Brian Eno Apollo Atmospheres And Soundtracks

Brian Eno - Apollo - Atmospheres & Soundtracks (1983) {2009 Virgin DSD Remaster}

Brian Eno - Apollo - Atmospheres & Soundtracks (1983) {2009 Virgin DSD Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 189 Mb | MP3 @320 -> 118 Mb
Full Artwork @ 300 dpi (png) -> 28 Mb | 5% repair rar | DSD Remaster
© 2009 Virgin Records | 509996845312
Ambient / Electronic / Avant-Garde

Apollo - Atmospheres and Soundtracks is an Ambient album released in 1983. It was written, produced, and performed by Brian Eno, his brother Roger and Daniel Lanois. Music from the album appeared in the films 28 Days Later, Traffic and Trainspotting, whose soundtrack sold approximately four million copies.

Brian Eno - Apollo - Atmospheres & Soundtracks  Music

Posted by head56 at April 8, 2007
Brian Eno - Apollo - Atmospheres & Soundtracks

Brian Eno - Apollo - Atmospheres & Soundtracks
Genre: Electronic, Ambient | Mp3, VBR 219Kbps | 1 CD | ~80 Mb | rs.com

An exquisite experiment, Apollo takes Brian Eno's spacescapes from albums like Another Green World and arranges them with some heavenly pedal steel guitar by Daniel Lanois. The recording engulfs the listener and captures the feel of space travel, weightlessness, and other sensations vividly. It's also perhaps Eno's warmest record ever. In the end, it comes off sounding not unlike a Grateful Dead experiment, with Lanois' lazy pedal steel sounding quite similar to Jerry Garcia's playing on David Crosby's "Laughing." An excellent nighttime vehicle.
Brian Eno, Daniel Lanois & Roger Eno - Apollo (Atmospheres & Soundtracks) [EG 813 535-1] 24bit/96kHz LP Rip

Brian Eno, Daniel Lanois & Roger Eno - Apollo (Atmospheres & Soundtracks)
Vinyl rip in 24-bit/96kHz | FLAC (Tracks) , m3u, artworks | Stereo | 701Mo | 5% RAR Recovery | 1983
Styles: Ambient | RapidShare Download

If you ever wondered what ambient music is all about, you could do worse than listen to the soundtrack by Brian Eno that accompanied the stunning visuals of NASA's Apollo missions to the moon. Created with an intoxicating mixture of acoustic and electronic, the music makes the now-classic space travel images more magical and memorable, introducing a dreamlike element to scenes of cold reality. "An Ending (Ascent)" is about as close to an actual tune as you'll get, but, as with every track, a shining example of what ambient music reveals about itself–slowly and carefully. – Paul Clark
Brian Eno - Reflection (2017) {Japan Ultimate HiQualityCD BRC-538 - First Press/External Bonus}

Brian Eno - Reflection (2017) {Japan Ultimate HiQualityCD BRC-538 - First Press/External Bonus}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 187 Mb | MP3 @320 -> 128 Mb
Full Artwork @ 600 dpi (png) -> 520 Mb | 5% repair rar
© 2017 Opal / Warp Records / Beat Records Japan | BRC-538
Electronic / Ambient / Avant-Garde / Experimental Ambient / Process-Generated Music

In 2016, as he was preparing for the release of Reflection, Brian Eno admitted that he wasn't quite sure what the term "ambient music" even means anymore. It's been used to describe everything from atmospheric techno to tense, foreboding sound sculptures. For him, it's always referred to generative compositions, unrestricted by time constraints or rhythmic structures, and often left to chance. Reflection continues with the type of albums he initiated with 1975's untouchable Discreet Music. The piece slowly unfolds over the course of an hour, with notes calmly being suspended in mid-air, only to drift away and pop up later at their leisure.
Brian Eno - The Ship (2016) {Japan SHM-CD Collector's Edition BRC-505CE}

Brian Eno - The Ship (2016) {Japan SHM-CD Collector's Edition BRC-505CE}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 276 Mb | MP3 @320 -> 129 Mb
Full Artwork @ 600 dpi (png) -> 745 Mb | 5% repair rar
© 2016 Opal / Warp Records / Beat Records Japan | BRC-505CE
Electronic / Ambient / Avant-Garde / Experimental Ambient / Structured Improvisation

Brian Eno brings the first album in three and a half years. This Japanese edition features SHM-CD format, and includes four pieces of art prints and a 8-page booklet. Special packaging. Special Feature - a bonus track for Japan. The Ship marks Brian Eno's first ambient album since 2012's Lux. Work on the album began as a 3-D sound installation in Stockholm, but altered to stereo when Eno realized he could sing in a low C, The Ship's root note. The Ship contains two works, the 21-minute title track, and the three-part "Fickle Sun." The title piece, a reflection on the sinking of the Titanic, recalls a moment in his distant past: he released Gavin Bryars' Sinking of the Titanic on his Obscure Music label in 1975.
Brian Eno & John Cale - Wrong Way Up (1990) {Hannibal Records HNCD 1485 remastered 2005}

Brian Eno & John Cale - Wrong Way Up (1990) {Hannibal Records HNCD 1485 remastered 2005}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 297 Mb | MP3 @320 -> 115 Mb
Full Artwork @ 300 dpi (jpg) -> 27 Mb | 5% repair rar
© 1990 All Saints Records / Hannibal Records / Rykodisc | HNCD 1485
Rock / Experimental / Electronic / Avant-Garde / Art Rock / Ambient

Both Brian Eno and John Cale have always flirted with conventional pop music throughout their careers, while reserving the right to go off on less accessible experiments, which means they've always held out the promise that they would make something as attractive as this synthesizer-dominated collection, on which Eno comes as close to the mainstream as he has since Another Green World and Cale is as catchy as he's been since Honi Soit. The result is one of the best albums either one has ever made. [A 2005 reissue added two bonus tracks: "Grandfather's House" and "You Don't Miss Your Water."]
Passengers (Brian Eno and U2) - Original Soundtracks 1 (1995) {Polygram-Island Records 524 166-2}

Passengers (Brian Eno and U2) - Original Soundtracks 1 (1995) {Polygram-Island Records 524 166-2}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 323 Mb | MP3 @320 -> 137 Mb
Full Artwork @ 300 dpi (png) -> 37 Mb | 5% repair rar
© 1995 Polygram / Island Records / Mercury | 524 166-2
Rock / Electronic / Alternative / Ambient / Experimental

Passengers is a collaboration between U2 and Brian Eno, so it should come as no surprise that the music on Original Soundtracks 1 is an extension of U2's last album, Zooropa. Under Eno's influence, the group incorporates more ambient electronic soundscapes, which unravel over the course of the album. In fact, Original Soundtracks 1 sounds more like a Brian Eno album than a U2 release, except when the band's knack for anthemic pop songwriting shines through every once and a while.
Brian Eno & Various Artists - Music For Films III (1988) {All Saints Records ASCD04 rel 1992}

Brian Eno & Various Artists - Music For Films III (1988) {All Saints Records ASCD04 rel 1992}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 238 Mb | MP3 @320 -> 120 Mb
Full Artwork @ 300 dpi (jpg) -> 20 Mb | 5% repair rar
© 1988, 1992 Opal Music / All Saints Records | ASCD04
Electronic / Avant-Garde / Alternative / Experimental Rock / Experimental Electronic / Art Rock / Ambient

Music for Films, Vol. 3, is a set of mismatched pieces by Brian Peter George St. John le Baptiste de la Salle Eno (aka Eno). They are from his voluminous works for cinema, installations, shorts, and other related media. The disc contains 15 short pieces (only one is over five minutes). In that regard, there is a distinct similarity to his new wave pop music from the '70s. This CD is, however, all instrumental, largely electronic, and distinctly Eno. Despite their dissimilar origins, these tracks have definite cohesion. Eno injects avant-garde timbres and metallic textures into each composition. The flow is smooth, the atmospheres are vast, and the soundscapes are vivid. This is a very cool montage of Eno's work.
Brian Eno - Vocal (1993) {3CD Box Set Virgin-EG Records ENOBX 2 SBM 20bit remaster rel 1999}

Brian Eno - Vocal (1993) {3CD Box Set Virgin-EG Records ENOBX 2 SBM 20bit remaster rel 1999}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.29 Gb | MP3 @320 -> 533 Mb
Full Artwork @ 300 dpi (jpg) -> 25 Mb | 5% repair rar
© 1993, 1999 Virgin / EG Records | ENOBX 2 / 7243 8 39114 2 4 | SBM 20bit remaster
Electronic / Avant-Garde / Alternative / Experimental Rock / Experimental Electronic / Art Rock / Ambient

Recording Date 1973 - 1992. This box set is a deluxe masterpiece in its creation. It starts off as a box that has a box within it that slides out the open side and inside the middle box there are the 3 cds and a booklet. The discs are a complete overview of Brian Enos' vocal music. The first disc contains the first 2 solo albums he made. It is refreshing to have them both together vurtually untouched(i say vurtually because I dont even know what they omitted to fit them on together). The second disc contains the bulk of Another Green World and Before and After Science. Both Classics in my book. The last disc is the treasure for most people probably have the first 4 albums. The first discs only throw hints of having rare tracks with only a couple per cd. The 3rd disc which has not only Enos projects for outside artists represented but it also contains the unfinshed album of pop songs called My Squelchy Life. As far as i can tell he hasnt made anything like those early vocal albums since he worked on this album back in 91. Consequently the disc is very valuable and with the deluxe packaging of the box it makes a terrific box set.
Brian Eno & Karl Hyde - Someday World (2014) {Opal-Warp 2CD Special Edition}

Brian Eno & Karl Hyde - Someday World (2014) {Opal-Warp 2CD Special Edition}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 404 Mb | MP3 @320 -> 142 Mb
Full Artwork @ 600 dpi (jpg) -> 25 Mb | 5% repair rar
© 2014 Opal / Warp Records | CDWRP10249
Electronic / Synth Pop / Electro-Acoustic / Alternative

The possibility of Someday World arose when Brian Eno invited Underworld vocalist Karl Hyde to listen to a series of intros he'd been unable to finish. The pair share a love for African horns and rhythms as well as dance music of all stripes. Eno enlisted 22-year-old Fred Gibson as a co-producer, and numerous friends including Andy Mackay and Coldplay's Will Champion. As much as this album is a collaborative venture – Hyde's vocal and lyrics are indeed signatures – its music is impossible to separate from Eno's career. References to his first four solo records are ample, as is his work with Talking Heads, David Byrne, and even David Bowie.