J.C. Lodge is the type of artist reggae purists have no use for. As they see it, blending reggae with elements of pop, urban contemporary and dance music in so sleek a fashion only serves to water reggae down. But then, Lodge never claimed to be a purist, and in fact, Tropic of Love is fairly decent. The expressive Lodge has an alluring, sexy quality to her voice that works to her advantage on such sleek pop-reggae offerings as "The Prey," "Why" and the hit "Telephone Love." Most of the material is very 1990s-sounding, but "Come Again" is a pleasant number that, except for some dancehall-minded toasting, recalls the reggae of the '60s (when Jamaican artists were paying very close attention to what the American soulsters of Motown were up to). Also noteworthy is Lodge's cover of Sylvia Robinson's seductive 1973 hit "Pillow Talk." Tropic isn't breathtaking, but it's definitely more soulful and enjoyable than reggae's purists claim.
Hermann Goetz's lifespan was no longer than Mozart's, and though much admired by contemporaries, as a tragic genius his music became almost forgotten, and the domain of but a few connoisseurs such as Gustav Mahler. Goetz's style remained closer to schumann and Mendelssohn, preferring lyricism and clarity to the more radical approaches of Liszt and Wagner. The virtuoso First Piano Concerto was a student work, its lovely central adagio sharing a use of colorful wind parts with the freshly optimistic Second Piano Concerto composed six years later.