Colonel Abrams is the self-titled debut album of Colonel Abrams, released in 1985. This album consists of garage house-influenced urban contemporary songs with lyrics and vocal performances provided by Abrams. Includes four Hot R&B singles chart hits: "The Truth," "Over and Over," "Trapped," and "I'm Not Gonna Let You" and the minor R&B chart hit "Table for Two." In addition, all the cuts of the album reached the top of the Hot Dance Singles chart.
This box contains 16 Apple Records albums, originally issued between 1968 and 1974. There is also a brand-new single compilation Come And Get It: The Best Of Apple Records. Each original album has been re-mastered and the vast majority features bonus material, as well as new packaging that includes updated notes and visuals.
BABY SISTER was her first solo album, produced by Richard Perry and was released on his Planet label in 1983 a few months before the Pointer Sisters multi-platinum album Break Out. It is widely known as the album where Perry perfected the R&B/Dance sound that would soon give the Pointer Sisters the biggest hits of their career Automatic and Jump.
's lone effort reunites the singer with producer , whose mid-'70s dates for effectively launched her solo career. proves some distance removed from the jazz-funk context of their previous collaborations, however, instead couching 's potent vocals in a slickly commercial, radio-friendly setting that casts neither artist nor producer in a positive light.
All six of the albums Hanoi Rocks made in their original incarnation – Bangkok Shocks, Saigon Shakes, Hanoi Rocks, Oriental Beat, Self Destruction Blues, Back to the Mystery City, Two Steps from the Move, and All Those Wasted Years – are packaged together, one album to one CD, in this straightforward six-CD set. There are no extras, just the albums as they were originally released, though there's a 12-page booklet with a solid history of the band and numerous (if small) reproductions of sleeves from their original releases. It's too much at once even for many fans, but for the more dedicated of that lot, it's a handy encapsulation of their primary recorded work. Hearing all of it does make it clear that, although they're often classified as a heavy metal band, they might be more accurately pegged as a hard rock band with substantial traces of glam and pop (and even some bar band blues-rock) along with the metal.