Charlie Parker

Charlie Parker - Charlie Parker: 1947 (1998) [The Chronological Classics, 1000]

Charlie Parker - Charlie Parker: 1947 (1998)
with Miles Davis, Max Roach, Duke Jordan, Tommy Potter, and J.J. Johnson

EAC | FLAC | Tracks (Cue&Log) ~ 172 Mb (incl 5%) | Mp3 (CBR320) ~ 162 Mb (incl 5%) | Scans included
Genre: Bop, Big Band, Saxophone Jazz | Label: Classics | # 1000 | Time: 01:05:33

This second installment in the Classics Charlie Parker chronology contains quite a number of Bird's best-loved and most respected recordings. The first 12 tracks, recorded in New York for the Dial label in October and November of 1947, are all masterpieces of modern music, with the ballads, especially "Embraceable You," constituting some of Parker's very best recorded work. This is the classic 1947 quintet with Miles Davis, Duke Jordan, Tommy Potter, and Max Roach. Even if his personal life was characteristically chaotic, 1947 was a good year for Charlie Parker's music. It was in November 1947 that this band hit the road to play the El Sino Club on St. Antoine Boulevard in Detroit. Unfortunately, Bird got really snockered and couldn't perform, so the El Sino management canceled the gig. Bird ultimately destroyed his saxophone by throwing it out of a hotel window onto the street below. (A tragic and disturbing image!) Back in New York, the band – now a sextet with the addition of trombonist J.J. Johnson – made six more sides for Dial on December 17, 1947.

In Session with Charlie Parker by Charlie Parker  

Posted by thingska at Feb. 28, 2015
In Session with Charlie Parker by Charlie Parker

In Session with Charlie Parker by Charlie Parker
English | 2001 | ISBN: 0571525989 | 49 pages | RAR / PDF&MP3 192 kbps | 60 MB
Marcus Printup - Bird of Paradise: The Music of Charlie Parker (2016)

Marcus Printup - Bird of Paradise: The Music of Charlie Parker (2016)
MP3 320 kbps CBR | 64:09 min | 147 MB
Genre: Jazz | Label: SteepleChase

A generation ago, tribute albums to Charlie Parker often featured extended passages of Bird’s solos transcribed for one or more horns, or bands mirroring the traditional Parker bebop small groups of alto sax, trumpet, piano, bass and drums. And musicians on them paid close homage to Parker by playing in a decidedly neo-bop style. You won’t find much, if any, of that here.
Charlie Parker and His Orchestra - Swedish Schnapps (1951) {2014 Japan Universal 100 Series UCCU-99111}

Charlie Parker and His Orchestra - Swedish Schnapps (1951) {2014 Japan Universal 100 Series UCCU-99111}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 249 Mb | MP3 @320 -> 124 Mb
Full Artwork @ 600 dpi (jpg) -> 115 Mb | 5% repair rar
© 1951, 2014 Verve Records / Universal Japan | UCCU-99111 | Mono
Jazz / Bebop / Bop / Saxophone

Musicians like to observe that for all his notoriety as the wellspring of bebop, Charlie "Bird" Parker's music was loaded with the blues. SWEDISH SCHNAPPS is as good a place as any to make that connection with Parker's music, including as it does two of his most enduring bop heads based on the blues, "Au Privave" and "Blues For Alice." While you wouldn't mistake either composition for a Muddy Waters tune, both relate Bird's off-kilter accents and serpentine melodicism at walking tempos that let you hear what's actually going by, instead of leaving you astonished but bemused. To really drive the point home, there's "K.C. Blues," which finds the altoist at his hollerin' best, and "Lover Man," certainly one of the bluesiest 32-bar standards around.
Charlie Parker - Charlie Parker With Strings (2015) {2CD Verve Deluxe Edition}

Charlie Parker - Charlie Parker With Strings (2015) {2CD Verve Deluxe Edition}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 709 Mb | MP3 @320 -> 338 Mb
Full Artwork @ 600 dpi (jpg) -> 212 Mb | 5% repair rar
© 2015 Verve / UMG | B0022596-02
Jazz / Bop / Big Band / Saxophone

Recorded between 1947 and 1952, the Charlie Parker With Strings albums showcased the legendary bebop saxophonist performing standards and ballads backed by a small classical string ensemble and jazz rhythm section. Although somewhat controversial when first released, the strings sessions are largely considered landmarks for orchestral jazz productions and rank among the best albums in Parker's discography.
Charlie Parker - Unheard Bird: The Unissued Takes (2016) {2CD Verve Set}

Charlie Parker - Unheard Bird: The Unissued Takes (2016) {2CD Verve Set}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 701 Mb | MP3 @320 -> 372 Mb
Full Artwork @ 600 dpi (jpg) -> 354 Mb | 5% repair rar
© 2016 Mercury / Verve / Universal | 00602547846587
Jazz / Bop / Saxophone

Discovering previously unheard music is a consistent hope for serious jazz fans. Finding unreleased music from legends, especially those who departed far too early with their legacies incomplete, is a true joy. Fans, scholars and collectors who want to have a complete overview on Charlie Parker’s work and career can now dig into a new collection of previously unreleased tracks.

Charlie Parker - South Of The Border (1995)  Music

Posted by popsakov at June 24, 2016
Charlie Parker - South Of The Border (1995)

Charlie Parker - South Of The Border (1995)
EAC Rip | FLAC (Img) + Cue + Log ~ 224 Mb | MP3 CBR320 ~ 140 Mb
Scans (PNG, 600 dpi) ~ 257 Mb | RAR 5% Recovery
Jazz, Bop, Latin Jazz | Verve Records #527 779-2

Verve gathers together all of the master takes of Charlie Parker's recordings with the swinging band of Afro-Cuban jazz pioneer Machito, along with ten other Latinized numbers that he cut in 1951-1952. Besides illustrating the willingness of producer Norman Granz to experiment and take Parker out of a small-group bebop straitjacket, this CD shows that Bird's improvisational style changed hardly at all in a Latin setting. He continued to run off his patented lightning bop licks over the congas and bongos and they just happened to interlock with the grooves quite snugly, although he did adapt his phrasing of the tunes themselves to suit their rhythmic lines…

VA - Bird Up: The Charlie Parker Remix Project (2003)  Music

Posted by TestTickles at April 22, 2016
VA - Bird Up: The Charlie Parker Remix Project (2003)

VA - Bird Up: The Charlie Parker Remix Project (2003)
MP3 CBR 320kbps | RAR | 144 mb
Genre: alternative, jazz, R&B, soul, hip-hop, rap, downtempo

Bird Up: The Charlie Parker Remix Project is a 2003 compilation CD that is a remix project for legendary jazz saxophonist Charlie Parker. The songs are a mixture of actual remixes and new covers, along with re-interpretations of his music. This was released bY Savoy Jazz and features tunes from Garth Hudson, Me'Shell NgegeOcello, Hubert Laws, Ravi Coltrane, RZA, Serj Tankian of System Of A Down and many more.

The Dial Recordings of Charlie Parker  eBooks & eLearning

Posted by tanas.olesya at April 11, 2016
The Dial Recordings of Charlie Parker

The Dial Recordings of Charlie Parker: A Discography by Edward M. Komara
English | 10 Jun. 1998 | ISBN: 0313291683 | 232 Pages | PDF | 9 MB

Dial Records catered to jazz musicians and record collectors. Charlie Parker was one of the major jazz artists to record with Dial.
Charlie Parker - Bird: The Complete Charlie Parker On Verve (1946-1954) {2005 10CD Box Set Verve-Universal 983 3382}

Charlie Parker - Bird: The Complete Charlie Parker On Verve (1946-1954) {2005 10CD Box Set Verve-Universal 983 3382}
EAC rip (secure mode) | FLAC (tracks) +CUE+LOG -> 2.37 Gb | MP3 @320 -> 1.45 Gb
Full Artwork @ 600 dpi (jpg) -> 1.04 Gb | 5% repair rar
© 2005 Verve / Universal Music Italia Srl | 983 3382
Jazz / Bop / Small Group / Big Band / Saxophone

As a leader, Charlie Parker recorded for Savoy and Dial during 1945-1948 and then for Verve exclusively (at least in the studios) during 1949-1954. This remarkable ten-CD box set, which adds quite a bit of material to an earlier ten-LP set, contains all of these recordings plus Bird's earlier appearances with Jazz at the Philharmonic. The JATP jams are highlighted by Parker's perfect solo on "Oh Lady Be Good," a ferocious improvisation on "The Closer," and a solo on "Embraceable You" that tops his more famous studio recording. In addition, this box has all of the "Bird and Strings" sides, his meetings with Machito's Cuban orchestra, the 1950 session with Dizzy Gillespie and Thelonious Monk, small-group dates (including a 1951 meeting with Miles Davis), odd encounters with voices and studio bands, the famous "Jam Blues" with fellow altoists Johnny Hodges and Benny Carter, and his final recordings, a set of Cole Porter tunes. The fact-filled 34-page booklet is also indispensable. Highly recommended.