Music played by a select group of musicians who made up what was called 'The Command All Stars' including musicians like Terry Snyder, Toni Mottola or Willie Rodriguez. It includes 12 well known songs recorded with a 'ping pong' stereo effect in which the label was pointer.
The enigmatic Worrell continues to amaze. Like the first Dark album, Worrell's THE OTHER SIDE is absolutely uncategorizable. That he was once affiliated with the likes of George Clinton and the whole P-Funk gang is a mere footnote in the career of this iconoclastic keyboardist. Modal strains of jazz, perverted avant-noise, and organ-drenched experimental atmospheres are only a minute fraction of the chaotic and paradoxical styles etched onto this disc. In short, there's something for everyone here, but everyone should take heed–Worrell's attitudes go way beyond the expected boundaries flanking jazz and funk. His free-form personalities take hold on THE OTHER SIDE and transform it into a jaw-dropping, delightful adventure of unexplored and unexpected sonic realms.
One of the hippest albums ever from the team of Harold Land and Bobby Hutcherson – and a set that's even more open than some of their other records on Blue Note or Chess! This set's a bit more electric than some of the other records from the pair – with these drawn-out Fender Rhodes lines from Bill Henderson – who comps and vamps with modal energy that really draws out some searing, searching solos from Land's tenor! Bobby's vibes are maybe a bit more restrained, but offer a key element in the overall soundshape of the record – and the rest of the lineup includes Reggie Johnson on bass, Ndugu and Woody Theus on drums, and Harold Land Jr on additional piano.
Official Release #91. In October 1971, Frank Zappa & The Mothers of Invention played two shows in one night at New York City’s Carnegie Hall. The album, Carnegie Hall, celebrates that night's marathon – two shows (7:30 and 11:30 p.m.) with ticket prices ranging from $3.50 to $6 – featuring Zappa (lead guitar, vocals) with Mark Volman (vocals, percussion), Howard Kaylan (vocals), Ian Underwood (keyboards, alto sax), Don Preston (keyboards, gong), Jim Pons (bass, vocals) and Aynsley Dunbar (drums).
SOUTHERN BLOOD serves as a remarkable final testament from an artist whose contributions have truly shaped rock & roll throughout the past four decades. This is Allman's first all-new recording since 2011's GRAMMY® Award-nominated solo landmark, LOW COUNTRY BLUES. Produced by Don Was and recorded in Muscle Shoals where Duane Allman and the earliest seeds of the Allman Brothers Band were sown, Southern Blood is among the most uniquely personal of the Rock & Roll Hall of Famer's career. This emotionally expansive collection of songs written by friends and favorite artists including Jackson Browne, Willie Dixon, Jerry Garcia & Robert Hunter, Lowell George and Spooner Oldham & Dan Penn serves as a salutary farewell to his legion of devoted fans and admirers. Deluxe package comes with two live bonus tracks, as well as Back to the Swamp: The Making of Southern Blood DVD.
Kottke's sixth official album is a dazzling array of pieces, some wistfully romantic ("Mona Ray"), others savagely witty ("When Shrimps Learn to Whistle"), and still others downright folksy ("Bill Cheatham"), with accompaniments of varying shapes and types, from dobro to synthesizer and piano.
Lascelles Perkins was one of the first stars of the Jamaican music scene. Studio One's leading balladeer and one of the most underrated singers from that time. Lascelles Perkins sang sentimental ballads and he scored massive local hits for Coxsone Dodd's Studio One label. Songs like 'Lonely Moments' and 'Together Forever' other big hits followed 'The Mighty Organ' song as a duet with Hortense Ellis, Alton Ellis' sister, 'Destiny' and a whole catalogue of standards or foreign songs as they were called. Lascelles could sing any song, make it seem effortless and at the same time address it in his own unique style.
Official Release #99. After numerous delays those who pre-ordered Frank Zappa’s Roxy By Proxy have finally received their CDs. The 13-track release was recorded at The Roxy in Los Angeles on December 9 and 10, 1973. Frank is listed as the producer of the project, which was mixed in 1987, though Gail Zappa and Joe Travers are listed as producers for the CD and compilation. John Polito mastered the CD in 2011 and it includes liner notes from band member Ruth Underwood.
Mudlark rates highly on many a Kottke fan's favorite list. This was Kottke's Capitol Records debut, and his solo instrumental sound is augmented with the addition of studio sidemen (bass, drums, piano). His playing is superb (no surprise there) and full of youthful vigor – a fusion of high-speed picking, brash slide work, funky folk, acoustic rock, and melodicism. Most importantly, Mudlark marked the debut of Kottke as a singer, an indication that Capitol was trying to shoehorn him into the singer/songwriter genre. Kottke himself has made disparaging remarks about his own vocals, but they add personality to his virtuosic guitar chops.