Like some of John Fahey's other projects in the '60s, this was actually recorded and assembled over a few years, and primarily composed of duets with various other artists (including overdubs with his own pseudonym, "Blind Joe Death"). One of his more obscure early efforts, Voice of the Turtle is both listenable and wildly eclectic, going from scratchy emulations of early blues 78s and country fiddle tunes to haunting guitar-flute combinations and eerie ragas. "A Raga Called Pat, Part III" and "Part IV" is a particularly ambitious piece, its disquieting swooping slide and brief bits of electronic white noise reverb veering into experimental psychedelia. Most of this is pretty traditional and acoustic in tone, however, though it has the undercurrent of dark, uneasy tension that gives much of Fahey's '60s material its intriguing combination of meditation and restlessness.
“I’m thrilled to record my first album for Warner Classics, with the freedom to explore music from Baroque to jazz,” said Lucienne. “It was a great honour and privilege to collaborate with artists I admire; notably Erik Truffaz, who improvises in duet with me for a new orchestral arrangement of Gershwin’s Summertime, and Rolando Villazón who suggested we record a Donizetti aria together.” Lucienne and her guest soloists recorded with the Orchestre National de Lille, conducted by Roberto Rizzi Brignoli. Lucienne Renaudin Vary will be joining the Royal Philharmonic Orchestra at Cambridge Corn Exchange to take on Haydn’s magnificent Trumpet Concerto on Saturday 17 June. At just 18, Lucienne has a bright future ahead of her, currently still a student of the Conservatoire National Supérieur de Paris, she will take a short break from her exams in order to make her first appearance with the Royal Philharmonic Orchestra. She is the first student at the conservatoire to have ever been accepted on both the classical and jazz course at the same time, and notably also the youngest and first female student to do so.