Buddha and the Chocolate Box is a 1974 album by Cat Stevens. The title came to Stevens when he was travelling to a gig on a plane with a Buddha in one hand and a box of chocolates in the other. He pondered that if he were to die in the plane these would be the last objects with him, and he would be caught between the spiritual and the material. The album leans towards the spiritual path, and is an indication of the direction his life would follow.
Between 1970 and 1972, Cat Stevens recorded four albums in the same manner, using the same producer and many of the same musicians, painting the album covers, and assigning the records ponderous titles. Things changed with his next album, Foreigner.
Cat Stevens virtually disappeared from the British pop scene in 1968, at the age of 20, after a meteoric start to his career. He had contracted tuberculosis and spent a year recovering, from both his illness and the strain of being a teenage pop star, before returning to action in the spring of 1970 — as a very different 22-year-old — with Mona Bone Jakon.
In retrospect, it is not hard to find hints of a coming change in the final album Cat Stevens made before a near-death experience and a religious conversion.
Things aren’t going well for Cat Stevens on the planet, ah, polyethylene. Critics keep asking: would you buy a used I Ching from this man? Since Tea for the Tillerman, affirmation has been doubtful. Never a deep thinker and rarely a master of words, Stevens has now turned to the “majik” of numerology, only to have the melodies disappear down the decimal point. In fact, “Call Me Zero” would have been a perfect title for Numbers, an album so breathtakingly stupid that even the most loyal fan could count its merits without using any of the fingers on either hand.
Yusuf Islam, commonly known by his former stage name Cat Stevens, is a British singer-songwriter, multi-instrumentalist, humanitarian, and education philanthropist. His 1967 debut album reached the top 10 in the UK, and the album's title song "Matthew and Son" charted at number 2 on the UK Singles Chart. His albums Tea for the Tillerman (1970) and Teaser and the Firecat (1971) were both certified triple platinum in the US. His musical style consists of folk, pop, rock, and Islamic music. His 1972 album Catch Bull at Four spent three weeks at number one on the Billboard 200, and fifteen weeks at number one in the Australian ARIA Charts…
Mona Bone Jakon only began Cat Stevens' comeback. Seven months later, he returned with Tea for the Tillerman, an album in the same chamber-group style, employing the same musicians and producer, but with a far more confident tone…
Tell 'Em I'm Gone is the first new Yusuf album to be released since 2009 s acclaimed Roadsinger. Recorded all over the world, including Los Angeles, Dubai, Brussels, and London, the album features 10 brand-new studio recordings, including five originals and five carefully-chosen cover songs. Tell 'Em I'm Gone features musical contributions from Richard Thompson, blues harmonica legend Charlie Musselwhite, singer-songwriter Bonnie 'Prince' Billy, Tuareg group Tinariwen, and guitarist Matt Sweeney. The album was produced by Yusuf, with Rick Rubin also producing select tracks.
Tea for the Tillerman is a highly-regarded album by singer-songwriter Cat Stevens. This album, Stevens' second during 1970, includes many of Stevens' most memorable and beloved songs by his fans, including "Where Do the Children Play?," "Hard Headed Woman," "Wild World," "Sad Lisa," "Into White" and "Father and Son." Four of the tracks ( "Where Do the Children Play?", "On the Road to Find Out", "Tea for the Tillerman" and "Miles from Nowhere" ) were featured in the Hal Ashby and Colin Higgins' black comedy film entitled Harold and Maude, in 1971, gaining Stevens more fans long afterward. The track "But I Might Die Tonight" was featured on another 1971 film: Deep End by Jerzy Skolimowski. Stevens, a former art student, created the artwork featured on the record's cover. With "Wild World" as an advance single, this was the album that brought Stevens world-wide fame. The album itself charted into the top 10 in the United States, where he had previously had few listeners.