Khamma stems from a commission in 1910 for an Egyptian ballet, originally entitled Isis. The project was troubled from the start when Debussy refused to reduce the orchestra from 90 to 40 players. He never heard the work, which was first given its concert performance in 1924. Bavouzet writes, ‘I discovered almost by chance in a Parisian music store, a version for piano of Khamma. This had previously escaped me so what was my surprise when I saw the richness and originality! The virtuosity required is much more subtle than the more obvious. It must give the illusion of more perfect sound levels corresponding to each ……..
"…Debussy playing does not come any better than this, and anyone starting to collect this excellent Chandos series need not really look any further. The CDs are available separately each in turn was given a ’Gramophone Award…"The Pengiun Guide – 1000 Greatest Classical Recordings 2011-12
The music now moves to a more playful strand in Debussy’s compositional career, with generally shorter pieces of the salon genre, including the two famous collections Children’s Corner and Suite bergamasque. In addition to these well-known works are several that are more rarely heard. Two such are La plus que lente, which seems to look ahead to the Études of 1915, and Élégie. Roger Nichols describes the former as ‘one of his most delightful pieces… the harmonic turns are particularly sophisticated and enchanting’. The Élégie was written in 1915 following the composer’s move …….
Here is a disc of purest piano-perfection. Having listened to it right through at one sitting, I can state that it has been one of the most perceptive, satisfying, seductive - indeed hypnotic - and rivetingly delightful discs of piano-playing I've encountered in a long time. Every one of these 18 miniature masterpieces emerges fresh, like finest jewels expertly sculpted. Not even the most familiar of them (like Arabesque 1, Cathedrale Engloutie, Fille aux Cheveux de Lin, Clair de Lune) fail to captivate and enchant the ear…….S. Mitchell @ Aamazon.com
Jean-Efflam Bavouzet here presents his second volume of Debussy’s Complete Works for Piano, which reveals a more reflective, private period in Debussy’s compositional career. Debussy won the Prix de Rome in 1884 at the age of twenty-one and through it tasted institutional life for the first and last time. It was one of the most miserable periods in his life. Quite aside from having to leave his Parisian mistress, Debussy was never comfortable …..
This exciting new recording marks the debut on Chandos of the French pianist Jean-Efflam Bavouzet with one of the summits of the piano repertoire: Debussy’s two books of Préludes, complemented by the only recently rediscovered and rarely recorded late prelude entitled Les soirs illuminés par l’ardeur du charbon……
Of the compilations released to mark the 150th anniversary of Claude Debussy's birth this year, this is the most treasurable. As a survey of the music of perhaps of the greatest 20th-century composer it could hardly be bettered, especially within recordings from a single label, or rather, a single group of labels, for as well as Deutsche Grammophon recordings it also includes material from Philips and Decca, which are all now part of the Universal stable.
More than ten years after the Art of Noise left Trevor Horn's ZTT label to record on their own, original members Anne Dudley and Paul Morley reunited with Horn plus 10cc's Lol Creme to record another LP, organized around the work of French modernist composer Claude Debussy. With a guest list including John Hurt as well as Rakim, the album charts the artistic use of sampled breakbeats – pioneered by the Art of Noise themselves – with nods to '80s hip-hop plus their '90s equivalent, drum'n'bass. Though the Art of Noise doesn't sound quite as brash as they did in their '80s prime, The Seduction of Claude Debussy is an interesting showcase of what made the group great.