Christoph Gross

Milchwald / In This Very Moment - by Christoph Hochhausler (2003)

Milchwald / In This Very Moment - by Christoph Hochhäusler (2003)
DVD5(Cust.) | German + Russian | 720x576 | Mpeg2, ~4800 kbps | Ru(AC3 ~384 kbps) | Ger(AC3 ~192 kbps) | 3.84 GB
Subs: English, French, Russian | Drama

This is the story of Sylvia, who looses her stepchildren on a shopping trip in Poland. For fear of loosing her husband's love, too, she is unable to tell him what has happened and returns home, pretending anything is fine. When realising the missing of his children, the father starts a desperate retrieval. He is ready to give up anything in order to find them.

Artworks of George Gross  Graphics

Posted by igor_lv at Sept. 6, 2012
Artworks of George Gross

Artworks of George Gross
105 JPG | up to 2500x3000 Pixels | 54.1 MB
American artist

Unter dir die Stadt - by Christoph Hochhäusler (2010)  Video

Posted by alexov85 at Nov. 18, 2011
Unter dir die Stadt - by Christoph Hochhäusler (2010)

Unter dir die Stadt / The City Below - by Christoph Hochhäusler (2010)
DVDRip | German | 720x304 | XviD | ~1516 kbps | 48 kHz, AC3 | 6 ch | ~ 448 kbps | Subs: Russian | 1.46 GB
Drama

A high-flying corporate bigwig meets his match in Christoph Hochhäusler's tense drama set in the upper echelons of Frankfurt’s banking sector. It’s a malevolent world of high finance and corporate malfeasance, in which dour men sit around gargantuan tables in penthouse boardrooms plotting the takeover of rival firms. The dourest of all is the reptilian Roland Cordes (Robert Hunger-Büehler) who, at the outset of the film, seems to have lost some of his appetite for conquest.

Image Line Gross Beat 1.0.4  Software

Posted by bityan at Oct. 8, 2009
Image Line Gross Beat 1.0.4

Image Line Gross Beat 1.0.4 | 7,17 MB

Play with time! Gross Beat is a time manipulation effect designed for repetition and scratching effects. Gross beat is perfect for real-time or rendered gating, glitch, repeat, scratching and stutter performances. Gross Beat stores audio in a 2-bar rolling buffer under the control of 36 user definable time and volume envelopes, giving you unlimited creative control.

Gross Textures Brushes for Photoshop  Graphics

Posted by Alexpal at June 19, 2007
Gross Textures Brushes for Photoshop

Gross Textures Brushes for Photoshop | 10 Mb
Development Challenges in Bhutan: Perspectives on Inequality and Gross National Happiness (Contemporary South Asian Studies)

Development Challenges in Bhutan: Perspectives on Inequality and Gross National Happiness (Contemporary South Asian Studies) by Johannes Dragsbæk Schmidt
English | 7 Apr. 2017 | ISBN: 3319479245 | 284 Pages | PDF | 3.47 MB

This book provides essential insights into Bhutan’s developmental challenges. It analyzes and scrutinizes the sovereign state’s developmental approach, including the idea of Gross National Happiness (GNH),
Richard Strauss - Capriccio (Christoph Eschenbach) (2014) [Blu-Ray]

Richard Strauss - Capriccio (Christoph Eschenbach) (2014) [Blu-Ray]
BluRay | BDMV | MPEG-4 AVC Video / 26955 kbps / 1080i / 29,970 fps | 163 min | 41,3 Gb
Audio1: German / LPCM Audio / 2.0 / 24-bit | Audio2: DTS-HD Master Audio / 5.0 / 48 kHz / 3867 kbps / 24-bit

BluRay-rip | AVC | MKV 1920x1080 / 6215 kbps / 29,97 fps | 163 min | 8,78 Gb
Audio: German / DTS / 5ch / 48.0 KHz / 24 bits
Classical | C Major | Sub: German, English, French, Spanish, Chinese, Korean, Japanese

“Kurt Rydl crowns a fine stage career with a gloriously eccentric impersonation of La Roche…The singing honours belong entirely to Angelika Kirchschlager as Clairon.” (BBC Music Magazine). “this Countess's preference for 'Ton' over 'Wort' is clear from the start…The greatest pleasure of the performance, for me, undoubtedly comes in the wonderful playing of the Staatsoper orchestra, the sweet, tender strings and the mellifluous horns in particular; and Christoph Eschenbach conducts a leisurely and loving account of Strauss's gorgeous score.” (Gramophone Magazine)
Christoph Denoth, London Symphony Orchestra, Jesús López Cobos - Palomo, Rodrigo, Malats (2016)

Christoph Denoth, London Symphony Orchestra, Jesús López Cobos - Palomo, Rodrigo, Malats (2016)
EAC | FLAC (image+.cue, log) | Covers + Digital Booklet | 67:40 | 286 MB
Genre: Classical | Label: Signum Classics | Catalog: SIGCD444

For this album, renowned classical guitarist Christoph Denoth joins with the London Symphony Orchestra under conductor Jesus Lopez Cobos to bring us a beautiful recording of compositions by Lorenzo Palomo, Joaquin Rodrigo, and Joquin Malats. The title track of the album, Palomo’s Nocturnos de Andalucia, was composed for Pepe Romero. The full suite for guitar and orchestra was premiered in Berlin on January 27, 1996, with Romero performing.
Christoph Eschenbach & Matthias Goerne - Brahms: Vier ernste Gesänge (2016)

Christoph Eschenbach & Matthias Goerne - Brahms: Vier ernste Gesänge
Classical | WEB FLAC (tracks) & d. booklet | 55:40 min | 185 MB
Label: Harmonia Mundi | Tracks: 18 | Rls.date: 2016

Brahms wrote a vast number of lieder over a period of 40 years. The 200 or so he permitted to survive show just how important the genre was to his compositional process. The selection presented here illustrates the diversity of a corpus that features Heine (as with so many other composers), but also a wide variety of other poets whom he set to music with the same consummate skill as the Four Serious Songs Op.121, the peak of his magnificent and highly individual output.

Christoph Spering - Bach: Ein feste Burg ist unser Gott (2015)  Music

Posted by SERTiL at March 26, 2017
Christoph Spering - Bach: Ein feste Burg ist unser Gott (2015)

Christoph Spering - Bach: Ein feste Burg ist unser Gott
Classical | WEB FLAC (tracks) & d. booklet | 62:08 min | 309 MB
Label: Deutsche Harmonia Mundi | Tracks: 20 | Rls.date: 2015

This revealing project deals exclusively with Bach's well-known cantata BWV 80, 'Ein feste Burg ist unser Gott', in its various versions and revisions, both by JSB and by his son Wilhelm Friedemann. Bach originally wrote his earliest version (BWV 80a) of a Reformation celebration cantata, based on Luther's famous chorale, in 1715, and subsequently reworked this around 1724 (BWV 80b); nothing has survived of the first version, and only a couple of fragments of the second, which are recorded here. Then, between 1728 and 1731, Bach rewrote and extended the work to produce the cantata which we know today as BWV 80 and which, of course, is included in this recording.