This is the story of Sylvia, who looses her stepchildren on a shopping trip in Poland. For fear of loosing her husband's love, too, she is unable to tell him what has happened and returns home, pretending anything is fine. When realising the missing of his children, the father starts a desperate retrieval. He is ready to give up anything in order to find them.
A high-flying corporate bigwig meets his match in Christoph Hochhäusler's tense drama set in the upper echelons of Frankfurt’s banking sector. It’s a malevolent world of high finance and corporate malfeasance, in which dour men sit around gargantuan tables in penthouse boardrooms plotting the takeover of rival firms. The dourest of all is the reptilian Roland Cordes (Robert Hunger-Büehler) who, at the outset of the film, seems to have lost some of his appetite for conquest.
“Kurt Rydl crowns a fine stage career with a gloriously eccentric impersonation of La Roche…The singing honours belong entirely to Angelika Kirchschlager as Clairon.” (BBC Music Magazine). “this Countess's preference for 'Ton' over 'Wort' is clear from the start…The greatest pleasure of the performance, for me, undoubtedly comes in the wonderful playing of the Staatsoper orchestra, the sweet, tender strings and the mellifluous horns in particular; and Christoph Eschenbach conducts a leisurely and loving account of Strauss's gorgeous score.” (Gramophone Magazine)
For this album, renowned classical guitarist Christoph Denoth joins with the London Symphony Orchestra under conductor Jesus Lopez Cobos to bring us a beautiful recording of compositions by Lorenzo Palomo, Joaquin Rodrigo, and Joquin Malats. The title track of the album, Palomo’s Nocturnos de Andalucia, was composed for Pepe Romero. The full suite for guitar and orchestra was premiered in Berlin on January 27, 1996, with Romero performing.