The seven sides that make up the all-star outing Picture of Heath (1961) might be familiar to fans of co-leads Chet Baker (trumpet) or Art Pepper (alto saxophone), as Playboys (1956). Perhaps owing to trademark-related issues with the men's magazine of the same name, Picture of Heath became the moniker placed on the 1961 Pacific Jazz vinyl re-release, as well as the 1989 compact disc. Regardless of the designation on the label, the contents gather selections recorded on October 31, 1956 – the third encounter between Baker and Pepper.
This 1989 CD issue compiles all known sides cut during a July 26, 1956, session led by Chet Baker (trumpet) and Art Pepper (alto sax). Keen-eyed enthusiasts will note that this particular date occurred during a remarkable week – July 23 through July 31 – of sessions held at the behest of Pacific Jazz label owner and session producer Dick Bock at the Forum Theater in Los Angeles. The recordings made during this week not only inform The Route, but three other long-players as well: Lets Get Lost (The Best of Chet Baker Sings), Chet Baker and Crew, and Chet Baker Quintet at the Forum Theatre.
Recorded 1964 in Rome, Italy. Baker earned much attention and critical praise through the 1950s, particularly for albums featuring his vocals (Chet Baker Sings, It Could Happen to You). Jazz historian Dave Gelly described the promise of Baker's early career as "James Dean, Sinatra, and Bix, rolled into one." His well-publicized drug habit also drove his notoriety and fame; Baker was in and out of jail frequently before enjoying a career resurgence in the late 1970s and '80s.
In 1964, trumpeter Chet Baker returned to the United States after five sometimes-traumatic years spent overseas (which included a long stay in an Italian jail for drug abuse). Baker recorded prolifically during his first 14 months back in the States, including a set for Colpix, two records for Limelight, and, in a busy three-day period, five albums for Prestige titled Groovin', Comin' On, Cool Burnin', Smokin', and Boppin' With the Chet Baker Quintet. The Prestige sets have been long overlooked and only partially reissued in the past, but in 1997 they reappeared as three CDs.
Burnin' At Backstreet was recorded at the Backstreet Club in New haven Connecticut on February 19, 1980. Baker and Frank appear in a quartet format with bassist Michael Formanek and pianist Drew Salperto. The repertoire is wholly Baker. Baker loved the Miles Davis songbook and his performances of Davis originals were always more rounded and open than Davis.' "Tune Up," the modal "Milestones" and craggy "Four" share the stage with another Baker favorite, Dizzy Gillespie's "Blue 'n Boogie." Baker is in good solo form on these up tempo numbers. His tone is fat and confident, even when presented tartly, like the opening of "Milestones"…