THE FIRST OF THE TWELVE discs in this collection of Anna Moffo’s RCA recital recordings begins with a 1960 performance of the jewel song from Gounod’s Faust, and that selection, along with the others on this disc, sets out the singer’s basic assets and liabilities. It’s a fresh lyric sound - Moffo was twenty-eight that year - ven throughout the range, accurate in pitch and coloratura, with a good try at a trill.
The Messiaen celebrations come to an overwhelming climax with this superb 32-CD set of his complete works. The limited edition, from Deutsche Grammophon, is a one-of-a kind deluxe edition. The crowning gem of this box set is a performance of the two piano Visions de l'Amen with Olivier Messiaen and Yvonne Loriod, recorded in Paris in 1962.
From the opening four notes of Michael Henderson's hypnotically minimal bass that open the unedited master of "On the Corner," answered a few seconds later by the swirl of color, texture, and above all rhythm, it becomes a immediately apparent that Miles Davis had left the jazz world he helped to invent – forever. The 19-minute-and-25-second track has never been issued in full until now. It is one of the 31 tracks in The Complete On the Corner Sessions, a six-disc box recorded between 1972 and 1975 that centers on the albums On the Corner, Get Up with It, and the hodgepodge leftovers collection Big Fun. It is also the final of eight boxes in the series of Columbia's studio sessions with Davis from the 1950s through 1975, when he retired from music before his return in the 1980s. Previously issued have been Davis' historic sessions with John Coltrane in the first quintet, the Gil Evans collaborations, the Seven Steps to Heaven recordings, the complete second quintet recordings, and the complete In a Silent Way, Bitches Brew, and Jack Johnson sessions. There have been a number of live sets as well; the most closely related one to this is the live Cellar Door Sessions 1970, issued in 2005.