1997 recording from Montserrat Caballe featuring 16 duets with international stars such as Johnny Hallyday and Khadja Nin from France, Carlos Cano from Spain, Marco Masini from Italy, Gotthard from Switzerland, Rene Froger from Holland & others…
"Barcelona" is an album recorded by Freddie Mercury, the front-man of the popular British rock band Queen, and operatic soprano Montserrat Caballe. The album was recorded in 1987 and 1988, and released in 1988. It is the final solo album recorded by Mercury, who died of AIDS on November 24, 1991. 25 years after the original release of the lead single, Barcelona, has been given a special re-release in an entirely newly orchestrated re-working.
With "Barcelona", Freddie Mercury realized his long-lived dream of performing with an opera singer; in this case, Montserrat Caballe.
The album was recorded in 1987 and 1988, and released in 1988. It is the final solo album recorded by Mercury.
Bellinis rare Oper "La Straniera" entstand unter großem Zeitdruck und kann deshalb nicht die dramatische Wirkung entfalten, wie es etwa "Norma" tut. Auch ist das Libretto nicht das Beste. Dennoch findet sich hier viel zauberhafte, mitreißende Musik, sodass sich die Anschaffung besonders für den Liebhaber lohnt. Diese Aufnahme hier einer (konzertanten?) Aufführung von 1969 profitiert vor allem von einer jungen Montserrat Caballe, die einfach alles gibt. Der Klang ist nicht perfekt, etwas dumpf und unscharf in den Höhen, aber auf jeden fall noch hörbar.
No-one would hold up Adriana Lecouvreur as an example of great musical theatre, and it has all but disappeared from our modern stage mostly, I suspect, due to its laughable plot which culminates in the heroine dying by poisoned violets! This old-school DVD, however, serves it as well as you could imagine with the singers treating this load of old tosh far more seriously than some would say it deserves…– Simon Thompson, MusicWeb International
Caballé is regal, and her final scene is a miracle of soft sweet inwardness.
The Naples years, 1815 to 1822, are at the very centre of Rossini's creative life. It is here that genius—''I had facility and lots of instinct''—was put to school. And firmly so: the serious masterpieces of the Naples years take as their subjects the Bible and Shakespeare, Scott and Racine, Tasso and English historical romance.– Richard Osborne, Gramophone [12/1992]
"Most operaphiles would not consider the hyper-dynamic Sir Georg Solti to be a likely candidate to conduct La bohème, but they also probably did not expect him to do an excellent La traviata prior to the sensational Angela Gheorghiu debut performance at Covent Garden. Herbert von Karajan’s Decca-London recording with Pavarotti and Freni has traditionally and deservedly set the standard for La bohème recordings, but this one holds up surprisingly well to direct comparison…" ~Fanfare
What does it say that of the six available videos of this opera, the two best were made in 1958 and 1978? Something about the Verdian style and grand Verdi voices, I'm sure, but I'll leave the details to you. The Price/Giacomini performance from the Met is a pretty boring affair, the Urmana/Giordani perfectly acceptable but thrill-free, and the Gorchakova/Gergiev/St. Petersburg original version is both in another class and not particularly idiomatic. Both Hardy DVDs–the '58 from Naples with Tebaldi and Corelli, and this one, from La Scala in 1978, present the opera as the "real thing"..–Robert Levine