The Essential Bruce Springsteen is a compilation album by Bruce Springsteen, released on 11 November 2003. Per liner notes comments by Springsteen, the collection was intended as an introduction to his music for new fans who attended shows on The Rising Tour; hence, it includes songs from every Springsteen album since his debut. The album was available as a 2-disc set and, later, as a limited edition 3-disc set; for the latter, the third disc contained a selection of rarities and previously unreleased recordings.
Cardboard sleeve reissue from Kevin Ayers features remastering in 2014 and the high-fidelity SHM-CD format (compatible with standard CD players). The cover faithfully replicates the original UK LP artwork. Includes an obi featuring design of original Japanese limited edition's LP (subject to change). Comes with a description and lyrics. Part of eight-album Kevin Ayers cardboard sleeve reissue series features the albums, "Joy Of A Toy +5," "Shooting At The Moon +6," "Whatevershebrings Wesing +10," "Bananamour +7," "Odd Ditties +3," "Yes We Have No Mananas. So Get Your Mananas Today +9," "Rainbow Takeaway +7," and "That's What You Get Babe +4." Bonus tracks.
Bruce Springsteen’s fifth album gushes forth with the fury of a burst dam, delivering torrents of despair, inspiration, heartbreak, and joy. The Ties That Bind: The River Collection expands the original 20-song double album to a 4xCD set.
Bruce Springsteen AKA The Boss was a singer songwriter signed to Columbia records in the early seventies. Having recorded two critically well received albums (Greetings From Asbury Park and The Wild the Innocent and the E Street Shuffle) he broke through commercially worldwide with the album Born To Run which was released on the 25th August 1975. Whilst the album broke Bruce his relationship with his manager had soured to the extent that he was subsequently embroiled in litigation for two years and unable to record for over twelve months. This gave Bruce and the band the opportunity to hone their craft by playing extensively across the USA and also a well-documented appearance in the UK. This recording is the complete performance from a stint at The Roxy in Los Angeles in October 1975. The set was broadcast on radio and is considered to be one of the great live performances featuring songs from the recently released Born To Run album and also key songs from his previous two albums alongside some covers which he made his own in new arrangements.
Pablo Cruise achieved some measure of success during the latter part of the '70s with their mellow, easygoing California pop. The band was formed in 1973 by former members of Stoneground and It's a Beautiful Day: guitarist Dave Jenkins, keyboardist Cory Lerios, bassist Bud Cockrell, and drummer Steve Price…
Hailing from a trio of Modern Jazz Quartet (MJQ) sessions, Django (1955) contains some of the earliest sides that Milt Jackson (vibraphone), John Lewis (piano), Percy Heath (bass) and Kenny Clarke (drums) recorded for Prestige Records. Initially, the combo was part of Dizzy Gillespie's influential backing band and after a change in drummers (to Connie Kay), they continued as one of the more sophisticated aggregates of the post-bop era. The album commences with Lewis' sublime and serene title track "Django," dedicated to the memory of guitarist extraordinaire Django Reinhardt. This musical paean aptly recaptures the essence of Reinhardt's enigmatic gypsy-like nature, especially evident within Jackson's leads, which emerge from the thoughtful opening dirge with a refined, warm tone throughout.
Features SHM-CD format and the latest 24bit 192kHz remastering. As Lee Morgan's career moved from hard and post-bop to soul-jazz, Delightfulee serves as a further bridge in a half-and-half fashion. Four of the seven cuts feature his potent quintet with a young and emerging tenor saxophonist, Joe Henderson, as his front line mate, McCoy Tyner ever brilliant on piano, and Billy Higgins firing up the rhythm as only the drummer could. The remainder of the date consists of tracks orchestrated by Oliver Nelson featuring an 11-piece ensemble. There are two selections that feature versions of compositions with both configurations.
Reissue features the latest digital remastering and the high-fidelity SHM-CD format (compatible with standard CD player) and the latest DSD / HR Cutting remastering. Comes with a description. Features the original LP designs. A pretty great live set by Billy Taylor and his early trio with Earl May on bass and Percy Brice on drums – recorded at Town Hall in 1954! Taylor is actually pretty darn amazing on the set – very much the virtuoso, playing with an incredible range and an almost modern approach to the tunes – one that seems looser, and more expressive than some of his previous studio sessions for Prestige Records – in a way that makes this album a gem well worth seeking out! Titles include "Theodora", "A Foggy Day", "How High The Moon", and "I'll Remember April".