Allan Taylor is one of England's most-respected singer/songwriters. His songs have been covered by artists on both sides of the Atlantic, including Don Williams, Frankie Miller, Fairport Convention, Dick Gaughan, the McCalmans, the Fureys, the Clancy Brothers, and De Dannan. Folk Roots praised him for his "ability to crystallize a mood and evoke an era with the ease of a computer memory access, crafting perfect songs with dramatic changes in the spirit of Brecht, Bikel, and Brel."…
This long-deleted Essential Classics reissue (available again courtesy of Arkivmusic.com’s on-demand reprint program) comprises the first CD remastering of two separate Bach piano releases. One disc features Rosalyn Tureck’s Bach Album, an early-1981 digital production made up mostly of short pieces, plus the Aria and Variations in Italian Style. The close-up yet warm sonics capture the full measure of Tureck’s technical specificity, subtle use of color, and micromanaged dynamics. Notice her absolute linear control in the F minor suite’s Prelude (first sound clip), or how her seemingly over-detached articulations (the seventh Italian variation) always maintain a lilting presence.
Here is a collection on the indie Wounded Bird Records that was once one of the linchpins of the Columbia Masterworks LP catalog, yet it has never been issued by anyone on CD: The Varèse Album. Issued in 1972, CBS's The Varèse Album was in itself a reissue, consisting of the albums Music of Edgar Varèse (1960) and Music of Edgar Varèse, Vol. 2 (1963), both featuring pickup groups led by Robert Craft and the first volume including Varèse's own realization on tape of Poème Electronique (1958). In 1972, The Varèse Album was thought to contain near to all of the works of Varèse, and since then that short catalog hasn't expanded by much.
Marvin the Album is one of those recordings that cannot be fully absorbed on the first or second listen. But after several listens, one starts to realize just how strong this abstract pop-folk-rock release is. With a quirky and waifish vocal style along the lines of Suzanne Vega, lead singer Angie Hart can take a bit of getting used to. Her singing is definitely an acquired taste, but it's a taste well worth it. The more one listens to Frente!'s strange acoustic cover of New Order's "Bizarre Love Triangle," as well as subtle originals like "Explode," "Pretty Friend," and "Lonely," the more one realizes how expressive and appealing she is. Guitarist Simon Austin, meanwhile, handles most of the vocals on "See/Believe," which sounds like a bizarre cross between jazz and Bob Dylan. Frente! isn't a band that stresses the obvious, and the Australians use subtlety and understatement to great advantage on this striking date.
This 2014 BGO two-fer pairs 1972's Blue River and Stages: The Lost Album, largely recorded in 1972 but released in 1991. It's a nice pairing, containing Andersen's acclaimed Columbia debut and the record he cut for the label immediately afterward, a record the label didn't release until two decades later. Andersen made good records before and good records after, but these two albums are arguably his peak and it's nice to have them together on a two-fer.
2007 five CD set, a great installment in Sony/BMG's Original Album Classics series that brings together rare and out of print titles with some best sellers from the Sony/BMG Jazz catalog. Many of these albums have been unavailable on CD for some time and are sought after by collectors. Each set is presented in a high quality, rigid cardboard slipcase containing five 'vinyl replica' mini LP sleeves. This collection from the Jazz fusion greats features the albums I Sing the Body Electric, Sweetnighter, Mysterious Traveller, Black Market and Night Passage.
Never before have all Arthur Rubinstein albums been available together like this. Arthur Rubinstein – The Complete Album Collection features all of the legendary pianist’s issued recordings made by RCA Victor between 1940 and 1976, plus one recording issued on the DECCA label in 1978. Also included in this set are the recordings Rubinstein made in England for the His Master’s Voice (HMV) label between 1928 and 1940. As a bonus, this special package also has the sensational world-premiere release of two Carnegie Hall concerts recorded on December 8 and 10, 1961.