Colin James is a Canadian singer-songwriter, guitarist, and record producer, who plays in the blues, rock, and neo-swing genres. Collection includes 13 studio albums and one compilation.
Okay, I know what you’re thinking right now. Your thinking you already know the Dave Elman Induction as you learned it in class and you may have even read the book by Dave Elman entitled Hypnotherapy. Personally, I hope every one of my readers has read that book and if not, please do as it’s a classic. If you were thinking any of the items above then you’re completely WRONG! While the first disc has some really great information. It’s the second disc that makes this product a must have. The second disc contains a rare, up close and personal video interview with the only living son of Dave Elman named H.L. Elman. This interview makes this product worth the cost just by it’s self. As far as I know, and I could be wrong. Dave Elman’s son has never done a video interview. If I’m wrong please correct me as I would love to get my hands on that as well.
Although the DEI (Dave Elman Induction) was first used in teaching medical hypnosis in 1949, it originated in 1912. Dave Elman, then age 12, began using it on his classmates after experimenting with other methods for a few years. The DEI became the foundation of Elman's advanced methods taught to over 10,000 physicians and dentists.
Although the DEI (Dave Elman Induction) was first used in teaching medical hypnosis in 1949, it originated in 1912. Dave Elman, then age 12, began using it on his classmates after experimenting with other methods for a few years. The DEI became the foundation of Elman’s advanced methods taught to over 10,000 physicians and dentists.
This video is about the most powerful induction out there, the Dave Elman induction. It is designed to get a person in a deep hypnosis (somnambulism) in 4 minutes or less.
These are the full DVDs. Feel free to download and rip to assuage the inevitable requests
"This is the most powerful, adaptable and effective hypnosis induction in the world. Developed by legendary hypnotist Dave Elman, this rapid induction will produce somnambulism in less than four minutes and will hypnotize over 85% of subjects."
This is FACT.
Auer is remembered as one of the most important pedagogues of the violin, and was one of the most sought-after teachers for gifted pupils. Many famous virtuoso violinists were among his pupils, including Mischa Elman, Jascha Heifetz, Nathan Milstein, Efrem Zimbalist, Georges Boulanger, Benno Rabinof, Kathleen Parlow, Oscar Shumsky, and Sasha Lasserson. Auer also taught the young Clara Rockmore, who later became one of the world's foremost exponents of the theremin.
Mischa Elman was a Ukranian-born violinist famed as one of the greatest virtuosos of his time. He was a romanticist, most at home with the music of Tchaikovsky, and played almost until the day of his death.
Elman first picked up a violin at age 5, and he was still only a young boy when he was admitted into the St. Petersburg Conservatory. As a teenager he was already touring around the world, playing in New York's Carnegie Hall in 1908. In 1923, Elman became a naturalized American citizen.
Shortly before his death, Elman performed his 5,000th concert, which was acknowledged by President Lyndon Johnson and Sen. Robert F. Kennedy in telegrams sent to the musician.
— Los Angeles Times April 6, 1967
The program which Mischa Elman recorded here, of compositions and arrangements by Kreisler, is not only a statement of esteem for a distinguished, older contemporary; it is a reminder of the glories of that bygone thirty-year period by a virtuoso who could recreate the past with absolute authenticity because he was himself one of its legends. Mischa Elman was a master of Kreisler's musical language, its subtleties and nuances of expression; where later violinists must study Kreisler's style, Elman lived it. His performances make it clear that Kreisler was one of the unique and gifted masters in writing for the violin. The music which flowed from his pen seemed to be imbued with the very spirit of the instrument. They are not ambitious works in form, and do not pretend to be among the great utterances of music. But they have an undying loveliness, and represent different and lovable aspects of his personality.