Here is yet another live album by the Dave Matthews Band. This one is from his Central Park Concert in 2003. This one is three CDs, loaded with hits and near-misses, from one of the most successful stage bands in the business. The Matthews Band is tight, full of enough funk and sass to keep it interesting, and yet is able to convey real emotion to tens of thousands of people, as evidenced by their many live recordings. What sets this one apart is its presentation of one concert in its entirety, and its willingness to leave rough edges in. While the sound is pristine, and the performance reflects the band's well-rehearsed acumen, there are those spontaneous moments on this set that get left off of most band's live recordings – including Matthews' previous ones.
Disc 1 is an incomplete Philadelphia concert, one month into the USA Pump Tour, taken from West wood One "Superstar Concert Series" broadcast May 1990. Disc 2 is the 10 songs an incomplete version of Central Park 1975 concert taken from King Biscuit Flour Hour FM Broadcast …
A stunning set of Mogwai career highlights and rarities, available to buy in a limited edition 3xCD box set via Rock Action Records. Tracks on the collection span the band's 20 year career taking in highlights from their debut long-player Mogwai Young Team (1997) all the way through to Rave Tapes (2014), the band's first ever top 10 album. The announcement comes midway through a run of special live events marking 20 years to the week that the band gathered together in the Glasgow living room of Stuart Braithwaite's parents to rehearse for the first time. Following two acclaimed sell-out nights at Glasgow Barrowlands, Mogwai open a season of curated shows at London's iconic Roundhouse. For this ATP Season at the Roundhouse, the band celebrate their 20 year anniversary by playing two sold out shows and hand-picking a line-up of seminal artists that have challenged, intrigued and inspired over the past two decades, including Public Enemy, GZA, Godspeed You! Black Emperor & The Jesus & Mary Chain, the latter performing their seismic debut album Psychocandy in full.
Television director Steve Binder was behind the camera for some of the most momentous musical events in TV and movie history, including The T.A.M.I. Show, Elvis Presley’s 1968 comeback special, and the series Hullabaloo (as well as the Star Wars Holiday Special and Chevy Chase’s talk show, but the less said about those, the better). One of Binder’s most significant achievements—his Cable ACE-award-winning direction of the 1983 Showtime special Diana Ross Worldwide From New York: For One And All—has gone largely unseen since it originally aired, live, on two consecutive nights in July. The circumstances surrounding the special have become show business legend, though: How Ross stepped on to a bare Central Park stage on July 21, 1983 under threatening skies and tried gamely for 40 minutes to sing her ’60s Motown hits, ’70s ballads, and ’80s disco anthems to a crowd of 400,000 people, while driving rain and gusting winds left her shivering and soaked.
In the 17th and the early 18th centuries there were ample opportunities to work as a musician in Germany. Many cities and aristocratic courts had their own chapels. The best musicians were expected to compose instrumental music, music for special occasions like birthdays and weddings, sometimes operas and, of course, religious works. As most music was performed only once and compositions were considered old-fashioned within about ten years, there was a continuous demand for new music. Against this background it is hardly surprising that some of the composers of the 17th and 18th centuries have so far escaped the attention of modern scholars and performers.