Christoph Gross

Christoph Zehendner - Was zählt (2018)  Music

Posted by Fizzpop at March 20, 2018
Christoph Zehendner - Was zählt (2018)

Christoph Zehendner - Was zählt (2018)
WEB FLAC (Tracks) 337 MB | Cover | 58:13 | MP3 CBR 320 kbps | 134 MB
Schlager, Pop | Label: Gerth Medien

Neue Lieder aus der Feder des Wortkünstlers: Lebensweisheit und lebendige Glaubenserfahrungen inklusive. Mit seinen neuen Liedern nimmt Christoph Zehendner seine Hörerinnen und Hörer mit auf die Reise. Er erzählt wahre Geschichten, die das Herz berühren. Erinnerungen an Menschen, die ihn bereichert haben, z. B. in Indien, in Israel, auf Teneriffa oder nebenan. Man begegnet u. a. Mutter Teresa, einem verfolgten Christen, Stammvater Abraham und den 'Christusträger-Brüdern'. Man bekommt Mut zum Wagnis - und erinnert sich an den stabilen Grund des Glaubens.
Matthias Goerne, Christoph Eschenbach - Johannes Brahms: Vier Ernste Gesange Op.121; Lieder Und Gesange Op.32 (2016)

Johannes Brahms: Vier Ernste Gesänge Op.121; Lieder Und Gesänge Op.32 (2016)
Matthias Goerne, baritone; Christoph Eschenbach, piano

EAC | FLAC | Image (Cue&Log) ~ 205 Mb | Mp3 (CBR320) ~ 132 Mb | Artwork included
Genre: Classical, Vocal | Label: Harmonia Mundi | # HMC 902174 | 00:55:47

It's the late Vier ernste Gesänge, Op. 121, that get the big print on the cover of this release by the awe-inspiring baritone Matthias Goerne, but actually the music on the album falls into a neat early-middle-late classification scheme. The group of middle-period settings of poetry by Heinrich Heine doesn't even get graphics on the cover, but these are fascinating. Brahms wrote a lot of songs, but you couldn't do better than the selection and performances here for a cornerstone collection item. Beyond the sheer beauty of Goerne's voice is an ability to shift gears to match how Brahms' style evolved. If you want to hear his real slashing, operatic high notes, check out the Lieder und Gesänge, Op. 32, settings of poems by the minor poets Georg Friedrich Daumer and Karl August Graf von Platen. These rather overwrought texts add up to a kind of slimmed-down Winterreise, and they catch the spirit of the still-young Brahms with his strong passions, elegantly controlled. The Heine settings, which come from several different sets of lieder, are not that often heard and are in some ways the most compelling of the group here.
Werner Gura, Christoph Berner - Ludwig van Beethoven: Lieder & Bagatellen (2015)

Werner Güra, Christoph Berner - Ludwig van Beethoven: Lieder & Bagatellen (2015)
EAC | FLAC | Image (Cue&Log) ~ 210 Mb (incl 5%) | Mp3 (CBR320) ~ 160 Mb (incl 5%) | Scans included
Genre: Classical, Vocal | Label: Harmonia Mundi | # HMC902217 | Time: 01:03:12

Beethoven as a giant of the symphony and the sonata has somewhat overshadowed Beethoven as a creator of songs. On this varied and insightful recording, tenor Werner Güra performs a program featuring Adelaide and the first song cycle in history, An die ferne Geliebte, that proves Beethoven's lieder lacked neither appeal nor originality. Accompanist Christoph Berner plays a Streicher fortepiano of 1847 that is perfectly suited to both the songs and to his solo performance of the wonderful Bagatelles of Op.126.
Claudio Arrau, RCO, Christoph von Dohnanyi - Edvard Grieg & Robert Schumann: Piano Concertos (1989) [Repost, New Rip]

Edvard Grieg & Robert Schumann: Piano Concertos (1989)
Claudio Arrau, piano; Royal Concertgebouw Orchestra, Amsterdam; Christoph von Dohnányi

EAC | FLAC | Tracks (Cue&Log) ~ 320 Mb (incl 5%) | Mp3 (CBR320) ~ 182 Mb (incl 5%) | Scans included
Genre: Classical | Label: Philips | # 426 079-2 | Time: 01:06:55

Claudio Arrau recorded these concertos twice for Philips, the present performances in 1963, and then again in 1980 with Colin Davis and the Boston Symphony. There's very little to choose between them. Tempos are almost identical, and contrary to what one might expect, the slow movement of the Schumann concerto is actually a bit faster in the later version. Arrau's way with the music is wholly characteristic of the man: serious, even reverential (at the beginning of the Schumann), and played with drop-dead gorgeous tone. The result enhances the stature of both works, but the Grieg in particular. The climax of the finale has an epic grandeur without a hint of bombast that you simply won't find in any other performance. Dohnányi's accompaniments are also distinguished: he lets Arrau lead but isn't afraid to permit the orchestra to assert itself where necessary; and of course the playing of the Concertgebouw is top-notch. If you haven't heard Arrau in this music, it really doesn't matter which of his recordings you wind up with, but do try to get at least one of them.
Members of Finnish Baroque Orchestra - Christoph Graupner: Trio Sonatas (2014)

Members of Finnish Baroque Orchestra - Christoph Graupner: Trio Sonatas (2014)
EAC | FLAC | Image (Cue&Log) ~ 297 Mb (incl 5%) | Mp3 (CBR320) ~ 146 Mb (incl 5%) | Scans included
Genre: Classical | Label: Ondine | # ODE 1240-2 | Time: 00:59:03

Finnish Baroque Orchestra’s second release of Christoph Graupner’s (1683–1760) music continues to reveal delightful masterpieces by the Baroquemaster, who November 2014 during his lifetime was even more well known than his colleague Johann Sebastian Bach. After the acclaimed release of Graupner’s orchestral works (ODE12202; The Finnish broadcasting company YLE Record of the Year 2013), this new album focuses on some of the chamber works by Graupner – the Trio Sonatas. Graupner was extremely productive as a composer, with a catalogue of over 2’000 works varying from orchestral works to cantatas, concertos and chamber music. He also possessed a unique personal style of writing music and often favoured certain rarer instruments in his works. Among these are the viola d’amore as well as the chalumeau, both instruments being heard also on this disc. From his contemporaries Graupner’s music stands out with its exceptional command of melody and harmony.
Re-Reading the Scriptures: Essays on the Literary History of the Old Testament by Christoph Levin

Re-Reading the Scriptures: Essays on the Literary History of the Old Testament by Christoph Levin
English | July 2013 | ISBN: 3161522079 | 337 Pages | PDF | 2 MB

One main focus is on the Pentateuch, mainly on the oldest comprehensive narrative source, the Yahwist, which was written at the beginning of the Jewish diaspora. A second focus is on the books of Kings, on their chronological structure as well as on the final two chapters 2 Kgs 24-25.

BRS Gross Anatomy (Repost)  eBooks & eLearning

Posted by nebulae at Jan. 21, 2014
BRS Gross Anatomy (Repost)

Kyung Won Chung and Harold M. Chung, "BRS Gross Anatomy"
English | 2011 | ISBN: 1605477451 | 504 pages | PDF | 55 MB
Christoph Eschenbach (piano) - Chopin: Preludes [2010, Universal Music UCCG-9983]

Christoph Eschenbach (piano) - Chopin: Preludes [2010, Universal Music UCCG-9983]
Classical | EAC Rip | Flac(Image) + Cue + Log & iPod M4A(Tracks) & MP3 CBR 320Kbps
Universal Music UCCG-9983 | ~ 168 or 165 or 126 Mb | FSonic, Uploaded, Uploadstation
Scans (JPG) Included | Scans (Tiff, 600dpi) -> 275 Mb

24 Preludes, op.28; Prelude in C sharp minor, op.45; Prelude in A flat major, op.post.(no.26)
Christoph König & Soloists Européens Luxembourg - Schubert / Berio (2018) [Official Digital Download]

Christoph König & Soloists Européens Luxembourg - Schubert: Symphony No. 9 in C Major, D. 944 "Great" - Berio: "Rendering" after Schubert Symphony No. 10 in D Major, D. 936a (2018)
FLAC (tracks) 24-bit/48 kHz | Time - 78:22 minutes | 763 MB
Studio Master, Official Digital Download | Artwork: Digital Booklet

Just before his death in 1828 at the age of just 31, Franz Schubert was at work on his 10th Symphony in D major D936a, and had signed up for counterpoint lessons with Simon Sechter, who later taught the young Anton Bruckner. The 10th was destined to become yet another unfinished Schubert work, and his 6th unfinished symphony, but the extensive sketches are fascinating and show Schubert clearly moving into new sound worlds that anticipate Mahler in the central slow movement. Berio’s ingenious work ‘Renderings’ brings Schubert’s extensive sketches alive by creating a new work around and within the framework of the unfinished symphony.
Christoph König & Soloists Européens Luxembourg - Schubert: Symphony No. 9 in C Major, D. 944 "Great" - Berio (2018)

Christoph König & Soloists Européens Luxembourg - Schubert: Symphony No. 9 in C Major, D. 944 "Great" - Berio: "Rendering" after Schubert Symphony No. 10 in D Major, D. 936a (2018)
WEB FLAC (tracks) - 321 Mb | MP3 CBR 320 kbps - 180 Mb | 01:18:26
Classical | Label: Rubicon

Just before his death in 1828 at the age of just 31, Franz Schubert was at work on his 10th Symphony in D major D936a, and had signed up for counterpoint lessons with Simon Sechter, who later taught the young Anton Bruckner. The 10th was destined to become yet another unfinished Schubert work, and his 6th unfinished symphony, but the extensive sketches are fascinating and show Schubert clearly moving into new sound worlds that aniticipate Mahler in the central slow movement. Berio’s ingenious work ‘Renderings’ brings Schubert’s extensive sketches alive by creating a new work around and within the framework of the unfinished symphony.