2011 issue 68-track 5-CD box set comprised of the best selling and critically acclaimed album releases 'Borrowed Heaven', 'Forgiven Not Forgotten', 'Home', 'In Blue' and 'Talk On Corners'; each album is housed in a mini LP-style card picture sleeve with the complete set presented in a sealed card slipcase.
5 disc box set includes the albums: Me And Bobby McGee (aka Kristofferson), Jesus Was a Capricorn (out-of-print in the US), Spooky Lady's Sideshow, Shake Hands With the Devil and The Silver Tongued Devil and I. The albums are packaged in mini-LP sleeves.
Allan Taylor is one of England's most-respected singer/songwriters. His songs have been covered by artists on both sides of the Atlantic, including Don Williams, Frankie Miller, Fairport Convention, Dick Gaughan, the McCalmans, the Fureys, the Clancy Brothers, and De Dannan. Folk Roots praised him for his "ability to crystallize a mood and evoke an era with the ease of a computer memory access, crafting perfect songs with dramatic changes in the spirit of Brecht, Bikel, and Brel."…
This long-deleted Essential Classics reissue (available again courtesy of Arkivmusic.com’s on-demand reprint program) comprises the first CD remastering of two separate Bach piano releases. One disc features Rosalyn Tureck’s Bach Album, an early-1981 digital production made up mostly of short pieces, plus the Aria and Variations in Italian Style. The close-up yet warm sonics capture the full measure of Tureck’s technical specificity, subtle use of color, and micromanaged dynamics. Notice her absolute linear control in the F minor suite’s Prelude (first sound clip), or how her seemingly over-detached articulations (the seventh Italian variation) always maintain a lilting presence.
Here is a collection on the indie Wounded Bird Records that was once one of the linchpins of the Columbia Masterworks LP catalog, yet it has never been issued by anyone on CD: The Varèse Album. Issued in 1972, CBS's The Varèse Album was in itself a reissue, consisting of the albums Music of Edgar Varèse (1960) and Music of Edgar Varèse, Vol. 2 (1963), both featuring pickup groups led by Robert Craft and the first volume including Varèse's own realization on tape of Poème Electronique (1958). In 1972, The Varèse Album was thought to contain near to all of the works of Varèse, and since then that short catalog hasn't expanded by much.
Marvin the Album is one of those recordings that cannot be fully absorbed on the first or second listen. But after several listens, one starts to realize just how strong this abstract pop-folk-rock release is. With a quirky and waifish vocal style along the lines of Suzanne Vega, lead singer Angie Hart can take a bit of getting used to. Her singing is definitely an acquired taste, but it's a taste well worth it. The more one listens to Frente!'s strange acoustic cover of New Order's "Bizarre Love Triangle," as well as subtle originals like "Explode," "Pretty Friend," and "Lonely," the more one realizes how expressive and appealing she is. Guitarist Simon Austin, meanwhile, handles most of the vocals on "See/Believe," which sounds like a bizarre cross between jazz and Bob Dylan. Frente! isn't a band that stresses the obvious, and the Australians use subtlety and understatement to great advantage on this striking date.
This 2014 BGO two-fer pairs 1972's Blue River and Stages: The Lost Album, largely recorded in 1972 but released in 1991. It's a nice pairing, containing Andersen's acclaimed Columbia debut and the record he cut for the label immediately afterward, a record the label didn't release until two decades later. Andersen made good records before and good records after, but these two albums are arguably his peak and it's nice to have them together on a two-fer.