Among the dozens of sessions Django Reinhardt cut with various groups from 1934 to 1953, he would only rarely make trio recordings. This set compiles all of this existing instrumental trios, including a variety of different formations. As a bonus, a rare session by singer Nitta Rette backed by a trio of Django, Stéphane Grappelli and pianist Emil Stern (with plenty of solos by the three instrumentalists), as well as a series of quartet sides which feature Django as a prominent soloist.
Fourteen rarities from the seemingly bottomless 1948-1952 stash of Detroit producer Bernie Besman, joined by a 1961 stereo "Blues for Abraham Lincoln" that's painfully out-of-tune. Includes "Boogie Chillen" and an alternate version of "I'm in the Mood."
Philippe Hersant is a French composer. He studied at the Conservatoire national supérieur de musique, Paris. From the 1960s onwards he was one of the leading European composers who contributed to a profound renewal of contemporary musical creation during the last quarter of the twentieth century.
2016 three CD collection. After a two-year hiatus, Ministry's multi-million selling series returns with Anthems Soul Classics. Soul music, for it's namesake, has one characteristic like no other music genre… A pure, heartfelt warmth that shines through it's gospel routes into melodies that defined a generation. Anthems Soul Classics is the definitive collection of the biggest names and greatest sounds in soul.
Her mountainous stature matching the sheer soulful power of her massive vocal talent, Big Maybelle was one of the premier R&B chanteuses of the 1950s. Her deep, gravelly voice was as singular as her recorded output for Okeh and Savoy, which ranged from down-in-the-alley blues to pop-slanted ballads. In 1967, she even covered ? & the Mysterians' "96 Tears" (it was her final chart appearance). Alleged drug addiction leveled the mighty belter at the premature age of 47, but Maybelle packed a lot of living into her shortened lifespan.
Beethoven was Wilhelm Furtwängler’s guiding musical force. In his interpretations of the symphonies, the conductor generates irresistible dramatic momentum – and a constant sense of imaginative freshness – through the interrelationship of form, harmony, texture, rhythm and tempo. These recordings, all made in the late 1940s and early 1950s, in the Musikverein in Vienna and at concerts in London, Bayreuth and Stockholm, were newly remastered in 2010, bringing their sound more alive than ever before.
In 1995, A&M released Every Breath You Take: The Classics to replace the original album. It features a slightly different track listing: the original version of "Don't Stand So Close To Me" replaces the 1986 recording at track 5; the '86 version appears at track 13. A 'New Classic Rock Mix' of "Message in a Bottle" is included as track 14.
Yundi, the Chinese dazzling pianist acclaimed by the Wall Street Journal for his - poetic depth and patrician elegance - continues his award-winning exploration of the works of Chopin with a new recording of the Ballades, and by embarking on a major international tour. If precedent is a guide, both are expected to cause massive excitement among his fans. For his new all-Chopin recording, Yundi performs the Opus 17 set of four Mazurkas, the Berceuse (Op 57), and all four Ballades. The latter works were composed between 1831 and 1842, and contain some of the composers most operatic writing, as well as his most challenging technical demands.