"This is an oustanding achievement, which any genuine Chopin lover and student of Romantic music should own … A landmark in the recording of Chopin's music … Garrick Ohlsson and Hyperion deserve the greatest success in bringing this important undertaking to such a consistently impressive conclusion" (International Record Review)
Almost four hours of music constitutes exceptional value especially when, tucked away among a selection of Mazurkas, is Chopin's early "Variations on a German National Air". Vásáry charms you into wondering why it is so rarely heard.
This set offers Chopin's most famous and best loved piano expertly played by Tamas Vasary.
Tamás Vásáry (born August 11, 1933, Debrecen, Hungary) is a Hungarian pianist. Vásáry gave his first public performances at the age of 8. He studied with Ernő Dohnányi and Józef Gát at the Franz Liszt Academy of Music in Budapest, and was later assistant there to Zoltán Kodály, who made him a gift of a Steinway piano.
Firma Melodiya continues the series of compact discs dedicated to December Evenings Festival that takes place at the Pushkin State Museum of Fine Arts. This album, like the previous one, is dedicated to the 1985 festival World of Romanticism and includes recordings featuring Sviatoslav Richter. The atmosphere of December Evenings, an event initiated by the great pianist, differed from usual philharmonic concerts. The spirit of music as an inseparable part of "fusion of arts" the romanticists dreamt of was invisibly felt in each number; a sensitive listener can catch it in these, perhaps technically imperfect, concert recordings from thirty years ago. The works by Schubert, Schumann and Chopin were performed by Sviatoslav Richter in ensemble with his outstanding contemporaries, violinist and David Oistrakh's student Oleg Kogan who passed away prematurely, violist Yuri Bashmet, cellist Natalia Gutman and clarinettist Anatoly Kamyshov.
In the third of three new landmark albums on the Decca label, Nelson Freire marks his 70th birthday year with a stunning recording of Chopin’s lyrical and brilliant Piano Concerto No. 2. The recording was made in Cologne with the Gurzenich-Orchester Koln and Lionel Bringuier, one of the most talked-about of the younger generation of conductors. The release also features some favorite Chopin solo works including a Ballade, Berceuse, Polonaise and three Mazurkas.
…But indeed, I would hold up these three last pieces as touchstones of Blechacz’s current achievement. With their complete mastery of rubato, voicing and structure combined with expressive freedom, it is impossible to hear them without feeling that the tiny group of living great pianists is now a little larger. This is a career to follow, so don’t miss out.