Bwv 500

J.S. Bach - The English Concer - Pinnock - Brandenburgische Konzerte 1-2-3 (1983, Archiv Produktion # 410 500-2) [RE-UP]

Johann Sebastian Bach - Brandenburgische Konzerte 1-2-3
The English Concert / Trevor Pinnock
FLAC, EAC, LOG & CUE | Full Artwork | 5% Recovery Info | Size: 355 MB
Label/Cat#: Archiv Produktion # 410 500-2 | Country/Year: Germany 1983
Genre: Classical | Style: Baroque
Bach, The English Concert, T. Pinnock - Brandenburgische Konzerte 1-2-3 [Archiv Produktion 410 500-2] {Germany 1983}

Johann Sebastian Bach - Brandenburgische Konzerte 1-2-3 / Brandenburg Concertos 1-2-3 (Repost)
The English Concert / Trevor Pinnock
FLAC, EAC, LOG & CUE | Lossless Artwork | Recovery Info | Size: 355 MB
Label/Cat#: Archiv Produktion 410 500-2 | Country/Year: Germany 1983
Pierre Hantai - Johann Sebastian Bach: Variations Goldberg, BWV 988 (2003)

Pierre Hantaï - Johann Sebastian Bach: Goldberg Variations, BWV 988 (2003)
XLD | FLAC | Image (Cue&Log) ~ 510 Mb | Mp3 (CBR320) ~ 192 Mb | Scans included
Genre: Classical | Label: Mirare | # MIR 9945 | Time: 01:18:28

Bach’s Goldberg Variations have played a central role in harpsichordist Pierre Hantai’s musical life since his early youth. At 28 he recorded the work for the Opus 111 label (now available on Naïve), a highly acclaimed release that stands among the work’s choice versions. Over the past 11 years Hantai evidently has rethought and refined his interpretation, as revealed in this 2003 remake. There’s greater rhythmic freedom and variety of articulation, plus a more subjective approach to ornaments and agogics, especially in the repeats (he observes all but those in Variation 15, 25, and the Aria Da Capo; the 1992 recording honors all repeats save for Variation 25). Variations previously characterized through Hantai’s seamless legato technique (Nos. 3, 6, 8, 11, 17, and 18, for example) are further enlivened by detaché finger strokes and more inflected phrasings. The latter infuse Variations 7, 10, and 16 with greater resilience and rhythmic verve than their earlier counterparts.

Quinta Essentia - Bach: The Art of the Fugue, BWV 1080 (2017)  Music

Posted by Pisulik at Aug. 14, 2017
Quinta Essentia - Bach: The Art of the Fugue, BWV 1080 (2017)

Quinta Essentia - Bach: The Art of the Fugue, BWV 1080 (2017)
Classical | MP3 CBR 320 kbps | 01:21:41 | 193 MB
Label: Ars Produktion

The recorder quartet quintaessentia is the leading ensemble of its kind in Brazil. This label debut for the ensemble gives extraordinary audibility to Bach’s brilliant counterpoint.

Balint Karosi - Bach: The Art of Fugue, BWV 1080 (2017)  Music

Posted by Pisulik at Aug. 5, 2017
Balint Karosi - Bach: The Art of Fugue, BWV 1080 (2017)

Balint Karosi - Bach: The Art of Fugue, BWV 1080 (2017)
Classical | MP3 CBR 320 kbps | 01:20:50 | 196 MB
Label: Hungaroton

Bálint Karosi is a Hungarian organist and composer, especially noted for his expertise in period-style improvisation. He was educated at the Liszt Academy in Budapest and Oberlin Conservatory in the United States, and he earned his master's and doctoral degrees at Yale School of Music. His career has taken him across Europe and the United States, and he has performed at major festivals, such as the International Bach Festival in Leipzig, the Boston Early Music Festival, and the Magadino International Organ Festival in Switzerland. He has played many historic instruments, including J.S. Bach's organ at the Thomaskirche in Leipzig, the organ played by Dietrich Buxtehude at the Marienkirche in Lübeck, and Gottfried Silbermann's organ at Freiburg Cathedral. As a composer, Karosi has written music for orchestra, chamber ensembles, choir, voice, and organ, and received commissions for works from the Boston Modern Orchestra Project, the Hungarian State Opera, and the National Concert Hall in Budapest. Karosi has also taught organ and organ improvisation at Boston University, Oberlin, and Yale.
David Watkin - Johann Sebastian Bach: Cello Suites, BWV 1007-1012 (2015)

David Watkin - Johann Sebastian Bach: Cello Suites, BWV 1007-1012 (2015)
EAC | FLAC | Image (Cue&Log) ~ 620 Mb (incl 5%) | Mp3 (CBR320) ~ 360 Mb (incl 5%) | Scans included
Genre: Classical, Baroque | Label: Resonus Classics | # RES10147 | Time: 02:24:58

GRAMOPHONE AWARD WINNER 2015 - BAROQUE INSTRUMENTAL RECORDING OF THE YEAR. This recording is the first time that the five-stringed Amati has been used to record the 6th suite and it is the only original five-string cello in existence in the UK and unique in being the only one by this maker. The Cello Suites are performed on two gut-string cellos Suite Nos. 1-5 on a Francesco Ruggieri from 1660 and Suite No. 6 the five-stringed Cremona cello by A. & H. Amati from c.1600, both tuned to Baroque pitch. Bachs cello suites are renowned as the pinnacle of the instruments repertoire and are performed here in period performances by the internationally acclaimed cellist, David Watkin. David Watkin has been performing Bachs Cello Suites in concert for 35 years, and Bachs unaccompanied cello repertoire has taken him all over Europe, from the Palace of Frederick the Great at Potsdam to the Prague Spring Festival, and, as part of Sir John Eliot Gardiner's Bach Cantata Pilgrimage, included performances sitting by the font in which Bach was baptised.
Thomas Ragossnig - Bach: Inventions & Sinfonias, BWV 772-801 (2016) [TR24][OF]

Thomas Ragossnig - Bach: Inventions & Sinfonias, BWV 772-801
Classical | FLAC (tracks) 24-bit/96 kHz | 51:59 min | 1.10 GB | Digital booklet
Label: Solo Musica | Tracks: 30 | Rls.date: 2016

Harpsichordist Thomas Ragossnig devotes this recording to Bach's Inventions and Sinfonias, delivered in an altered order from the typical ascending scale arrangement. Ragossnig presents his musically more meaningful and attractive sequence on this album for the first time, mixing the Inventions and Sinfonias in the same key and performing them in groups of two or four. The result is an exciting programme that provides an opportunity to linger longer in each key, as in a Baroque suite. Ragossnig zestfully interprets the various musical affections in these miniatures, so that these complex works function as a meaningful and stimulating cycle and not only as contrapuntal references.
Markku Luolajan-Mikkola - Johann Sebastian Bach: Sonatas and Partitas, BWV 1001-1006 (2015)

Markku Luolajan-Mikkola - J.S. Bach: Sonatas and Partitas, BWV 1001-1006 (2015)
EAC | FLAC | Image (Cue&Log) ~ 738 Mb (incl 5%) | Scans included | Time: 02:38:00
Genre: Classical, Baroque | Label: Linn Records | # CKD 548

Markku Luolajan-Mikkola has a reputation for excellence and already has two Gramophone Awards. With a fan base to match, Luolajan-Mikkola is at the top of his game. In Luolajan-Mikkola’s Linn debut, he tackles the pinnacle of Bach’s productions for violinists: the Partitas and Sonatas. Luolajan-Mikkola transcribed these works for cello. His goal with this recording has been to encapsulate expression and emotion according to the character of each movement. A historically informed musician, he performs on baroque cello.
Akademie für Alte Musik Berlin & René Jacobs - Bach: St John Passion, BWV 245 (Johannes-Passion) (2016) [TR24][OF]

Akademie für Alte Musik Berlin & René Jacobs - Bach: St John Passion, BWV 245 (Johannes-Passion)
Classical | FLAC (tracks) 24-bit/96 kHz | 106:12 min | 1.88 GB | Digital booklet
Label: Harmonia Mundi | Tracks: 40 | Rls.date: 2016

Bach revised his 'Johannes-Passion' regularly: he returned to it over a period of 26 years, from 1724 until his death. It is the version hallowed by tradition, established by the Kantor a year before his death, that is presented on these CDs. However, the 1725 version, equally outstanding musically, has also been recorded complete and can be downloaded as a bonus in high-resolution sound. Comparison of the two versions reveals the underlying meaning of this matchless 'Passion'.
Leila Schayegh, Jorg Halubek - Johann Sebastian Bach - Sei Suonate a Cembalo certato e Violino Solo, BWV 1014-1019 (2016)

Leila Schayegh, Jörg Halubek - J.S. Bach: Sonatas for Violin & Harpsichord (2016)
EAC | FLAC | Image (Cue&Log) ~ 607 Mb (incl 5%) | Scans included | Time: 01:34:52
Genre: Classical | Label: Glossa | # GCD 923507

Two rising stars in today’s firmament of Baroque music performance, Leila Schayegh and Jörg Halubek, join forces to record one of the major challenges in their joint repertory: the six Bach Violin Sonatas, BWV 1014-1019. The collection’s title, 'Sei Suonate à Cembalo certato è Violino Solo', reflects the close partnership demanded of the violin and harpsichord players, with Bach moving away from the idea of continuo support for a solo instrument and constantly making new technical demands on the musicians and thereby approaching the concept of the triosonata. Completed by around 1725, most of these richly characterful works combine the Italian style and a cantabile tone with elements of German contrapuntal style. The artistic partnership of Schayegh and Halubek, now in its tenth year, has seen them record chamber music by Jean-Marie Leclair, CPE Bach and Giovanni Mossi but the Bach Violin Sonatas represents their first joint recording for Glossa.