Genius can be defined in a number of ways. One such definition is to be the right person in the right place at the right time; another is to have the capacity to move your audience to tears. Monteverdi meets both these criteria with flying colours. His professed ambition was to "move the passions of the soul," thereby drawing tears from his audience, and he achieved this with greater efficacy than any of his contemporaries. The use of the word "madrigal" on the title pages of his eight collections (and a posthumous Ninth Book from 1651) is therefore deceptive, concealing radical stylistic changes which brilliantly reflect the turbulent, exciting times in which he lived.
Claudio Giovanni Antonio Monteverdi (15 May 1567 (baptized) – 29 November 1643) was an Italian composer, gambist, singer and Roman Catholic priest.
Monteverdi's work, often regarded as revolutionary, marked the transition from the Renaissance style of music to that of the Baroque period. He developed two individual styles of composition – the heritage of Renaissance polyphony and the new basso continuo technique of the Baroque. Monteverdi wrote one of the earliest operas, L'Orfeo, an innovative work that is the earliest surviving opera that is still regularly performed. He was recognized as an innovative composer and enjoyed considerable fame in his lifetime.
To complete their masterful Monteverdi Edition, Claudio Cavina and La Venexiana start at the beginning - the Madrigali a cinque voci… Book One. Monteverdi's exploration of the madrigal art form, was to occupy the composer for more than 50 years..
This box set assembles the complete Monteverdi recordings that William Christie and Les Arts Florissants made for harmonia mundi over some fifteen years. Together, they constantly refreshed their inspiration at the wellspring of his finest and most famous madrigals, with a memorable incursion into the sacred repertory of the Selva morale.