Charlie Musselwhite takes four different approaches on this Alligator release. On two tracks, he turns to guitar, proving a competent instrumentalist and convincing singer in a vintage Delta style. He also does two gospel numbers backed by the legendary Blind Boys of Alabama, which are heartfelt, but not exactly triumphs. Musselwhite reveals his jazz influence on three tracks, making them entertaining harmonica workouts. But for blues fans, Musselwhite's biting licks and spiraling riffs are best featured on such numbers as "If I Should Have Bad Luck" and "Leaving Blues." Despite the diverse strains, Musselwhite retains credibility throughout while displaying the wide range of sources from which he's forged his distinctive style.
Signature is a typically engaging release from Charlie Musselwhite. The harpist runs through a set of modern blues, complete with jazz and funk overtones – indeed, there are two straight jazz instrumentals, "Catwalk" and "What's New?," which showcase his astonishing technique. Not only is Musselwhite in fine form, his band is tight, soulful, and sympathetic, making Signature a worthwhile listen for most blues fans.
Legendary Charlie Musselwhite backed by his acclaimed kick ass band - rocking' the house! Blues from the Delta - live recorded show from the heart of Blues country - Clarksdale MS. Charlie Musselwhite, more than any other harmonica player of his generation, can rightfully lay claim to inheriting the mantle of many of the great harp players that came before him with music as dark as Mississippi mud or as uplifting as the blue skies of California. In an era when the term legendary gets applied to auto-tuned pop stars, this singular blues harp player, singer, songwriter and guitarist has earned and deserves to be honored as a true master of American classic vernacular music.
Rockin' R&B laced with Chicago blues. An early lineup of the rock-and-soul Dynatones backs up veteran bluesman Charlie Musselwhite in a live set at the Belly Up Tavern in Solano Beach, California from 1982. Curtain Call Cocktails album by Charlie Musselwhite was released Feb 09, 1999 on the Westside label. Original 1982 live album, inc. 4 never before released cuts.
This musical hookup between these two experienced roots artists who have more in common than it seems at first glance, is a natural evolution for both. Ben Harper seemed like an old soul, even when he began his career, dipping into classic R&B, gospel, and blues but spinning them through his dark, folk-funk persona. His work with the Blind Boys of Alabama showed him to be welcomed by veteran artists who clearly felt he was a kindred spirit. Harpist/guitarist Charlie Musselwhite's extensive résumé typically moved him past the often limiting structure of the Chicago blues where he first made his presence felt, to Tex-Mex, Cuban, Americana, swamp rock, country, and even jazz.
The Well is twenty seventh studio album by American blues singer and harmonica player Charlie Musselwhite. It was released in August 2010. It was his first release on Alligator Records label since 1993 album In My Time. In the title song he credits Jessica McClure's ordeal as a child trapped in a well for over 58 hours in 1987 for inspiring him to quit drinking, stating.
The addition of jazz pianist Skip Rose gave a new dimension to the ensemble sound, and provided a perfect foil to Charlie's own soloing – especially on the re-take of "Cristo Redentor," extended to 11 minutes, shifting to double-time in spots. Rose's instrumental, "A Nice Day for Something," is a welcome change of pace, and Musselwhite's "Blue Feeling Today" compares favorably to fine covers of Little Walter and Fenton Robinson tunes.