Following an unsatisfying three-year stint at Mercury Records, Chuck Berry returned home to Chess in 1969, just like Phil Chess predicted. Heading home didn’t necessarily mean retreating, as the four-disc Have Mercy: His Complete Chess Recordings 1969-1974 illustrates. During his time at Mercury, Chuck followed the kids wherever they went, aligning himself with the psychedelic ‘60s in a way none of his peers did. This shift is immediately apparent on “Tulane,” the very first song he cut upon his return to Chess. An ode to a couple of kids who dealt dope underneath the counter of a novelty shop, “Tulane” puts Chuck on the side of the counterculture, and over the next five years, he never strayed back to the other side of the fence, often singing about getting stoned, dabbling with a wah-wah pedal, rhapsodizing about rock festivals, cheerfully telling smutty jokes.
Of all the early rock & rollers, Fats Domino was the easiest to take for granted, since he made it all seem so easy. Even when it rocked hard, his music was so relaxed, so friendly that it sounded effortless and natural, which was part of the reason that his classic recordings for Imperial in the '50s were so consistently enjoyable. All the hits, many of their flips sides, and most of his album cuts were flat-out fun – maybe not as revolutionary as work by Little Richard, Buddy Holly, Chuck Berry, and the Everly Brothers, but his body of work for Imperial not only stands proudly next to theirs, but is just as influential. This much is clear after years of hindsight, but in the late '60s he was as passé as any of his peers, even if there were legions of new rockers, from the Beatles to Randy Newman, who were raised on his music.
Heidi Berry may claim her influences are Billie Holiday and Chrissie Hynde, but the British singer/songwriter's hushed, introspective music is closer to Nick Drake, Sarah McLachlan, and especially Beth Orton than anything the Pretenders have ever laid to tape. That said, anyone interested in her haunted folk 'n' country crooning should look to the material on her first anthology, Pomegranate, which wonderfully sums up Berry's career to date. With songs spanning Berry's handful of releases, the album also includes demos, a Bob Mould cover ("Up in the Air"), enhanced videos, and artist-penned stories for each song. Impeccably sequenced, the 14 tracks balance Berry's pessimistic and upbeat moments, and the resulting compilation is a must-have for fans of her late-night lullabies.
Complete Story by Rock'n'Roll Star Eddie Cochrane in the text and music. 4 CD compilation Box Set includes 113 songs. The release also includes a booklet of 60 pages with many rare photographs, a comprehensive discography and detailed biography of the English language.