Celtic Woman: Destiny is the tenth studio album by the group Celtic Woman. This is Celtic Woman's first album to feature their newest members Mairead Carlin and Éabha McMahon. Destiny features vocalists Susan McFadden, Mairead Carlin, Éabha McMahon, and fiddler Máiréad Nesbitt, with former member Méav Ní Mhaolchatha and Rebecca Winckworth as a guest. Tara McNeill, who would later become a principal performer in Celtic Woman, performed the harp in the Destiny DVD and PBS TV special as part of the orchestra. When PBS transmitted its video of the Destiny show, a cloaked woman (Dublin-based Irish actor, film maker, dancer and part-time model Sophie Merry) appeared in the titles sequence and the sequences that framed the pledge breaks. The album was nominated for Best World Music Album at the 59th Annual Grammy Awards. This was the first Grammy nomination for the group.
Celtic Thunder’s ‘Legacy Volume One’ presents many of the best-loved numbers from the group’s nine standing-room-only world tours to-date. Song selections include “Heartland,” the group’s big opening number, along with crowd-pleasing favorites like “Raggle Taggle Gypsy,” “Galway Girl,” and “A Place in the Choir” alongside rousing anthems “Caledonia” and “Ireland’s Call.”
2016 release, the second installment of Celtic Thunder's live performance featuring many of the best-loved numbers from the group's nine standing-room-only world tours to-date. Also features Celtic Thunder reunited with guest artist Damian McGinty, an original member of Celtic Thunder who went on to win Fox's The Glee Project before landing a recurring role (as Rory Flanagan) in the hit series Glee.
Nova Scotia's Campbelljohn is one guy who knows this lesson well. He's been touring Germany for several years, and in fact is so popular there, he has a record deal in the country, and has discs come out there unique to that land, or before they are issued in Canada. This time, he's showing us why he's loved in Deutschland. Recorded with a loving club audience, Campbelljohn is in solo mode for this disc, proving his mastery at slide, mandolin, and fun….
Important: This is a historical and influential document of why Irish music captivated around the world.
As a curiosity, the vinyl of this LP weighs about 180g (!) It’s a very first edition, you can see it on Transatlantic labels.
Excellent addition to any prog rock music collection
Entry into the exclusive club of “professional musicians” is often a gradual and painful process. Based on recorded documents, such was not the case with Horslips, who came to the game fully formed and ready to rock n reel. I’m sure they paid their dues in a live setting for years, even if that included weddings, funerals, and christenings, as off the cuff performing is often part and parcel of Irish culture. Whatever the case, “Happy to Meet…Sorry to Part” is a landmark celtic rock recording and a stunning debut, and this applies whether you are a celtic music fan, a progressive fan, a rocker, or any combination thereof.
Essential: a masterpiece of progressive rock music
After the lacklustre Unfortunate Cup of Tea, the next album was going to be a watershed for Horslips. In the end, they returned broadly to the formula that had brought them so much acclaim for The Tain and produced a concept album based on Irish mythology and full of great songs based on Irish traditional tunes. And it works just as well as The Tain, having brought them enormous critical acclaim. If anything, they show their amazing musicianship off even more, with Charles O’Connor’s fiddle and mandolin swopping riffs with Johnny Fean’s scything lead guitar and Jim Lockhart’s flute,whistle, pipes and keyboards.