"The Sound of My Life" follows virtuoso organist Cameron Carpenter on his journey to realize a dream ten years in the making building his own International Touring Organ and presenting it to the world. The film tells Cameron's personal story…
John Carpenter is a rarity among film directors in that he is also a composer who writes the musical scores for his movies as well. Carpenter's 1981 film Escape From New York was a kind of genre hybrid, a science-fiction crime thriller with suggestions of a spaghetti western thrown in. Set in a near future when Manhattan has been converted into a no-man's-land prison, the movie needed an appropriately futuristic soundtrack, and Carpenter came up with a score for synthesizer that he played with his sound designer Alan Howarth. Despite the instrumentation, however, the composer retained a style familiar from such earlier works as Halloween. He favored simple, repetitive keyboard figures, generally two per sequence, set in a fast-slow counterpoint. The Escape From New York score had a few changes of pace, notably a borrowing from Debussy and an ersatz Broadway show tune, "Everyone's Coming to New York" ("Shoot a cop with a gun/The Big Apple is plenty of fun"), but most of the music sounded like earlier Carpenter scores, similarly creating a tense, ominous tone much of the time.
The story of the Cranberries is one of dogged survival. Debuting with a maiden release that everybody seemed to rate as a portent of great things, the band suffered not only a "difficult" second album but also an absolute stinker of a third one, as the bandmembers strove desperately – too desperately – to live up to their reputation for sensitivity and thoughtfulness, and completely lost sight of their true virtues in the process. Internecine squabbling, health problems, and general disaffection all took further toll, so much so that, as the band prepared to release its fourth album, 1999's Bury the Hatchet, many observers were shocked to learn that the band even existed any longer, let alone was capable of actually making a new record – especially one that was as good as Bury the Hatchet turned out to be. Filmed at the Paris Omnisport de Bercy on December 9, 1999, toward the end of that album's accompanying tour, Beneath the Skin captures the full 84-minute concert performance, with the band ranging and, occasionally, raging through a veritable greatest-hits collection. The 22 tracks date back to the shimmering beauty of the Everybody Else Is Doing It era, fast forward through the highlights (and there were a few) of the two albums that followed, and then climax with eight cuts from the new record, including an opening salvo of "Animal Instinct," "Loud and Clear," and "Promises" that restates Hatchet's own defiant kickoff.
Taped May 15, 2016 at Red Rocks Amphitheater In Colorado, The Legendary Classic Rock Band delivers it's biggest hits. The quality of the music on this CD/DVD set is not in question. The band sounds as good as they always do, and this set includes "Crazy Circles," a first for a Bad Company live disc.
John Carpenter is a legend. As the director and composer behind dozens of classic movies, Carpenter has established a reputation as one of the greatest filmmakers in the history of modern cinema, as well as one of its most influential musicians. The minimal, synthesizer-driven themes to films like Halloween, Escape From New York, and Assault on Precinct 13 are as indelible as their images, and their timelessness was evident as Carpenter performed them live in a string of internationally sold-out concert dates in 2016. Anthology: Movie Themes 1974-1998 collects 13 classic themes from Carpenter’s illustrious career together on one volume for the first time. Each theme has been newly recorded with the same collaborators that Carpenter worked with on his hit Lost Themes studio albums: his son, Cody Carpenter, and godson, Daniel Davies.