Although Lionel Hampton forbid his sidemen from recording during their trip to France in 1953, many of the musicians fortunately ignored his orders; the band broke up soon anyway. Trumpeter Clifford Brown is heard on this LP mostly with a big band actually put together by Gigi Gryce. A few of these tracks are excerpts but the two takes of "Brownskins" and "Keeping up with Jonesy" are fairly long as is a nearly eight-minute "Chez Moi." The music is not essential but Brownie did not live long enough to record anything less than excellent.
Clifford Curzon was among the finest English pianists of the twentieth century, known for his clear, ego-less performances of the German Classical and Romantic masterpieces. A quiet intellectual who nevertheless possessed a formidable technique, Curzon played everything from Mozart to Liszt with equal authority. His fans often cite this ability to emphasize the personality of each composer, rather than his own, as his most distinctive quality. Curzon recorded for the Decca label for over 30 years, leaving behind a modestly sized, but musically impressive catalog. His recordings of Mozart and Schubert are considered his best.
1955 album by the Clifford Brown and Max Roach Quintet, described by The New York Times as "perhaps the definitive bop group until Mr. Brown's fatal automobile accident in 1956". The album was critically well-received and includes several notable tracks, including two that have since become jazz standards. The album was inducted into the Grammy Hall of Fame in 1999. It is included in Jazz: A Critic's Guide to the 100 Most Important Recordings at #34, where it is described by New York Times jazz critic Ben Ratliff as "one of the strongest studio albums up to that time". Originally released on the EmArcy label, it has been multiply re-issued, including in a 2000 edition by Verve Records that contains additional tracks.
Here is a compilaton album of some of the tracks released on various earlier Clifford T. Ward albums and this was issued in 1992 on Virgin Universal. Probably many of you looking at this listing have never even heard of Clifford T. Ward and I am not really surprised by that all too much. He really has become somehwhat of a forgotten British artist only known briefly from his work in the '70s.
Clifford Brown: "Best Coast Jazz" is the Five Star bookend session to "Clifford Brown All Stars", both having been recorded at the same session in Los Angeles in 1954. On the vinyl LP, each song took up a side, allowing for plenty of blowing room. "BCJ" would be released in 1955. One year later, Clifford Brown (and pianist Richie Powell and wife) would be dead from a car wreck on the Penn Turnpike during a rainstorm. Thus altering the course of jazz trumpet history in one tragic act. "CBAS" would be hurriedly released following the accident and we would once again shake our heads at the tremendous loss of trumpet genius Clifford Brown.
Brahms’s two sonatas for clarinet and piano, Op 120, composed in 1894, were followed only by the four Serious Songs and a set of organ chorale preludes (some of which may have been written at earlier times). His farewell to chamber music was also his farewell gift to the clarinet. The two works recorded here were preceded by the Clarinet Trio in A minor (Op 114) and the great Clarinet Quintet in B minor (Op 115), and all four masterpieces were inspired by the playing of Richard Mühlfeld, principal clarinettist of the Meiningen Orchestra.
Although Clifford Brown did a phenomenal amount of commercial recordings during his all too brief lifetime (he died prior to his 26th birthday in a car crash that also took the life of his quintet's pianist Richie Powell, Bud's younger brother), relatively few of the recordings he made were on stage. Fortunately, this CD includes performances from two 1956 broadcasts from the old Basin Street club in New York City, and two tracks from a Carnegie Hall concert the previous year…
Whether at the helm of a record date or as a sideman, Clifford Jordan was known for giving his all. These studio recordings were originally made for Strata East, a label known for its adventurous spirit. The tenor saxophonist leads two separate groups. The sextet selections include trombonist Julian Priester, pianist Wynton Kelly, bassists Wilbur Ware and Richard Davis, drummer Albert Heath, and trumpeter Don Cherry. Jordan's pensive "Vienna" is given an extended workout, with Cherry's somewhat abstract playing fitting in rather well. The second piece, Jordan's "Doug's Prelude," is also a bit brooding, showcasing the leader, Priester, and Kelly.