Price moved to Jet Records in 1977 and recorded a series of successful albums throughout the rest of the decade. In 1980, he crossed the big pond to record an unusual album in Los Angeles: entitled Rising Sun, it included a reworking of the song The House Of The Rising Sun, which picked up quite a bit of air play in the UK.
This is a very good live album from Alan Price which features a good mix of his old and new original material and a nice set of covers, such as Simon Smith and I Put a Spell on You. While the songs from O Lucky Man would be the best known, there are other gems here, such as Between Today and Yesterday (the LP which followed O Lucky Man) and the set as a whole is great listening. The musicians are top-notch and the production sounds really good; the drum sound is well captured, for example. Alan is in fine voice and sounds as if he's really enjoying the show(s). Highly recommended for fans of Alan Price, R&B or Randy Newman type songwriters.
If there was ever a female voice that conveyed the diverse qualities of the fertile Austin, TX music scene, Toni Price would be on anyone's short list for the honors. On her second album she wraps her lazy, husky drawl around some terrific material, much of it penned by Gwil Owen who wrote or co-wrote seven of these 13 tunes. Price also utilizes the cream of the city's extensive crop of musical talent with drummers Barry Frosty Smith, Doyle Bramhall ,and Lisa Pankratz joining fiddler Champ Hood and guitarists Scrappy Jud Newcomb, Casper Rawls, David Grissom, and Derek O'Brien (who also produced) on a set that mixes country, folk, jazz, torch, blues, rock, and twang with an effortlessness unique to Austin's distinctive groove.
Willie Nelson joined Ray Price's Cherokee Cowboys in 1961, the first step in a lifelong friendship between the two men. From that point on, the pair never fell out of touch. At the height of his superstardom in 1980, Nelson cut a duet album with Price called San Antonio Rose, the first of three joint efforts they'd cut over the years. Whenever the pair got together, they'd sing the old songs, Western swing standards and honky tonk classics from the '50s and '60s – the songs that form the core of For the Good Times: A Tribute to Ray Price, a salute Willie delivered three years after Price's 2013 death.
Midwest Farmer's Daughter isn't merely an autobiographical title for the retro country singer/songwriter Margo Price, it's a nice tip of the hat to one of her primary inspirations, Loretta Lynn. The connections between the two country singers don't end there. Toward the end of her career, the Coal Miner's Daughter wound up collaborating with Jack White for 2004's Van Lear Rose, and White's Third Man Records provides a launching pad for Price, releasing her self-financed solo debut as-is as Midwest Farmer's Daughter.
Limited fourteen CD set. The Complete Collection of Operatic Recital Albums brings together for the first time all the recital and duet albums which Leontyne Price recorded between 1960 and 1982. Starting with her operatic d‚but with arias, it features not only her legendary Scenes from Gershwin's Porgy and Bess, but also the famous complete Prima Donna Collection consisting of five volumes released between 1966 and 1980.