Concertos Mandoline

(Arte) Avi Avital interprète les concertos pour mandoline de Vivaldi au Château de Versailles (2015)

(Arte) Avi Avital interprète les concertos pour mandoline de Vivaldi au Château de Versailles (2015)
Webrip | 1h23min | 1280 x 720 | 25.000 fps | MKV | AVC Main@L3.1 @ 2340 Kbps | AAC @ 125 Kbps | 1,44 GB
Genre : Musique classique

Avi Avital donne un second souffle à la mandoline. Né en 1978 en Israël, cet artiste pousse son instrument préféré dans ses retranchements : il en étudie toutes les possibilités, en repousse les limites et développe son répertoire - notamment en proposant des transcriptions inédites. Ce travail acharné lui a permis de jouer dans les salles du monde entier et d'être récemment nommé aux Grammy Awards. Un troubadour des temps modernes, plein de fougue. Dans le cadre somptueux du Château de Versailles, Avi Avital interprète les concertos pour mandoline de Vivaldi. Épaulé par le Venice Baroque Orchestra, le mandoliniste fait résonner de délicates notes baroques. Un exercice au centre de Vivaldi, un album en l'honneur du compositeur italien et de Venise. Avi Avital est donc prêt à nous ravir avec une musique parfaitement maitrisée, à la fois légère et spirituelle, simple et entraînante.

(Arte) Concertos pour mandoline de Vivaldi (2017)  Music

Posted by Morocco at July 1, 2017
(Arte) Concertos pour mandoline de Vivaldi (2017)

(Arte) Concertos pour mandoline de Vivaldi (2017)
Webrip | 43min | 1280 x 720 | 25.000 fps | MKV | AVC Main@L3.1 @ 2367 Kbps | AAC @ 125 Kbps | 772 MB
Genre : Classical music

Mandoliniste virtuose et imaginatif, l'Israélien Avi Avital a donné ses lettres de noblesse à la petite cousine du luth. L’essentiel du répertoire de celle-ci date du XVIIIe siècle avec, en particulier, des compositions italiennes. Mais Avi Avital l'a élargi en transposant des œuvres écrites pour d’autres instruments.
Vivaldi - Yepes - Lute Concertos (1972, 1990, Deutsche Grammophon # 429 528-2) [RE-UP]

Antonio Vivaldi - Lute (Guitar) Concertos; Mandolin Concertos (Repost)
Narciso Yepes / Monique Frasca-Colombier / Takashi Ochi / Sylvia Ochi / Paul Kuentz Chamber Orchestra
EAC+LOG+CUE | FLAC: 380 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Deutsche Grammophon # 429 528-2 | Country/Year: Germany 1990, 1972
Genre: Classical | Style: Baroque

Narciso Yepes was one of the finest virtuoso classical guitarists of the twentieth century, generally ranked second after Andrés Segovia.
Vivaldi - Yepes - Lute Concertos {Germany 1972, Remastered 1990} (Repost)

Antonio Vivaldi - Lute (Guitar) Concertos; Mandolin Concertos (Repost)
Narciso Yepes / Monique Frasca-Colombier / Takashi Ochi / Sylvia Ochi / Paul Kuentz Chamber Orchestra
EAC+LOG+CUE | FLAC: 380 MB | MP3 CBR 320: 130 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Deutsche Grammophon 429 528-2 | Country/Year: Germany 1990, 1972
Genre: Classical | Style: Baroque

Narciso Yepes was one of the finest virtuoso classical guitarists of the twentieth century, generally ranked second after Andrés Segovia.
Duilio Galfetti & Luca Pianca - Italian Sonatas for Mandoline (2015)

Duilio Galfetti & Luca Pianca - Italian Sonatas for Mandoline (2015)
Classical, Baroque | MP3 CBR 320 kbps | 00:57:16 | 131 MB
Label: Passacaille

The idea of the mandolin is mainly associated today with Italian folk music (primarily from Naples) and with the small pear-shaped instrument, its bent top and moveable bridge, and its tuning in fifths, identical to that of the violin. Duilio Galfetti and Luca Pianca present several pieces e.g. from Arrigoni, Piccone and Sammartini, composers, who use the instrument to the limits of its possibilities. The writing is in some cases extremely virtuosic and the musical forms correspond to those of the traditional Baroque aesthetic.
Albinoni - 12 Concertos op. 10 (Toso, Carmignola, I Solisti Veneti) (1981)

Albinoni - 12 Concertos op. 10 (Toso, Carmignola, I Solisti Veneti) (1981)
Classical | 2cd | EAC Rip | Flac + Cue + Log | covers
Erato 0630-18943-2 | rel: 1998; rec: 1979 | 620Mb

For sheer affability of sentiment, good humour and harmonic warmth this set of concertos beats almost any other that I know. Perhaps there is nothing memorable here, certainly taken as a whole there are fewer song-like melodies than can be found in Albinoni's Opp. 7 and 9, for instance, but from the occasion when I first heard these concertos, about 12 years ago, they have remained firmly in my affection. Albinoni's Op. 10 Concertos, 12 of them, and all for strings, were discovered comparatively recently in Sweden by a Dutch musicologist, I think.
Andras Schiff, Ivan Fischer, BFO - Bela Bartok: Piano Concertos Nos. 1-3 (1996)

Béla Bartók - Piano Concertos Nos. 1-3 (1996)
András Schiff, piano; Budapest Festival Orchestra, conducted by Iván Fischer

EAC | FLAC | Tracks (Cue&Log) ~ 345 Mb (incl 5%) | Mp3 (CBR320) ~ 206 Mb (incl 5%) | Scans included
Genre: Classical | Label: Teldec Classics | # 0630-13158-2 | Time: 01:16:26

First there was rhythm - pulsing, driving, primal rhythm. And a new word in musical terminology: Barbaro. As with sticks on skins, so with hammers on strings. The piano as one of the percussion family, the piano among the percussion family. The first and second concertos were written to be performed that way. But the rhythm had shape and direction, myriad accents, myriad subtleties. An informed primitivism. A Baroque primitivism. Then came the folkloric inflections chipped from the music of time: the crude and misshapen suddenly finding a singing voice. Like the simple melody - perhaps a childhood recollection - that emerges from the dogged rhythm of the First Concerto's second movement. András Schiff plays it like a defining moment - the piano reinvented as a singing instrument. His "parlando" (conversational) style is very much in Bartók's own image. But it's the balance here between the honed and unhoned, the brawn and beauty, the elegance and wit of this astonishing music that make these readings special.

Anne-Marie McDermott - Haydn: Sonatas & Concertos (2CD) (2014)  Music

Posted by TestTickles at March 1, 2016
Anne-Marie McDermott - Haydn: Sonatas & Concertos (2CD) (2014)

Anne-Marie McDermott - Haydn: Sonatas & Concertos (2CD) (2014)
EAC Rip | FLAC with CUE and log | scans | 171 mb
MP3 CBR 320kbps | RAR | 319 mb
Genre: classical

Haydn: Sonatas & Concertos is a 2CD set by pianist Anne-Marie McDermott. Recorded in Odense, Denmark in May 2014, McDermott is accompanied by the Odense Symphony Orchestra, with Scott Yoo as the conductor. The discs focus on the music of Franz Joseph Haydn.
Collegium Musicum 90, Simon Standage - Albinoni: The Collected Concertos for Oboes and Strings (2013) 3 CD Set

Tomaso Albinoni - The Collected Concertos for Oboes and Strings (2013) 3 CD Set
Collegium Musicum 90; Simon Standage, conductor; Anthony Robson, oboe; Catherine Latham, oboe

EAC | FLAC | Image (Cue&Log) ~ 1.1 Gb (incl 5%) | Scans included | Time: 03:19:18
Genre: Classical | Label: Chandos | # CHAN 0792(3)

During the 1990s, Collegium Musicum 90 and Simon Standage released several volumes of Albinoni concertos, which proved popular with critics and public alike. The concertos were released as discs of single oboe concertos, double oboe concertos, and string concertos. In this re-issue on the Chaconne label, the concertos are presented in opus number order, showing the contrasting colours and tonalities of the concertos as they originally appeared.
Mozart - Piano Concertos Vol. I-VI (Christian Zacharias, Orchestre de Chambre de Lausanne) [2003-2010]

Mozart - Piano Concertos Vol. I-VI (Christian Zacharias, Orchestre de Chambre de Lausanne) [2003-2010]
Classical | EAC Rip | FLAC, IMG+CUE, LOG | Covers | 6cd, 1.32 GB
Label: MDG | Catalog Number: 340 1182-2,340 1298-2,940 1488-6,940 1529-6,940 1562-6,940 1646-6

Six piano concertos in a mere twelve months: in no other year was Mozart as productive in this genre as he was in 1784. Christian Zacharias and his Lausanne Chamber Orchestra have taken considerably more time with their interpretations of Mozart’s piano concertos – and with sensational results. This complete recording even now promises to occupy one of the top ranks on international lists: Zacharias is able perfectly and seamlessly to transfer his inimitable touch and sound culture to the orchestra.