Genius can be defined in a number of ways. One such definition is to be the right person in the right place at the right time; another is to have the capacity to move your audience to tears. Monteverdi meets both these criteria with flying colours. His professed ambition was to "move the passions of the soul," thereby drawing tears from his audience, and he achieved this with greater efficacy than any of his contemporaries. The use of the word "madrigal" on the title pages of his eight collections (and a posthumous Ninth Book from 1651) is therefore deceptive, concealing radical stylistic changes which brilliantly reflect the turbulent, exciting times in which he lived.
Monteverdi was seventy-one when he published his Eighth Book of madrigals. This collection, a monumental work of remarkable beauty, is a synthesis of all Monteverdi's experience in the realm of secular music. It is the culmination of a genre, the Italian madrigal, which here achieves a rare state of perfection. INDISPENSABLE!
To complete their masterful Monteverdi Edition, Claudio Cavina and La Venexiana start at the beginning - the Madrigali a cinque voci… Book One. Monteverdi's exploration of the madrigal art form, was to occupy the composer for more than 50 years..
Recorded at the Cité de la Musique during the complete cycle of Monteverdi madrigals mounted in partnership with the Philharmonie de Paris and the Théâtre de Caen, the last volume in our trilogy probably contains the best-loved gems of a composer who had become maestro di cappella at St Mark’s in Venice, and finally entered the priesthood. Alongside the great operas that have survived from this period, the final madrigals methodically explore the multiple possibilities offered by the rapidly developing practice of basso continuo and by an unprecedented exploitation of solo voices. And, in that respect, the celebrated 'Combattimento di Tancredi e Clorinda' forms a spectacular finale to our Monteverdian adventure!