Chopin's two piano concertos have long been admired more as pianistic vehicles than as integrated works for piano and orchestra. But in his revelatory new recording, Krystian Zimerman suggests otherwise: The opening orchestral tuttis have so much more light, shade, orchestral color, and detail, you wonder if they've been rewritten. Every gesture, every instrumental solo is so specifically characterized that by the time the piano makes a dramatic entrance, the pieces have become operas without words.
Instructional series in harmony with traditional instruction that specializes in teaching the aspiring pianist all of the important skills.
Gain rare insight into the musical thinking of one of the most influential popular songwriters and arrangers in America. Donald Fagen analyses three Steely Dan hits ("Chain Lightning," "Peg," "Josie") and two solo works from his Grammy-nominated album Kamakiriad ("On The Dunes," "Teahouse On The Tracks"). These songs use familiar blues and R&B structures, and Donald explains how, by altering the bass line and chordal qualities, he transformed them into sophisticated jazz-rock compositions. You'll trace the development of increasingly complex pieces as Donald and Warren Bernhardt reveal each tune's singular structure, harmonic and rhythmic characteristic, intro ideas and other devices.
Despite no doubt dedicated performances, this recording of Khachaturian's Piano Concerto, Sonatina, and Toccata are distinctly disappointing. Part of the responsibility for this is pianist Alberto Portugheis, who plays with plenty of panache but not enough power and nowhere near enough precision. Part of the responsibility is conductor Loris Tjeknavorian, who leads the London Symphony Orchestra in a tepid accompaniment to the Piano Concerto with especially grave ensemble and intonation problems in the slow movement. Part of the responsibility is AVS, which gives Portugheis, Tjeknavorian, and the LSO distant and dismal recorded sound. But most of the responsibility is the incontrovertible fact that William Kapell recorded the Khachaturian Piano Concerto at the height of his powers and, after that awesome achievement, any merely dedicated performance cannot help but sound distinctly disappointing.