Music played by a select group of musicians who made up what was called 'The Command All Stars' including musicians like Terry Snyder, Toni Mottola or Willie Rodriguez. It includes 12 well known songs recorded with a 'ping pong' stereo effect in which the label was pointer.
The debut album from Soul II Soul, renamed "Keep On Movin'" for the North American market.
Official Release #107. Uncle Meat gets the deluxe treatment in this three CD Project/Object Audio Documentary. Included is the original 1969 vinyl mix (restored, remastered and available digitally for the first time), an original sequence that includes unique source material and bonus vault tracks mostly compiled from the recording sessions at Apostolic Studios in NYC between 1967 and 1969.
Perico Sambeat to surprise with a proposal so irreverent as explosive. Valencian saxophonist has gathered an ensemble with milloret the Valencian scene to pay tribute to a musician so brutal and iconoclast Frank Zappa. The opportunity to hear the work of Zappa as jazz offers one of those memorable occasions that any fan of good music should not miss.
Eden Shadow is a relatively new name on the UK and worldwide progressive rock scene. They have been around since 2011 and ever since then they released two singles, an EP and two full-length albums. Their newest release is a sophomore full-length album titled Melodies for Maladies. The trio based in Guildford features Ryan Mark Elliott on vocals, guitars and keyboards, Alex Broben on bass, and Aled Lloyd on drums. Their music blends elements of melancholy, the spirit of Nordic folk, and British progressive rock. All of this is true; throughout this record there is surely an omnipresent feeling of melancholy, which is mostly carried by the vocal harmonies and a variety of keyboards-related stuff.
Though Finnish master musicians Maria Kalaniemi and Timo Alakotila both play in many bands, something remarkable happens when they strip the music down to duets. The chemistry between the two emerges, creating a sound that is incredibly warm and intimate. On Åkerö — their first album as a duo since 2001’s Ambra — Kalaniemi (free-bass, five-row, button accordion) and Alakotila (pianist best known for his work with JPP) play like one musician. Their intricate arrangements showcase a wide dynamic range, from bold climaxes to subtle pauses. There’s probably no better example of this than the title track. It opens the album with the accordion playing both melody and counter melody as Alakotila’s piano enters almost imperceptibly, slowly growing in intensity. The music crescendos and decrescendos, continually and dramatically changing direction but always returning to the anchor of the opening melodies — all in a stunning five minutes.
For over two decades, the Hi-Hat Club occupied a choice location among the jazz clubs of Boston’s South End district, at the corner of Columbus and Massachusetts Avenue. After the end of World War II, lesser luminaries took over the band-stand, and after a while entertainment practically stopped altogether. Dave Coleman, a jazz promoter, had taken over management of the club in 1949. Through Coleman’s personal initiative, the Hi-Hat enjoyed its most successful years, and by 1951 it was the only club featuring a consistent policy of presenting modern jazz.
Born and raised in North Philadelphia, PA, Grammy Award Winner, BILLY PAUL began singing at the age of 12 and sometimes performed on local radio shows. Drawing inspiration from his family’s collection of 78’s, BILLY PAUL would incorporate Jazz, R&B and Pop into his style, resulting in a unique sound that became synonymous with Philadelphia International Records.
The follow-up to Sonny Sharrock's entirely solo comeback album, Guitar, Seize the Rainbow puts the guitarist at the helm of a rock-styled power trio featuring bassist Melvin Gibbs and Abe Speller and Pheeroan akLaff on drums (producer Bill Laswell also plays bass on one cut). The overall sound of the album is surprisingly straightforward, heavy metal-tinged jazz-rock, though the caliber and taste of the musicians makes it something far more than what rock guitar virtuosos of the period were recording. Still, there isn't too much way-out craziness, aside from some of Sharrock's trademark slide-guitar explorations on the spiritual title track and the riff-driven rockers "Dick Dogs" and "Sheraserhead's Hightop Sneakers."