Cheap Trick brings the first single collection. Disc 1 (Blu-spec CD2) includes all the tracks from their singles released in Japan in their EPIC era (1977-1990). Track list of them are listed in order of their release dates, and they are the US original versions. Also, the tracks features 2017 DSD mastering. Disc 2 (DVD - NTSC/Region 0) includes all the music videos released their EPIC era, including clips from "at Budokan." Comes with a booklet with cover artworks of all the singles.
If calling their fifteenth studio album The Latest doesn't exactly suggest enthusiasm on the part of Cheap Trick, keep in mind that the band has never shown much enthusiasm for album titles anyway, titling two albums after their band and one after their hometown of Rockford, IL. The Latest follows 2006's Rockford by three years and does indeed offer the latest spin on the band's classic power pop, flowing naturally from that quite excellent back-to-basics set, offering another collection of 13 guitar-heavy pop tunes. After the brief, ominous opener "Sleep Forever," a misleading slice of spacy, hazy, mood rock fades away, Cheap Trick tear into the overlooked Slade gem "When the Lights Are Out," suggesting that The Latest will be a high-octane rock-fest, but apart from a handful of other moments – including the raging "Sick Man of Europe" and the "Slow Down" revamp "California Girl" – a lot of the record consists of thick Beatlesque psychedelia, an appealing shift in tactics that makes this something a little bit different than yet another Cheap Trick record.
Sgt. Pepper Live is a performance by American band Cheap Trick with a full orchestra which was released on 25 August 2009, in commemoration of the forty-second anniversary of the release of the historic album Sgt. Pepper's Lonely Hearts Club Band by The Beatles. Both a live album and a companion DVD of the performance were released. The album was engineered by Geoff Emerick. Cheap Trick performed the "Sgt. Pepper Live" show at the Las Vegas Hilton for two weeks in September 2009.
While their records were entertaining and full of skillful pop, it wasn't until At Budokan that Cheap Trick's vision truly gelled. Many of these songs, like "I Want You to Want Me" and "Big Eyes," were pleasant in their original form, but seemed more like sketches compared to the roaring versions on this album…
Cheap Trick is an American rock band from Rockford, Illinois, formed in 1974. The band currently consists of vocalist Robin Zander, guitarist Rick Nielsen, bassist Tom Petersson, and touring drummer Daxx Nielsen. Original drummer Bun E. Carlos stopped touring with the band in 2010 but remains a partner in their business organization…
Busted is the eleventh studio album released by Cheap Trick, which was released in 1990 and peaked at number 44 on the US album charts. After the success of "The Flame" from the previous album Lap of Luxury, the band recorded Busted with a similar format, especially on the single "Can't Stop Fallin' Into Love." The single peaked at number 12 on the US charts. Guest musicians on the album include Mick Jones of the band Foreigner (guitar on "If You Need Me"), Chrissie Hynde from Pretenders (vocals on "Walk Away"), and Russell Mael of Sparks (vocals on "You Drive, I'll Steer"). Session musician (and former member of Poco) Kim Bullard played keyboards on the album. The album was certified Gold in Canada in November 1990.
Cheap Trick's comeback album is by no means a return to the creativity and vitality of their glory days. But even though Lap of Luxury is largely formulaic, the band's strongest collection of material in some time fills that late-'80s pop-metal formula quite well. Combining grandly romantic power ballads ("Ghost Town") with catchy hard rockers ("Never Had a Lot to Lose"), Lap of Luxury consistently delivers strong hooks and well-crafted songs, proving that Cheap Trick were still capable of outdoing many of the bands they helped inspire. The album produced two Top Five singles in a cover of Elvis Presley's "Don't Be Cruel" and the band's first number one hit, "The Flame."
The Doctor is the ninth studio album by Cheap Trick, released in 1986. Since the beginning of the 1980s, Cheap Trick saw increasing pressure from their label, Epic Records, to produce material that was more commercial. In 1985, the band successfully gained a commercial comeback with the Top 40 album Standing on the Edge. For that album, the band had planned on returning to the rough sound of their 1977 debut, but producer Jack Douglas backed out of mixing process due to the legal issues he was having with Yoko Ono. Mixer Tony Platt was called in, and as a result, the album's production featured keyboards and electronic drums more prominently than the band and Douglas had intended. For the follow-up album, Platt was hired as producer and he opted for the dominant use of commercial-sounding synthesizers. The Doctor was released in November 1986.
Standing on the Edge is the eighth studio album by the American rock group Cheap Trick, released in 1985. Jack Douglas, the producer of Cheap Trick's debut album Cheap Trick, made a return for this release. When released, Standing on the Edge peaked at number 35 on the Billboard 200 and was on the charts for 19 weeks. After a few albums of more pop-oriented material, Standing on the Edge saw Cheap Trick return to their standard hard-rocking sound. The album was produced by Jack Douglas, who produced the band's eponymous debut album as well as the Found All The Parts EP. Originally, Cheap Trick planned on returning to the rough sound of their first album.
Cheap Trick attempted to ride the new wave on 1982’s One on One, but wound up with a wipe-out, so they recovered by hiring Todd Rundgren, one of the few ‘70s album-rockers who proved that he knew how to negotiate the treacherous waters of the early ‘80s, for 1983’s Next Position Please. Rundgren wielded a heavy hand during his production, pushing Cheap Trick toward making a record that could easily be mistaken for a Utopia record – so much so, the Todd composition, “Heaven’s Falling,” slips onto the second side without calling attention to itself. The bright surfaces with the guitars and keyboards melding so tightly with the vocal harmonies they’re inseparable, produce a sound that is uncannily reminiscent of Oops!