Clarinet Bill

Bill Frisell - Live in Montreal (2009)  Music

Posted by robi62 at Dec. 15, 2016
Bill Frisell - Live in Montreal (2009)

Bill Frisell - Live in Montreal (2009)
Video: NTSC, MPEG-2 at 5 774 kb/s, 720 x 480 at 29.970 fps | Audio: DTS 6ch. at 1 510 kb/s, PCM 2ch. at 1 536 kb/s
Genre: Jazz, Folk | Label: EmArcy | Copy: Untouched | Release Date: 20 July 2009 | Runtime: 94 min. | 6,98GB (DVD9)

The defining characteristic of any given jazz musician is frequently his sound. The more control a player has over the nature of that sound, the more likely he is to project a distinctive musical personality.
Paul Bley / John Surman / Bill Frisell / Paul Motian - The Paul Bley Quartet (1987) {ECM 1365} [Re-Up]

Paul Bley / John Surman / Bill Frisell / Paul Motian - The Paul Bley Quartet (1987) {ECM 1365}
EAC 1.0b1 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 282MB + 5% Recovery
MP3 CBR 320 Kbps | 144MB + 5% Recovery
Genre: Jazz, Avant-Garde Jazz

This 1987 date teams the iconoclastic pianist with guitarist Bill Frisell, drummer Paul Motian, and British saxophonist John Surman. While it's easy to argue that, with Manfred Eicher's icy, crystalline production, this was a stock date for both the artists and the label, that argument would be flat wrong. Bley was looking for a new lyricism in his own playing and in his compositions. He was coming from a different place than the large harmonies offered by augmented and suspended chords and writing for piano trios. The other band members – two other extremely lyrical improvisers in Surman and Frisell.
Giuseppe Porgo, Norddeutsche Philharmonie Rostock & Johannes Moesus - Cavallini: Works for Clarinet & Orchestra (2015)

Giuseppe Porgo, Norddeutsche Philharmonie Rostock & Johannes Moesus - Cavallini: Works for Clarinet & Orchestra (2015)
Classical | MP3 CBR 320 kbps | 01:02:44 | 144 MB
Label: CPO

The Paganini of the Clarinet Ernesto Cavallini was extremely successful as a clarinetist and as a composer. Many even termed him »the Paganini of the clarinet,« while for others he was »the premier clarinetist of Italy and of the universe. The two virtuoso clarinet concertos heard here in premiere recordings are distinguished by very different characteristics and call for a full orchestra. Outstanding technique is required to master the sophisticated, highly demanding solo passages, and our chosen interpreter Giuseppe Porgo fills the bill.

The Music Coach Online Clarinet Lesson Program  eBooks & eLearning

Posted by naag at March 2, 2016
The Music Coach Online Clarinet Lesson Program

The Music Coach Online Clarinet Lesson Program
MP4 | Video: AVC 1280x720 | Audio: AAC 44KHz 2ch | Duration: 2.5 Hours | 1.78 GB
Genre: eLearning | Language: English

Learn To Play The Clarinet In Just 30 Minuets Per Week! Practice Videos Included.

Pop Celebration: E-Flat Alto Clarinet  eBooks & eLearning

Posted by alt_f4 at Sept. 8, 2015
Pop Celebration: E-Flat Alto Clarinet

Pop Celebration: E-Flat Alto Clarinet by Frank Erickson
English | Dec. 1, 1986 | ISBN: 0711978654 | 46 Pages | PDF | 5 MB

Contents are: The Gang That Sang ""Heart of My Heart""
From the Clarinet D'Amour to the Contra Bass: A History of Large Size Clarinets, 1740-1860 by Albert R. Rice

From the Clarinet D'Amour to the Contra Bass: A History of Large Size Clarinets, 1740-1860 by Albert R. Rice
English | March 31, 2009 | ISBN: 019534328X | 488 Pages | PDF | 8,1 MB
Jim Norton Collective - Time Remembered: Compositions of Bill Evans (2014)

Jim Norton Collective - Time Remembered: Compositions of Bill Evans (2014)
MP3 320 kbps CBR | 62:26 min | 146 MB
Genre: Jazz | Label: Origin Records

The late Bill Evans was so celebrated a pianist that even some partisans may overlook the fact that he was also a splendid composer with a number of oft-revisited jazz themes to his credit. Saxophonist / arranger Jim Norton hasn't forgotten, and has entrusted Time Remembered, his debut album as leader of the Jim Norton Collective, to music written and sometimes performed by Evans (with one exception, to be explained in due course).

iCe Samples Bass Clarinet KONTAKT  Software

Posted by orientazure at May 23, 2014
iCe Samples Bass Clarinet KONTAKT

iCe Samples Bass Clarinet KONTAKT | 143 Mb

iCe Bass Clarinet is a classic bass clarinet with sustain notes about 2 seconds with beautifull interface and powerful Legato script for transitions.
Kari Kriikku & Anssi Karttunen - A Due (music for  Clarinet and Cello)

Kari Kriikku & Anssi Karttunen - A Due (music for Clarinet and Cello)
Classical | EAC: FLAC+Cue+Log | 1 Cd, Covers + Booklet | 367 Mb
Date: 2007

At the very end of the 1980s, Anssi Karttunen and Kari Kriikku, old friends from their days at the Sibelius Academy, decided to commision works from all major Finnish composers for the then-usual combination of cello and clarinet. Sure enough, most composers agreed, and the two performers were even able to premiere the pieces in short order. It took 15 years, however, for Ondine to release the recording which Karttunen and Kriikku promised. I am not a fan of all the composers here, so I will limit my comments to four works……….. Lots of fun.
Christopher Culver @ Amazon.com
Bill Evans - The Complete Bill Evans on Verve (1997) [18CD Box Set] {Verve} [repost]

Bill Evans - The Complete Bill Evans on Verve (1997) [18CD Box Set] {Verve}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 7.02 Gb | MP3 @320 -> 2.88 Gb
Full Artwork @ 600 dpi (jpg) -> 151 Mb | 5% repair rar
© 1997 Verve / PolyGram | 314 527 953-2
Jazz / Post Bop / Modal Music / Piano

THE COMPLETE BILL EVANS ON VERVE is an 18-disc, 269-track box set featuring every track that Bill Evans recorded for Verve between 1962 and 1969, including 98 previously-unreleased tracks. It includes a 160-page, full-color book. THE COMPLETE BILL EVANS ON VERVE was nominated for a 1998 Grammy Award for Best Recording Package - Boxed and for Best Historical Album. The 18 CDs in this exhaustive set provide a comprehensive picture of Bill Evans from 1962 to 1969, a period when the pianist was both consolidating his fame and sometimes taking his music into untested waters, from unaccompanied piano to symphony orchestra. His work with multitracked solo piano, originally released as Conversations with Myself and the later Further Conversations with Myself, was the most remarkable new format for his introspective music. It gave Evans a way to be all the pianists he could be at once–combining densely chordal, harmonically oblique parts with surprising, rhythmic punctuation and darting, exploratory runs.