Cannonball Adderley, Music, You All

The Cannonball Adderley Quintet - Music, You All (2016) {Blue Note-Real Gone Music RGM-0454 rec 1972}

The Cannonball Adderley Quintet - Music, You All (2016) {Blue Note-Real Gone Music RGM-0454 rec 1972}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 312 Mb | MP3 @320 -> 118 Mb
Full Artwork @ 600 dpi (png) -> 238 Mb | 5% repair rar
© 1972, 2016 Blue Note / Capitol / Real Gone Music / Dusty Groove | RGM-0454
Jazz / Soul Jazz / Modern Jazz / Jazz Funk / Saxophone

Killer work from the same sessions that gave the world Cannonball Adderley's classic Black Messiah album – live material from an extended stretch as the Troubadour club in LA – featuring a very righteous, freewheeling version of Cannonball's group! The lineup features some wonderful work on Fender Rhodes from George Duke – who brings a more soulful, spiritual current to the proceedings than Joe Zawinul did in earlier years – a really commanding presence that hints at his brewing solo fame, and which is a very welcome addition to the core lineup, which also includes Cannon on soprano and alto, and brother Nat on cornet!
Cannonball Adderley with Bill Evans - Know What I Mean? (1961) {1987, Reissue, Remastered} Re-post / New Rip

Cannonball Adderley with Bill Evans - Know What I Mean? (1961) {1987, Reissue, Remastered}
EAC Rip | FLAC (Img) + Cue + Log ~ 298 Mb | MP3 CBR320 ~ 129 Mb
Scans (PNG, 300 dpi) ~ 55 Mb | RAR 5% Recovery
Jazz, Hard Bop | Riverside Records #RLP-9433 / Original Jazz Classics #OJCCD-105-2

Depending on the nature of the person involved, success either dictates more and more compulsive activity, or else it permits relaxation. With Cannonball Adderley, the latter certainly appears to be the case; and this album can, among other things, serve as a testimonial to the truth of this impression. Adderley is undeniably a successful, widely-acclaimed artist, and it may seem to some that his success came quickly. But it is more in the nature of what one night-club comic once referred to bitterly as "my overnight success after fifteen years." To recap briefly, Cannonball came up to New York in the mid-'5Os with a thorough background as a player…
Cannonball Adderley - Phenix (1975) {Fantasy FCD-79004-2 rel 1999}

Cannonball Adderley - Phenix (1975) {Fantasy FCD-79004-2 rel 1999}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 465 Mb | MP3 @320 -> 172 Mb
Full Artwork @ 300 dpi (jpg) -> 14 Mb | 5% repair rar
© 1975, 1999 Fantasy | FCD-79004-2
Jazz / Soul Jazz / Jazz Funk / Hard Bop / Fusion / Saxophone

Adderley's next-to-last recording (cut just four months before he died of a stroke at age 46) was ironically a retrospective of his career. While his then-current group (with cornetist Nat Adderley, keyboardist Mike Wolff, bassist Walter Booker, and drummer Roy McCurdy) was featured on half of this two-LP set (highlighted by "Stars Fell on Alabama," "74 Miles Away," and a medley of "Walk Tall" and "Mercy, Mercy, Mercy"), on the remainder of this two-fer the Adderleys welcome back several alumni (keyboardist George Duke, bassist Sam Jones, and drummer Louis Hayes) for new versions of "High Fly," "Work Song," "Sack O'Woe," "Jive Samba," "This Here," and "The Sidewalks of New York." A recommended set with plenty of excellent music, it serves as a fine overview of Cannonball Adderley's career.

Cannonball Adderley - Somethin' Else (1958) {1986, Reissue}  Music

Posted by popsakov at Oct. 16, 2016
Cannonball Adderley - Somethin' Else (1958) {1986, Reissue}

Cannonball Adderley - Somethin' Else (1958) {1986, Reissue}
EAC Rip | FLAC (Img) + Cue + Log ~ 300 Mb | MP3 CBR320 ~ 105 Mb
Scans (PNG, 400 dpi) ~ 52 Mb | RAR 5% Recovery
Jazz, Hard Bop | Blue Note #0777 7 46338 2 6 / DIDX 899

Cannonball Adderley gave up his own band in 1957 when he had the opportunity to become a sideman in Miles Davis' epic ensemble with John Coltrane, eventually resulting in some of the greatest jazz recordings of all time (including Milestones and Kind of Blue). Davis returned the favor in March of 1958, appearing as a sideman on Adderley's all-star quintet date for Blue Note, and the resulting session is indeed Somethin' Else. Both horn players are at their peak of lyrical invention, crafting gorgeous, flowing blues lines on the title tune and "One for Daddy-O," as the rhythm team (Hank Jones, Sam Jones, Art Blakey) creates a taut, focused groove…
Cannonball Adderley - Cannonball Enroute (1958) {2013 Japan Jazz The Best Series 24-bit Remaster}

Cannonball Adderley - Cannonball Enroute (1958) {2013 Japan Jazz The Best Series 24-bit Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 196 Mb | MP3 @320 -> 86 Mb
Full Artwork @ 600 dpi (png) -> 124 Mb | 5% repair rar | 24-bit remaster
© 2013 Mercury / Verve / Universal Japan | UCCU-9961
Jazz / Hard Bop / Soul Jazz / Saxophone

Cannonball Enroute is the sixth album by the jazz saxophonist Cannonball Adderley, and his first released on the Mercury label, featuring performances with Nat Adderley, Junior Mance, Sam Jones, and Jimmy Cobb. Cannonball Adderley's enroute to a great jazz legacy here – stepping out in a groove that begins to show some of the soul jazz modes he was forging at the end of the 50s – a great change from the straighter bop styles of his early years! The lineup here is a wonderful early expression of the familiar Adderley groove – with brother Nat Adderley on cornet, Junior Mance on piano, Sam Jones on bass, and Jimmy Cobb on drums – with Mance and Jones bringing an especially nice bottom end to the record – one that gets things moving in a very soulful way! Titles include "Porky", "Hoppin John", "That Funky Train", "I'll Remember April", and "18th Century Ballroom".
Jazz Casual - Cannonball Adderley; Modern Jazz Quartet (2002)

Jazz Casual - Cannonball Adderley; Modern Jazz Quartet (2002)
Video: PAL, MPEG-2 at 583 Mbps, 720 x 576 at 25.000 fps | Audio: MPEG Audio 2 channels at 224 Kbps, 48.0 KHz
Genre: Jazz | Label: Idem | Copy: Untouched | Release Date: 8 April 2002 | Runtime: 60 min. | 1,99 GB (DVD5)

Cannonball Adderley - One of the great alto saxophonists, Cannonball Adderley had an exuberant and happy sound that communicated immediately to listeners. His intelligent presentation of his music (often explaining what he and his musicians were going to play) helped make him one of the most popular of all jazzmen.
Adderley already had an established career as a high school band director in Florida when, during a 1955 visit to New York, he was persuaded to sit in with Oscar Pettiford's group at the Cafe Bohemia. His playing created such a sensation that he was soon signed to Savoy and persuaded to play jazz full-time in New York.
Cannonball Adderley - Cannonball Adderley In San Francisco (1959) {2007 Riverside} [Keepnews Collection Complete Series]

Cannonball Adderley - The Cannonball Adderley Quintet In San Francisco (1959) {2007 Riverside} [Keepnews Collection Complete Series] (Item #4)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 556 Mb | MP3 @320 -> 188 Mb
Full Artwork @ 600 dpi (png) -> 288 Mb | 5% repair rar | 24-bit remastering
© 2007 Concord / Riverside | 0888072301313
Jazz / Post Bop / Hard Bop / Saxophone

Remastered in 24-bit from the original master tapes. Part of our Keepnews Collection, which spotlights classic albums originally produced by the legendary Orrin Keepnews. Recorded live at the Jazz Workshop in San Francisco, this hit album captures the bluesy alto saxophonist and his band (featuring brother Nat on cornet and Bobby Timmons on piano) during their triumphant four-week run. It not only wowed the city’s jazz aficionados but also introduced Russian classical composer Dmitri Shostakovich to his first dose of live jazz.
Cannonball Adderley - The Black Messiah (1972) [2CD] {2014 Blue Note Remaster}

Cannonball Adderley - The Black Messiah (1972) [2CD] {2014 Blue Note Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 577 Mb | MP3 @320 -> 210 Mb
Full Artwork @ 600 dpi (png) -> 316 Mb | 5% repair rar
© 2014 Blue Note / Real Gone Music / Dusty Groove | RGM-0247
Jazz / Hard Bop / Soul Jazz / Saxophone

A massive live set from Cannonball Adderley – and a record that really shows the growth he'd undergone in just a few short years! The album's done in close collaboration with David Axelrod – who'd handled Cannon's big live dates for Capitol in the 60s – but this record is much more freewheeling, open-ended, fuzz, funky, and electric overall! Tracks are all nice and long, and really trip out in the best way – with keyboards from George Duke in the core group, plus some heavy basslines from Walter Booker, drums from Roy McCurdy, and guitar from Mike Deasy on a number of key tracks.

Cannonball Adderley - The Black Messiah (1971) [double LP] (24-96 vinyl rip)  Vinyl & HR

Posted by Hungry Mind at April 8, 2012
Cannonball Adderley - The Black Messiah (1971) [double LP] (24-96 vinyl rip)

Cannonball Adderley - The Black Messiah (1971) [double LP] (24-96 vinyl rip)
Vinyl rip @ 24/96 | FLAC | Complete Scans | 1,72 GB
Genre: jazz | RAR 5% Rec. | Label: Capitol Records | CAT #SWBO-846 | original US pressing

Still immersed in the burgeoning electronic jazz-rock explosion of the times, Cannonball Adderley goes further toward a rapprochement with the rock and soul audiences than ever before on this fascinating, overlooked double album. For starters, he recorded it live at West Hollywood's Troubadour club, then known as a showcase for folk and rock acts. He also imported additional players into his quintet, expanding into exotic percussion effects with Airto Moreira (whom Miles Davis had previously featured), hard rock guitar with sessionman Mike Deasy, fiery tenor sax from the young Ernie Watts, and occasional seasoning from conguero Buck Clarke and clarinetist Alvin Batiste.
Cannonball Adderley - Sophisticated Swing: The EmArcy Small-Group Sessions [2CD] (1995)

Cannonball Adderley - Sophisticated Swing: The EmArcy Small-Group Sessions [2CD] (1995)
Jazz | EAC Rip | APE (images)+CUE+LOG | mp3@320 | 628 MB. & 374 MB.
300dpi. Complete Scans (JPG) - 22 MB. | WinRar, 3% recovery
Audio CD (1995) | Label: PolyGram/Verve | Catalog# 528-408-2 | 78:47 + 79:32 min.

Reissued in this two-CD set are all of the recordings from the first Cannonball Adderley Quintet, a group that despite its talents failed commercially. With Cannonball on alto, cornetist Nat Adderley, pianist Junior Mance, bassist Sam Jones, and drummer Jimmy Cobb, it is surprising that the group did not make it, but the Adderleys were fairly unknown at the time.