A true Callas cornucopia, this 70-CD set gathers together everything Maria Callas ever recorded in the studio. That's 26 complete operas (four of which are studio repeats), plus the complete studio recitals made during the legendary soprano's recording career, which lasted from 1949-69. The bonus CD-ROM contains libretti and translations in English, French and German, plus a Callas photo library, while remastered treats include Callas's first recital recording, originally made for the Fonit-Cetra label and featuring arias by Wagner and Bellini. – Barnes & Noble
… one of the great names in classical music, whose mere name was enough to sell out houses worldwide. ~Joseph Stevenson, All Music Guide
This unique 70CD box set includes all the studio recordings Maria Callas ever made. It contains 26 complete operas, four of which are studio repeats, plus the complete studio recitals made during her recording career, from 1949 to 1969.
Hours and hours of delicate masterpieces by the Viennese Classical master, Mozart! The Alban Berg Quartet, Markus Wolf (viola) and Alfred Brendel (piano) perform String Quartets K. 387; 421; 458 ("Hunt"); 428; 464; 465 ("Dissonance"); 499 ("Hoffmeister"); 575; 589; 590; 515, and 516, plus String Quintets K. 515 and 516; Piano Concerto K. 414 (arranged for piano and string quartet by Mozart), and Piano Quartet K. 493.
This new recording of…the great D minor, K466, made last November with the LSO under Abbado, is immensely welcome. The old magic is still there: the ability to make every semiquaver in a run count: the way he can invest even quite 'innocent' music…with real meaning and character; the pathos and lyricism he brings to the slow movements; and the tension and drama he reveals in the outer movements of K466.
Matthias Kirschnereit is one of the leading German pianists of his generation. His international solo career has taken him to five continents. He has very close links to the Bamberg Symphony Orchestra, with whom he is recording Mozart's collected piano concertos for Arte Nova. Kirschnereit's fascination with Mozart's piano concertos dates back to his youth.
Callas first sang at Milan’s legendary La Scala for the opening of the 1951–1952 season (in Verdi’s I vespri siciliani) and she became closely identified with the theatre, notably in productions directed by Luchino Visconti and his protégé Franco Zeffirelli. Spontini’s La vestale was staged for her there in 1954, Bellini’s La sonnambula in 1955, and her final La Scala performances came in 1962 with Cherubini’s Medea. ‘This wonderful record gives us … Callas at her most spell-binding and enthralling,’ wrote Gramophone. ‘Callas at La Scala … shows the diva at her most exciting and most beautiful.’