Claudio Villa Flac

Claudio Villa - Una Voce Un Cuore (2015) [Remastered]  Music

Posted by edi1967 at Aug. 16, 2015
Claudio Villa - Una Voce Un Cuore (2015) [Remastered]

Claudio Villa - Una Voce Un Cuore (2015) [Remastered]
Mp3 @ 320 Kbps | 519 MB + 5% recovery
3 CD | 66 Tracks | 03:37:22 | Full scans
Genre: Pop, Folk | Label: Reader's Digest

Tenor Claudio Villa was born Claudio Pica in the Trastevere quarter of Rome in 1926. He recorded over 3000 songs, sold 45 million records, and appeared in 25 musicals during his career. His parents gave him the name "Claudio" in honor of Claudio Serio. Many songs made famous by Villa, like "'A Tazza 'E Cafe'," were recorded for the Fonit-Cetra company. On his grave (he died in 1987) are the words "Life, you are fine. Death, you stink".
Mario Trevi - Claudio Villa (1962).
Claudio Monteverdi - Kölner Kammerchor / Peter Neumann - Madrigals (1996, MDG "Gold" # 332 0081-2) [RE-UP]

Claudio Monteverdi - Madrigals
Kölner Kammerchor / Peter Neumann
EAC+LOG+CUE | FLAC: 191 MB | Full Artwork: 65 MB | 5% Recovery Info
Label/Cat#: MDG "Gold" # 332 0081-2 | Country/Year: Germany 1996
Genre: Classical | Style: Late Renaissance, Early Baroque, Vocal

„… the release of a special audiophile treat. It is not without reason that French critics have just awarded the choir the ‘Diapason d’or’ prize.“ (K Int’l)
Dúo Villa-Lobos - Bogdanović, Zenamon, Assad, Ourkouzonov & Guevara: Music for Cello & Guitar (2017)

Dúo Villa-Lobos - Bogdanović, Zenamon, Assad, Ourkouzonov & Guevara: Music for Cello & Guitar
Classical | WEB FLAC (tracks) & d. booklet | 55:41 min | 240 MB
Label: Naxos | Tracks: 14 | Rls.date: 2017

In recent years a number of composers have explored the tonal chemistry of timbre and texture offered by the ensemble of cello and guitar. The examples here, from South America and Eastern Europe, are among the most ambitious and technically demanding yet to have been written. Vivacious Latin-American rhythms, such as the Milonga and Chacarera, are explored by Edwin Guevara, while the Bulgarian Atanas Ourkouzounov creates an aura of indigenous folk culture in Tanzologia. Both lyricism and rhythmic dynamism suffuse Dušan Bogdanović’s Quatre pièces intimes.
Orquestra Sinfônica do Estado de São Paulo & Isaac Karabtchevsky - Villa-Lobos: Symphonies Nos. 8, 9 & 11 (2017)

Orquestra Sinfônica do Estado de São Paulo & Isaac Karabtchevsky - Villa-Lobos: Symphonies Nos. 8, 9 & 11
Classical | WEB FLAC (tracks) & d. booklet | 73:31 min | 329 MB
Label: Naxos | Tracks: 12 | Rls.date: 2017

By the 1940s Heitor Villa-Lobos was widely recognised as Latin America’s greatest composer. Working in the United States gave him new perspectives, and his later symphonies move away from the folk influences and exotic effects of works written in the 1920s and 30s, such as the Bachianas Brasileiras, towards more concise, sometimes neo-classical, models. The Eighth and Ninth share a transparent lightness of touch while the Eleventh, described as a work of ‘immediate charm’, is the perfect introduction to the later work of Villa-Lobos.
Claudio Monteverdi (1567-1643) - The Madrigals - Raymond Leppard (1998) {8CD Box Set Philips 462 243-2}

Claudio Monteverdi (1567-1643) - The Madrigals - Raymond Leppard (1998) {8CD Box Set Philips 462 243-2}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.56 Gb | MP3 @320 -> 1.20 Gb
Full Artwork @ 600 dpi (jpg) -> 286 Mb | 5% repair rar
© 1969, 1971, 1975, 1998 Philips Classics | 462 243-2
Classical / Renaissance / Baroque / Vocal Music / Secular and Sacred

Genius can be defined in a number of ways. One such definition is to be the right person in the right place at the right time; another is to have the capacity to move your audience to tears. Monteverdi meets both these criteria with flying colours. His professed ambition was to "move the passions of the soul," thereby drawing tears from his audience, and he achieved this with greater efficacy than any of his contemporaries. The use of the word "madrigal" on the title pages of his eight collections (and a posthumous Ninth Book from 1651) is therefore deceptive, concealing radical stylistic changes which brilliantly reflect the turbulent, exciting times in which he lived.

Claudio Sander - Samba Influenciado (2010)  Music

Posted by SuniR at April 29, 2017
Claudio Sander - Samba Influenciado (2010)

Claudio Sander - Samba Influenciado (2010)
EAC | FLAC (log,tracks+cue) -> 334 Mb (5% Rec.) | Mp3 CBR320 Kbps -> 117 Mb (5% Rec.) | Covers included
Latin Jazz, Samba | Label: Tratore Music, CS001-10 | 2010 | 0:50:17

"Claudio Sander presents us with an exquisite work.He is a saxophonist with great resources, with a lyricism that excites everyone.Its compositions and arrangements have the fine and elegant touch of the artists of rare sensitivity.The musicians that surround him are as sensitive as he, which results in this work, which I believe, will run the world. "–Nivaldo Ornelas (saxophonist, composer and arranger)
Heitor Villa-Lobos - Complete Symphonies (2009) (Carl St. Clair) (7CD Box Set)

Heitor Villa-Lobos - Complete Symphonies (2009) (Carl St. Clair) (7CD Box Set)
EAC Rip | FLAC (tracks+.cue, log) | Covers | 1863 mb | MP3 CBR 320kbps | RAR | 1015 mb
Classical, Symphony, Orchestral | Label: CPO - 777 516-2

Heitor Villa-Lobos is without a doubt Brazil's most famous composer and one of the great creative personalities of the twentieth century. His oeuvre is gigantic in its dimensions and perhaps can be compared only to that of Darius Milhaud, who, by the way, was a close friend of his. In any case, Villa-Lobos was the first to introduce the music of Latin America to the world's concert halls, and influences from this music do indeed abound in his oeuvre. cpo is now presenting the first complete recording of his colossal symphonic work complex in a boxed set of seven CDs at a special low price! The SWR Radio Symphony Orchestra under the American star conductor Carl St. Clair has taken on this enormous task, and the result can only be described as a bravura achievement. You can look forward to an orchestral tour de force operating on the highest level!
Giulia Semenzato, Raffaele Pe, La Venexiana & Claudio Cavina - Cavalli: Sospiri d'amore (2016)

Giulia Semenzato, Raffaele Pe, La Venexiana & Claudio Cavina - Cavalli: Sospiri d'amore
Classical | WEB FLAC (tracks) & d. booklet | 60:02 min | 286 MB
Label: Glossa | Tracks: 13 | Rls.date: 2016

Two of the brightest singing talents to have emerged from Italy in recent years, Giulia Semenzato and Raffaele Pe, join forces for Sospiri d’amore, a dazzling celebration of operatic arias and duets by that Baroque master of amorous emotions, Francesco Cavalli. Soprano and countertenor are supported by a modern master of Italian Baroque style in Claudio Cavina, who directs La Venexiana (Cavina has also led the Glossa recording of Cavalli’s 1656 opera Artemisia).
Darius Milhaud - Ensemble Villa Musica - Kammersymphonien No.1-6 (1992, MDG # L 3449) [RE-UP]

Darius Milhaud - Ensemble Villa Musica - Kammer-Symphonien No. 1-6 / Suite D'Après Corrette / Les Rêves De Jacob
EAC+LOG+CUE | FLAC: 233 MB | Full Artwork | 5% Recovery Info
Label/Cat#: MDG # L 3449 | Country/Year: Germany 1992
Genre: Classical | Style: Contemporary

Milhaud’s six little symphonies are brief, lighthearted experiments in sound combinations, and they are also very charming. These performances are delightful … precise, spirited, brilliant …
I don’t see how anyone could go wrong with these performances, which MDG captures in bright, characterful sound.
Maria João Pires, Claudio Abbado - Schumann: Piano Concerto, Piano Quintet (2000)

Maria João Pires, Claudio Abbado - Schumann: Piano Concerto, Piano Quintet (2000)
XLD Rip | FLAC (tracks+.cue, log) - 249 MB | MP3 (CBR 320 kbps) - 150 MB | Covers Included | 01:02:03
Genre: Classical | Label: Deutsche Grammophon | Catalog: 463179

Deutsche Grammophon has another excellent Schumann Concerto in its catalog, the Pollini/Abbado, with the Berlin Philharmonic, coupled with a good but not great Schoenberg Piano Concerto. Not surprisingly, Pollini is more muscular and evenly balanced in the Schumann, even if he is, as usual, a bit straitlaced. Pires is always the sensitive and probing artist, or so it seems. Here, she is alert from the opening descending chords to the expressive potential in every bar. She puts much more thinking and feeling in her interpretation than Pollini and most others I've heard.