All the stars were out for this concert celebrating Andrew Lloyd Webber’s 50th birthday at the Royal Albert Hall in London. In addition to being a retrospective of Lloyd Webber's hits to date, it also featured many of the stars that premiered the songs or who helped to make them famous, including Elaine Paige, Michael Ball, Glenn Close, Boyzone, Donny Osmond, Julian Lloyd Webber, and Antonio Banderas (who had recently starred in the film of Evita). Sarah performed four songs during the two hour concert, which included "Pie Jesu" with Ben De'Ath, "The Phantom of the Opera" with Antonio Banderas, "All I Ask of You" with Michael Ball, and "The Music of the Night."
At first glance, this looks like the perfect Christmas present for Cuban music enthusiasts: a finely packaged box set that includes three CDs, released to mark what would have been the 100th birthday last month of the great singer and guitarist who became best known for his work with the Buena Vista Social Club, and who enjoyed worldwide success until his death in 2003 at the age of 95. But it's not quite what it seems. It's described as an "exhaustive overview" of Segundo's work, but it only covers his final recordings from 1996-2003. Which is unfortunate, for this is surely the right time to release a comprehensive retrospective of his extraordinary career.
This latter period Chumbawamba collection benefits from the inclusion of "Give the Anarchist a Cigarette," "Ugh! Your Ugly Houses" (a sideswipe at the non-taste of the celebrities featured in Hello magazine), "Enough Is Enough" (originally recorded with Brit rappers Credit to the Nation) and the catchy/cloying "Timebomb." Most of the material is taken from Anarchy (1994) and Swingin' With Raymond (1996). "Mouthful of Shit," the highlight of Anarchy, makes a welcome return. 23 tracks is surely enough Chumbawamba for even the hardiest of die-hards, but if you don't have the studio albums, this is the best place to start.
Rob McConnell & the Boss Brass add plenty of spice to this Christmas jazz CD, not only with superb, fresh charts but a few surprising selections. The rich brass and reeds carry the deliberate rendition of "Have Yourself a Merry Little Christmas," which segues into a perky Latin-flavored chart of "I'll Be Home for Christmas." "Away in a Manger" is not the commonly heard melody but one first written in 1887, though the music will likely be familiar, even if one doesn't associate it with the well-known lyrics. The lush setting of "The Christmas Song," which likely set Mel Tormé and Bob Wells for life with royalty checks due to its many recordings, showcases the leader's valve trombone and pianist David Restivo. "My Favorite Things," originally written for The Sound of Music, has gradually been transformed into double duty as a Christmas carol; this swinging interpretation works very well. Johnny Mandel, the composer of many memorable melodies, deserves greater recognition for his gorgeous piece "A Christmas Love Song"; this arrangement deserved to help put it on the jazz map. Rob McConnell & the Boss Brass consistently delivered first-rate music throughout their existence, this holiday CD no exception.
The Haffner Serenade in D major was written in 1776 for Marie Elizabeth Haffner's wedding celebration and was commissioned by her brother Sigmund, later the recipient of the Haffner Symphony. Though this composition has elements of Mozart's symphonic style – particularly in its dramatic first and last movements, the grand Menuettos, and the sixth movement Andante – it is cast in eight movements of diverse character and has a casual ambience that belongs to the serenade. The violin solos in the second, third, and fourth movements lend a concertante air to this work, though they have a private quality unlike the bravura displays of the concerto style…
This recording represents an historic and unique synthesis of the ancient and the contemporary featuring a world premiere recording in the spectacular ambience of the Geghard Monastery in Armenia.
The Orchestra’s Artistic Director and Principal Conductor, American-Armenian conductor Aram Gharabekian, has brought the NCOA into a new era of artistic triumphs and international acclaim since his appointment in 1997. For their outstanding achievements in Armenia and in other parts of the world, Maestro Gharabekian and NCOA have been duly recognized in a proclamation by the United States Congress and televised features on CNN Special and Russian Kultura TV Channel.
Most Ben Webster albums on the market today seem to be reissues from his magnificent autumnal years, majestically lush or bearishly brusque. It's good to have a chronological sampling of Webster's work from the mid-'40s, in order to appreciate exactly how he developed into the Ben Webster of 1959 and 1969. After popping up on early big band swing records by Bennie Moten and Willie Bryant, Webster came into his own as the first really exceptional tenor saxophonist to be featured with Duke Ellington's Orchestra. What we have here is the post-Ellington Ben Webster. His tone has gotten bigger and wider, grittily sensuous and invariably warm like a pulse in the jugular…