Features 24 bit digital remastering. Comes with a description. When Charles Lloyd brought his new band to Monterey in 1966, a band that included Keith Jarrett on piano, Jack DeJohnette on drums, and the inimitable – though young – Cecil McBee on bass, no one knew what to expect. But they all left floored and this LP is the document of that set. It is difficult to believe that, with players so young (and having been together under a year), Lloyd was able to muster a progressive jazz that was so far-reaching and so undeniably sophisticated, yet so rich and accessible. For starters, the opening two title tracks, which form a kind of suite (one is "Forest Flower-Sunrise," the other "Sunset"), showcased the already fully developed imagination of Jarrett as a pianist.
Features 24 bit digital remastering. Comes with a description. Late in 1967, bassist Cecil McBee left Charles Lloyd's band and was replaced by Ron McClure. The jazz critics and public alike all held their breaths, since Lloyd's band had taken the entire world by storm on the festival circuit; playing Town Hall would surely be an acid test not only of McClure's ability to fill such a big space, but the band's as well – to see if the fire would continue to burn as it had previously. They needn't have worried. The gig, which is presented here as Soundtrack, stomps with all the fury of a live gospel choir trying to claim Saturday night for God instead of the other guy.
Features 24 bit digital remastering. Comes with a description. Issued in 1966, Love-In was the follow-up to the amazing Dream Weaver, the debut of the Charles Lloyd Quartet. Love-In was recorded after the 1966 summer blowout and showed a temporary personnel change: Cecil McBee had left the group and was replaced by Ron McClure. McClure didn't possess the aggressiveness of McBee, but he more than compensated with his knowledge of the modal techniques used by Coltrane and Coleman in their bands, and possessed an even more intricate lyricism to make up for his more demure physicality. Of the seven selections here, four are by Lloyd, two by pianist Keith Jarrett, and one by Lennon/McCartney ("Here, There and Everywhere").
Features 24 bit digital remastering. Comes with a description. Before his great quartet split at the end of 1968, Charles Lloyd took this band literally to the ends of the earth. As a quartet, they had grown immensely from that first astonishing spark when they toured the summer festivals in 1966. Here they are a seasoned unit, full of nuance, elegance, and many surprises, while having moved their entire musical center over to the pursuit of Lloyd's obsession – incorporating the music of the East into Western jazz. This show in Norway, which featured the original band of Lloyd on flute and saxes, Keith Jarrett on piano, Cecil McBee on bass, and Jack DeJohnette on drums and percussion, took the idiom begun by John Coltrane and Yusef Lateef and moved it into places even they hadn't imagined.
At 74, American saxophonist Charles Lloyd stands more creatively tall and publically esteemed than at any time since his midlife comeback after a two-decade sabbatical. These two New York shows are from his first celebrity years, in 1965, with Hungarian guitarist Gábor Szabó (Lloyd’s former partner in Chico Hamilton’s band), Miles Davis bassist Ron Carter, and the hard-hitting former Sonny Rollins drummer Pete La Roca. Lloyd’s enduring interest in Hungarian music probably began with Szabó, and the guitarist’s brittle, jangling sound often resembles that of a cimbalom or dulcimer on these six long tracks.
Wild Man Dance marks Charles Lloyd's return to Blue Note after nearly 30 years. The work, a six-part suite, was commissioned by the Jazztopad Festival in Wrocĺaw, Poland in 2013 and premiered and was recorded there. The composer is accompanied by an international cast. The American rhythm section – pianist Gerald Clayton, bassist Joe Sanders, and longtime drummer Eric Harland – are appended by Greek lyra player Sokratis Sinopoulos and Hungarian Miklos Lukacs on cimbalom. The music here seamlessly melds creative, modally influenced jazz and folk forms, a near classical sense of dynamics, and adventurous improvisation.
This 5-CD box set in ECM’s Old & New Masters series, issued in time for Charles Lloyd’s 75th birthday in March 2013, looks back at the beginning of the great saxophonist’s association with ECM. It includes the albums “Fish Out Of Water”, “Notes from Big Sur”, “The Call”, “All My Relations” and “Canto”. All five albums were recorded in Oslo (between 1989 and 1996) with Manfred Eicher producing and they chart a particularly rich and creative period in Lloyd’s musical life. “Fish Out Of Water” marked Lloyd’s comeback, after long years in retreat from the jazz scene. He was partnered by Scandinavian players who had been inspired by his trailblazing music of the 1960s and who were able both to support and challenge him.