The second in Brian Eno's ambient series, The Plateaux of Mirrors fuses the fragile piano melodies of Harold Budd and the atmospheric electronics of Eno to create a lovely, evocative work. In sharp contrast to the exaggerated pieces found on his debut, The Pavilion of Dreams, this record finds Budd delivering sharp shards of piano notes pregnant with meaning and minimal in the best sense of the word. Eno's unobtrusive electronics add a resonance and atmosphere that draw from the ambient textures found on Discreet Music, Music for Films, and Evening Star.
Brian Eno's album of instrumental pieces, Making Space, was released during his visit to Mexico City in June of 2010 - the CD comes in a digipak with fold-out artwork and is available exclusively from venues hosting his installations and lectures. All compositions by Brian Eno except "Flora and Fauna/Gleise 581d", "New Moons", "Vanadium" by Brian Eno and Leo Abrahams; "Hopeful Timean Intersect" by Brian Eno, Tim Harries, Leo Abrahams. All instruments by Brian Eno except Leo Abrahams: guitar on "Flora and Fauna/Gleise 581d", "New Moons", "Hopeful Timean Intersect"; Tim Harries: bass on "Hopeful Timean Intersect".
This one-disc run through Underworld's 20-year career serves a purpose, yet newcomers should know this prime techno act already has a couple of necessary albums (Dubnobasswithmyheadman and Second Toughest in the Infants), plus there's a companion release to this set (1992-2012) that features the "real" full-length versions of most of these cuts, although you do have to shell out for a second disc. On top of this all, folks intrigued by Underworld generally fall in love with them, so this gateway drug will likely become redundant.
Reflection is the twenty-sixth solo studio album by English musician Brian Eno, released on 1 January 2017 on Warp Records. It is a single piece of ambient music produced by Eno that runs for 54 minutes in length.
Both Brian Eno and John Cale have always flirted with conventional pop music throughout their careers, while reserving the right to go off on less accessible experiments, which means they've always held out the promise that they would make something as attractive as this synthesizer-dominated collection, on which Eno comes as close to the mainstream as he has since Another Green World and Cale is as catchy as he's been since Honi Soit. The result is one of the best albums either one has ever made. [A 2005 reissue added two bonus tracks: "Grandfather's House" and "You Don't Miss Your Water."]
6 collected Eno tracks from Music from Films III, The Drop and Wrong Way Up. 1/2 Music for Airports track by Bang on a Can + 5 interesting reworks with strings by Popoli Dalpane Ensemble and another 3 reworks by Arturo Stalteri. These latter string reworks include St. Elmo's Fire, By this River, Driving me Backwards, SparrowFall, Another Green World