Cecilia Bartoli Mp3

Cecilia Bartoli &‎ Sol Gabetta - Dolce Duello (2017)  Music

Posted by pyatak at Nov. 9, 2017
Cecilia Bartoli &‎ Sol Gabetta - Dolce Duello (2017)

Cecilia Bartoli &‎ Sol Gabetta - Dolce Duello (2017)
WEB FLAC (Tracks) 329 MB | Cover | MP3 CBR 320 kbps | 01:16:39 | MB
Classical | Label: Decca (UMO)

Dolce Duello – “Sweet Duel” – brings together two of the brightest stars in classical music for the most harmonious of musical duels. From the dawn of the Baroque the voice and violoncello were inseparable companions. Cecilia Bartoli and Sol Gabetta together intertwine the most beautiful melodies of Vivaldi, Albinoni, Handel and others: a century of baroque masterpieces and featuring 3 world premiere recordings.
Gabriele Ferro, Orchestra del Teatro Comunale di Bologna, Luciana Serra, Cecilia Bartoli - Rossini: La Scala di Seta (2002)

Gabriele Ferro, Orchestra del Teatro Comunale di Bologna, Luciana Serra, Cecilia Bartoli - Rossini: La Scala di Seta (2002)
EAC | FLAC | Image (Cue & Log) ~ 488 Mb | Total time: 49:12+44:04 | Scans included
Classical | Label: Warner Fonit | # 0927 43307-2 | Recorded: 1988

"La scala di seta" is an operatic farsa comica in one act by Gioachino Rossini to a libretto by Giuseppe Maria Foppa. It was first performed in Venice, Italy, at the Teatro San Moisè on 9 May 1812. The overture has been frequently recorded and continues to be featured in the modern concert repertoire.
From 1810 to 1813, the young Rossini composed four Italian farse, beginning with La cambiale di matrimonio (The Bill of Marriage), his first opera, and ending with Il Signor Bruschino. These types of short pieces were popular in Venice at the end of the 18th century and the beginning of the 19th century. The pieces were intimate, with a cast of five to seven singers, always including a pair of lovers, at least two comic parts, and one or two other minor roles. The style called for much visual comedy improvised by the players. As compared to many genres of opera, acting and comedic talent is more important relative to the required singing ability. Rossini’s farces also have a significant sentimental element.
Cecilia Bartoli, Diego Fasolis, I Barocchisti - St. Petersburg (2014)

Cecilia Bartoli, Diego Fasolis, I Barocchisti - St. Petersburg (2014)
EAC | FLAC | Image (Cue & Log) ~ 452 Mb | Total time: 77:57 | Scans included
Classical | Label: DECCA | # 478 6767 | Recorded: 2014

For the later part of her career, Italian mezzo-soprano Cecilia Bartoli has apparently settled on a campaign of major conceptual releases covering all-but-unknown repertory, and St. Petersburg fits right in. It's a collection of arias from operas written in the second half of the 18th century for the Russian imperial court, which had imported the best Italian and German composers money could buy. The names of all but Mozart's contemporary Domenico Cimarosa are unknown today. Most of the arias are in Italian, but a couple are in Russian, and to untutored ears Bartoli brings her trademark passion to them. This is the kind of release where one can quibble with any number of details. Bartoli sounds thick in some places, strained in others. The material is a bit uneven, with especially the last two pieces creating a bit of a letdown, although much of it does indeed live up to major-forgotten-works billing. The booklet brings up the Catherine the Great horse legend for no very good reason. Yet, as so often with Bartoli, the whole adds up to so much more than the sum of the objections. She is fearless in many ways here, not just in convincingly bringing home repertory her listeners will never have heard, but in blowing past classifications of vocal range: Bartoli may conventionally be seen as a mezzo, but the material here ranges from full-blown opera seria soprano almost down to contralto in a few cases, where Bartoli's voice takes on a lovely burnished tone. Whatever faults you might find, this is tremendously exciting stuff, not boring for a second. (James Manheim)
Cecilia Bartoli - Steffani: Stabat Mater (2013) [Official Digital Download 24/96]

Cecilia Bartoli, Coro della Radiotelevisione Svizzera, I Barocchisti & Diego Fasolis - Steffani: Stabat Mater (2013)
FLAC (tracks) 24-bit/96 kHz | Time - 72:25 minutes | 1.41 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

Cecilia Bartoli’s exploration of the music of Steffani continues on from her best-selling recording 'Mission' with an album of the celebrated Stabat Mater alongside Steffani’s greatest sacred works for chorus, orchestra and soloists, constituting the most comprehensive collection of Steffani’s sacred choral music. Bartoli leads an array of internationally celebrated singers including countertenor Franco Fagioli, the bass Salvo Vitale and the two young German tenors Daniel Behle and Julian Prégardien.
Cecilia Bartoli & Sol Gabetta - Dolce Duello (2017) [Official Digital Download 24/96]

Cecilia Bartoli & Sol Gabetta - Dolce Duello (2017)
FLAC (tracks) 24-bit/96 kHz | Time - 76:40 minutes | 1.34 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

Cecilia Bartoli and Sol Gabetta – two of the most captivating women in classical music – are joining together for a new album ‘Dolce Duello’ to be released on Decca Classics on 10th November. It is a collection of Baroque masterpieces which showcase the stunning combination of voice and cello in a series of dazzling duels and wondrous arias. To coincide with the release, Bartoli and Gabetta will be performing on a European tour with Cappella Gabetta and conductor and violinist Andrés Gabetta.

Cecilia Bartoli/Vienna Chamber Orchestra - Mozart Portraits (1994)  Music

Posted by TestTickles at Dec. 16, 2016
Cecilia Bartoli/Vienna Chamber Orchestra - Mozart Portraits (1994)

Cecilia Bartoli/Vienna Chamber Orchestra - Mozart Portraits (1994)
EAC Rip | FLAC with CUE and log | scans | 267 mb
MP3 CBR 320kbps | RAR | 141 mb
Genre: classical, opera

Mozart Portraits is a 1994 CD by Cecilia Bartoli, who is lead by the Vienna Chamber Orchestra, who perform five compositions by Mozart. This was released on the London label.
Cecilia Bartoli, Andras Schiff ‎- Italian Songs: Beethoven, Mozart, Schubert, Haydn (1993)

Cecilia Bartoli, András Schiff ‎- Italian Songs: Beethoven, Mozart, Schubert, Haydn (1993)
EAC | FLAC | Image (Cue&Log) ~ 266 Mb (incl 5%) | Mp3 (CBR320) ~ 180 Mb (incl 5%) | Scans included
Genre: Classical, Vocal | Label: Decca | # 440 297-2 | Time: 01:07:59

This was to be the end of the line for Italian word-setting by Viennese composers: once the confident sentiments that belonged to the poet Metastasio's opera seria felt the chill and threatening wind of Enlightenment and Revolution, their time was up. Even we, for the most part, prefer to remember the German-speaking Beethoven, Schubert and Haydn. So it is good to be reminded of their responses to the Italian muse (usually as part of their craft-learning student work) in this particularly well-cast recital. Central Europe, in the person of Andras Schiff meets Italy, in Cecilia Bartoli, to delightful, often revelatory effect.
Cecilia Bartoli, James Levine - An Italian Songbook: Rossini, Bellini, Donizetti (1997)

Cecilia Bartoli, James Levine - An Italian Songbook: Rossini, Bellini, Donizetti (1997)
EAC | APE | Image (Cue&Log) ~ 272 Mb (incl 5%) | Mp3 (CBR320) ~ 188 Mb (incl 5%) | Scans included
Genre: Classical, Vocal | Label: London/Decca | # 455 513-2 | Time: 01:07:23

The Italian mezzo-soprano Cecilia Bartoli is one of the most charming and talented singers to appear on the scene in recent years, and this collection of Italian songs by three great opera composers–Bellini, Donizetti, and Rossini–is a most deserving bestseller. There are many small pleasures in the selections, which reflect the bel canto predilections of their authors, and Bartoli renders them artfully. Some will be familiar even to casual listeners (Rossini's La Danza, the famous tarantella); others will be new to most, but equally deserving of a hearing. The sensitive and skillful accompaniment is by conductor-pianist James Levine.
Muhai Tang, Orchestra La Scintilla of the Zurich Opera, Cecilia Bartoli - Rossini: Le Comte Ory (2014) [Blu-Ray]

Muhai Tang, Orchestra La Scintilla of the Zürich Opera, Cecilia Bartoli - Rossini: Le Comte Ory (2014) [Blu-Ray]
BluRay | BDMV | MPEG-4 AVC Video / 24995 kbps / 1080i / 29,970 fps | 141 min | 32,7 Gb
Audio1: French / LPCM Audio / 2.0 / 24-bit | Audio2: DTS-HD Master Audio / 5.1 / 48 kHz / 3881 kbps / 24-bit

BluRay-rip | AVC | MKV 1280x720 / 2762 kbps / 29,97 fps | 141 min | 4,22 Gb
Audio: French / DTS / 6ch / 48.0 KHz / 24 bits
Classical | DECCA | Sub: French, English, German, Korean

Cecilia Bartoli stars in this ebullient Zurich Opera House production of Rossini’s first French-language comedy opera described by the international press as “pure, unadulterated fun”. A BD from Zurich of the acclaimed production by masters of bel canto comedy, Moshe Leiser and Patrice Caurier. Bartoli reminds us of her comic gifts and her naturalness as a stage actor — as well as her total sympathy with the music of Rossini. Muhai Tang conducts the historical performance ensemble La Scintilla, and the cast includes the acclaimed young Mexican tenor Javier Camarena in the title role.
Daniel Barenboim, Berliner Philharmoniker, Lella Cuberli, Cecilia Bartoli - Mozart: Così fan tutte (1990)

Daniel Barenboim, Berliner Philharmoniker, Lella Cuberli, Cecilia Bartoli - Mozart: Così fan tutte (1990)
Classical | Erato 2292-45475-2 | 1990 | TT: 177 | EAC (FLAC, cue, log) | Covers | 665 MB

In the early 1990s Daniel Barenboim recorded the three Da Ponte operas with the Berlin Philharmonic. The BPO had played "Figaro" and "Don Giovanni" many times, but this was the first time that the group had ever tackled "Cosi fan tutte." Perhaps that is why they sound so fresh and energized under the thoughtful baton of Barenboim. Mozart's operas are usually performed with a small chamber or opera house orchestra, but this time the score of "Cosi" (which has so many beautiful, subtle touches, and is almost a celebration of beauty itself) is given the full treatment of perhaps the greatest orchestra in the world. While the resulting sound is somewhat "bigger" and more "lush" than is usual, Barenboim does manage to keep things appropriately light and "classical," just as he has so successfully done in the piano concertos which he is recording with the BPO.