt à nous ravir avec une musique parfaitement maitrisée, à la fois légère et spirituelle, simple et entraînante.
L'Estro Armonico, Op. 3, in Full Score: 12 Concertos for Violins and String Orchestra

L'Estro Armonico, Op. 3, in Full Score: 12 Concertos for Violins and String Orchestra by Antonio Vivaldi
English | Feb 2, 1999 | ISBN: 0486406318 | 256 Pages | PDF | 5 MB

These magnificent concertos are distinguished from all other ensemble music of their time by their emphasis on virtuosity, their rhythmic exuberance, flexible instrumentation, independent approaches to thematic development, and their genuine innovations in concerto form. Newly edited under the expert guidance of Dr. Eleanor Selfridge-Field, this work appears in full score.

Krystian Zimerman - Chopin: Piano Concertos Nos. 1 & 2 (1999)  Music

Posted by tirexiss at Dec. 3, 2016
Krystian Zimerman - Chopin: Piano Concertos Nos. 1 & 2 (1999)

Krystian Zimerman - Chopin: Piano Concertos Nos. 1 & 2 (1999)
EAC | FLAC (image+.cue, log) | Covers Included | 81:52 | 362 MB
Genre: Classical | Label: Deutsche Grammophon | Catalog: 459684

Chopin's two piano concertos have long been admired more as pianistic vehicles than as integrated works for piano and orchestra. But in his revelatory new recording, Krystian Zimerman suggests otherwise: The opening orchestral tuttis have so much more light, shade, orchestral color, and detail, you wonder if they've been rewritten. Every gesture, every instrumental solo is so specifically characterized that by the time the piano makes a dramatic entrance, the pieces have become operas without words.
Daniel Barenboim, Staatskapelle Berlin, Gustavo Dudamel - Johannes Brahms: The Piano Concertos (2015) 2CDs

Johannes Brahms: The Piano Concertos 1 & 2 (2015) 2CDs
Daniel Barenboim, piano; Staatskapelle Berlin; Gustavo Dudamel, conductor

EAC | FLAC | Image (Cue&Log) ~ 415 Mb (incl 5%) | Scans included | Time: 01:42:06
Genre: Classical | Label: Deutsche Grammophon | # 479 4899 GH2

The old model for creating a hit classical recording – big-name soloist plus big-name conductor in major repertory work – is not so common anymore, but this live Brahms recording from the Staatskapelle Berlin under Venezuela's Gustavo Dudamel, with Argentine-Israeli-Palestinian-Spanish pianist Daniel Barenboim as soloist, shows that there's life in the concept yet. One could point to the virtues of pianist and conductor separately: it's a rare septuagenarian who can combine power and clear articulation of detail the way Barenboim does, and Dudamel builds a vast sweep in, especially, the Piano Concerto No. 1 in D minor, Op. 15. But it's the way that the two work together that really makes news. Chalk it up to shared South American heritage or to whatever the listener wants, but the way the orchestra and piano define separate spheres and work them together is extraordinary. Again, it is in the Piano Concerto No. 1 and its Beethovenian drama that their mutual understanding is most evident, but there is a sense of great variety powerfully unified throughout.
Rudolf Serkin, New York Philharmonic‎, Leonard Bernstein - Beethoven: Piano Concertos Nos. 3 & 5 (2004)

Rudolf Serkin, New York Philharmonic‎, Leonard Bernstein - Beethoven: Piano Concertos Nos. 3 & 5 (2004)
MP3 (CBR 320 kbps) | 78:43 | 191 MB
Genre: Classical | Label: Sony Music

Rudolf Serkin's 1964 recording of Beethoven's Piano Concerto in C minor is surely among the greatest recordings of the work ever made, and certainly his finest performance of the work. The energy and enthusiasm and even passion he brings to Concerto in C minor is overwhelming, and indeed, it overwhelms Bernstein and the New York Philharmonic, who accompany Serkin with the sort of commitment that only a conductor and orchestra give to soloists when they are deeply inspired. But while Serkin's 1962 recording of Beethoven's Piano Concerto in E flat major is also surely among the greatest recordings of the work ever made, it is not quite Serkin's finest recording of the work.
Luis Otavio Santos - Leclair: Violin Concertos Op.7 (2012) [Official Digital Download 24bit/96kHz] [Repost]

Luis Otavio Santos - Leclair: Violin Concertos Op.7 (2012)
FLAC tracks 24bit/96kHz | Digital Booklet | 1.48GB + 5% Recovery
Studio Master, Official Digital Download, Ramee

Luis Otavio Santos, the renowned Brazilian violinist, performs a set of compositions by Jean-Marie Leclair. This brilliant performance breathes new life into music composed by one of France's best loved instrumental composers.

Rudolf Buchbinder - Brahms: Piano Concertos (2016) [TR24][OF]  Vinyl & HR

Posted by SERTiL at Nov. 27, 2016
Rudolf Buchbinder - Brahms: Piano Concertos (2016) [TR24][OF]

Rudolf Buchbinder - Brahms: Piano Concertos
Classical | FLAC (tracks) 24-bit/44.1 kHz | 90:28 min | 1.34 GB | Front Cover
Label: Sony Classical | Tracks: 07 | Rls.date: 2016

This recording unites pianist Rudolph Buchbinder with his friend and conductor Zubin Mehta with whom he has built an intimate musical rapport. They are joined on this album by the Wiener Philharmoniker, an orchestra with which Buchbinder has appeared over many decades and enjoyed some of the greatest triumphs of his career.
The Bath Festival Chamber Orchestra, Yehudi Menuhin - J.S. Bach: Brandenburg Concertos, Violin Concertos (2008)

The Bath Festival Chamber Orchestra, Yehudi Menuhin - J.S. Bach: Brandenburg Concertos, Violin Concertos (2008)
MP3 (CBR 320 kbps) | 02:29:15 | 358 MB
Genre: Classical | Label: EMI Classics

The Gemini Series features an impressive roster of singers, conductors, soloists, and ensembles of international renown, all from the incomparable EMI Classics stable. EMI's rich legacy of recording expertise comes to the fore in performances from the 1960s to the 1990s. Gemini titles are predominantly collections of single composers and fantastic value with well over an hour of music on each CD, making them the ideal place to start or develop a collection of classical music. Each 2-CD set contains over two hours of music for a fantastically low price. Attractively designed and packaged in space-saving brilliant boxes, each set includes three-language booklets with detailed notes on the music.
I Solisti di Pavia & Enrico Dindo - Vivaldi: Cello Concertos RV 399, 400, 403, 406, 410, 419, 422 (2016)

I Solisti di Pavia & Enrico Dindo - Vivaldi: Cello Concertos RV 399, 400, 403, 406, 410, 419, 422 (2016)
Classical | MP3 CBR 320 kbps | 00:59:06 | 139 MB
Label: Decca (UMO) (Classics)

Continuing the wonderful live recordings devoted to Vivaldi's Concert performed by I Solisti di Pavia with Enrico Dindo in the dual role of soloist and conductor.

Rudolf Buchbinder - Brahms: Piano Concertos (2016)  Music

Posted by Pisulik at Nov. 25, 2016
Rudolf Buchbinder - Brahms: Piano Concertos (2016)

Rudolf Buchbinder - Brahms: Piano Concertos (2016)
Classical | MP3 CBR 320 kbps | 01:30:28 | 209 MB
Label: Sony Classical | Release Year: 2016

By 1858, Brahms had his First Piano Concerto ready for performance. He was then only 25. Beethoven had died three decades earlier. Try imagining a 25-year old composer today. Stravinsky–a figure of our time comparable to Beethoven in terms of novelty and influence on subsequent composers–died only 30 years ago. His personality still weighs on today’s new music, and you can still hear echoes of his typical rhythmic signatures in plenty of recent works written by young composers.