John Lee Hooker's greatness lies in his ability to perform the same songs the same way yet somehow sound different and memorable in the process. He operates at maximum efficiency in minimal surroundings with little production or assistance. That was the case on a 1969 session for Black and Blue; it was just Hooker and his guitar moaning, wailing, and narrating on 10 tracks which included familiar ditties "Boogie Chillen," "Love Affair," "Big Boss Lady," and "Cold Chills." Evidence has now not only reissued these 10 but has added another six bonus cuts, bringing the CD total to 16. If you have ever heard any Hooker, you will not be surprised or stunned by these renditions; you will simply enjoy hearing him rework them one more time, finding a new word, phrase, line, or riff to inject.
The first sound on Back in Black is the deep, ominous drone of church bells – or "Hell's Bells," as it were, opening the album and AC/DC's next era with a fanfare while ringing a fond farewell to Bon Scott, their late lead singer who partied himself straight to hell…
Way Back When finds Surman on baritone and soprano saxophones, joined by John Taylor on electric piano, Brian Odgers on electric bass, John Marshall on drums and, on two tracks, alto saxophonist Mike Osborne. This one-day session was, in Surman's words, "a sort of 'farewell' jam session," held before Surman moved to continental Europe to join bassist Barre Phillips and drummer Stu Martin for the groundbreaking free jazz unit known as the Trio.
In retrospect, it is not hard to find hints of a coming change in the final album Cat Stevens made before a near-death experience and a religious conversion.