In a way, this is the veteran duo's version of Fathers and Sons, a meeting of old black bluesmen with young white admirers that Muddy Waters and Otis Spann cut with Mike Bloomfield and Paul Butterfield…
The Dynamic Duo Of The Blues Were Truly An Awesome Pair. When They Joined Earl Hooker For These Sessions, The Results Were Astounding. Now These Tapes Have Been Cleaned Up And Remastered To Be Heard The Way They Were Always Meant To Be.– by Amazon
Sometimes, if you're not careful, precious little gems slip by. Because this isn't any old Sonny & Brownie reprint, it's the glorious Folkways recordings!
On this 2CD set you get the full tracks of four Folkways 10" LPs plus eight bonus cuts taken from various parts of their career. Choice stuff indeed and rare too. If you were to bid for the four albums included, you'd need around £400 to win them.
CD 1 contains the 1952 album ‘Get On Board', the seven cuts from the 1956 Folkways album ‘Washboard Band-Country Dance Music' - a kind of a Almanac Singers gung-ho session supervised by the ubiquitous and as-always-over-enthusiastic Pete Seeger plus four blues from the 1940s……
Singer/Guitarist Brownie McGhee and his life-long musical partner, blind harp-man, Sonny Terry are best known as champions of the "Piedmont"-style blues pioneered by artists such as Blind Blake, Blind Willie McTell and Blind Boy Fuller. In the 1960s, they became icons of the folk-blues revival. The recording presented here however showcase a different chapter of the story. This is a collection of raw and rocking jump blues cut between 1947 and 1955 for juke boxes in black beer joints and dancehalls by the New Jersey-based Savoy Record company. Essential blues recordings from two of the genres' most revered artists.
Brownie's brother Stick McGhee had a hit or two to his name, and the two brothers split the 105 tracks on this boxed set between them (with some tracks from Brownie's longtime partner Sonny Terry)! Includes Drinkin' Wine Spo-Dee-O-Dee; Tennessee Waltz Blues; Wee Wee Hours Pts. 1 & 2; Little Things We Used to Do Stick McGhee; Mean Ole Frisco; Key to the Highway; C.C. Rider, Where Did She Go Brownie McGhee; Mad Man Blues; Harmonica Train Sonny Terry, and more.
Walter Brown McGhee (1915-1996) was an articulate spokesman for the blues who, in partnership with Sonny Terry, proselytized the buoyant Piedmont-blues-style to folk audiences a decade before most ever heard of the Mississippi Delta. Tennessee born, Carolina-influenced, New York based in his 'folk boom' glory and a Californian at the time of his death, Brownie showed a wide stylistic range from turn-of-the-century ragtime ('Come On Keep It Coming') to the lyrical sophistication of such original songs as 'Conversation With A River'.
Sonny Terry started playing harp in his teens, as a blind street musician in North Carolina. After a stint with a medicine show, he hooked p with the popular ragtime singer/guitarist, Blind Boy Fuller. When he was 23 he made his recording debut, backing up Fuller. Barely a year later in 1938, he was wowing New York audiences at Carnegie Hall, appearing solo as part of John Hammond's Spirituals to Swing concert. After Fuller's death in 1940, Terry teamed with Brownie McGhee and the two began a long lived musical partnership.
Sonny Terry & Brownie McGhee were the ultimate blues duo; McGhee's stylized singing and light, flickering guitar was wonderfully contrasted by Terry's sweeping, whirling harmonica solos and intense, country-tinged singing. They were in great form during the ten tunes featured on this live date….
Here's an 18-track collection of McGhee's earliest recordings, all of it emanating from sessions held in 1940 and the following year…..