Brain Cross Talk

Brain Damage - Talk The Talk (2016)  Music

Posted by aasana at March 28, 2017
Brain Damage - Talk The Talk (2016)

Brain Damage - Talk The Talk (2016)
Reggae, Dub | 47:11 mins | MP3, 320 kbps | 109 MB
Label: Jarring Effects

Quand Martin Nathan alias Brain Damage a l’idée d’un nouveau projet, il contacte Sam Clayton (producteur et ingénieur du son ayant travaillé entre autre avec Steel Pulse ou Toots & the Maytals). Sam convie alors le riddim maker stéphanois en Jamaïque, dans le Harry J Studio (où ont enregistré des artistes comme Bob Marley, Jimmy Cliff ou Peter Tosh) lui faisant profiter de ses nombreuses relations sur l’île pour rencontrer des légendes du reggae telles qu'Horace Andy, Winston McAnuff, Ras Michael, Kiddus I et Willi Williams. Le résultat avait donné l’album Walk the Walk, dont tout le monde se souvient, en 2015.

Bacterial-Epithelial Cell Cross-Talk: Molecular Mechanisms in Pathogenesis  eBooks & eLearning

Posted by ChrisRedfield at Feb. 6, 2017
Bacterial-Epithelial Cell Cross-Talk: Molecular Mechanisms in Pathogenesis

Beth A. McCormick - Bacterial-Epithelial Cell Cross-Talk: Molecular Mechanisms in Pathogenesis
Published: 2006-10-02 | ISBN: 0521852447 | PDF | 452 pages | 4.13 MB

Naming Thy Name: Cross Talk in Shakespeare's Sonnets  eBooks & eLearning

Posted by IrGens at Dec. 20, 2016
Naming Thy Name: Cross Talk in Shakespeare's Sonnets

Naming Thy Name: Cross Talk in Shakespeare's Sonnets by Elaine Scarry
English | November 29, 2016 | ISBN: 0374279934 | EPUB | 304 pages | 2 MB

Signal Cross Talk in Plant Stress Responses  eBooks & eLearning

Posted by arundhati at Dec. 7, 2014
Signal Cross Talk in Plant Stress Responses

Keiko Yoshioka, Kazuo Shinozaki, "Signal Cross Talk in Plant Stress Responses"
2009 | ISBN-10: 0813819636 | 224 pages | PDF | 5 MB

Protein Expression in Down Syndrome Brain  eBooks & eLearning

Posted by step778 at Dec. 14, 2016
Protein Expression in Down Syndrome Brain

G. Lubec, "Protein Expression in Down Syndrome Brain"
2001 | pages: 369 | ISBN: 3211837043 | PDF | 8,8 mb

Brain Renaissance: From Vesalius to Modern Neuroscience (repost)  eBooks & eLearning

Posted by viserion at Dec. 11, 2016
Brain Renaissance: From Vesalius to Modern Neuroscience (repost)

Marco Catani, Stefano Sandrone, "Brain Renaissance: From Vesalius to Modern Neuroscience"
ISBN: 0199383839 | 2015 | EPUB/PDF | 304 pages | 17 MB/7 MB

Micronutrients and Brain Health (Repost)  eBooks & eLearning

Posted by roxul at Jan. 27, 2016
Micronutrients and Brain Health (Repost)

Lester Packer and Helmut Sies, "Micronutrients and Brain Health"
English | ISBN: 1420073516 | 2009 | 460 pages | PDF | 8 MB

Brain Renaissance: From Vesalius to Modern Neuroscience  eBooks & eLearning

Posted by tarantoga at Aug. 24, 2015
Brain Renaissance: From Vesalius to Modern Neuroscience

Marco Catani, Stefano Sandrone, "Brain Renaissance: From Vesalius to Modern Neuroscience"
ISBN: 0199383839 | 2015 | EPUB/PDF | 304 pages | 17 MB/7 MB

Micronutrients and Brain Health  eBooks & eLearning

Posted by nebulae at Jan. 30, 2015
Micronutrients and Brain Health

Lester Packer and Helmut Sies, "Micronutrients and Brain Health"
English | ISBN: 1420073516 | 2009 | 460 pages | PDF | 8 MB
Peter Bernstein - Brain Dance (1996) {Criss Cross Jazz CRISS 1130 CD}

Peter Bernstein - Brain Dance (1996) {Criss Cross Jazz CRISS 1130 CD}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 332 Mb | MP3 @320 -> 134 Mb
Full Artwork @ 300 dpi (jpg) -> 11 Mb | 5% repair rar
© 1996 Criss Cross Jazz | CRISS 1130 CD
Jazz / Straight-Ahead Jazz / Guitar

For his third Criss Cross release, guitarist Peter Bernstein leads an all-star organ combo that also includes tenor saxophonist Eric Alexander, trombonist Steve Davis, organist Larry Goldings, and drummer Billy Drummond. Some of the music that the quintet performs is typical for this type of hard bop/soul-jazz group, including a hot minor-toned blues, "Means and Ends," and Percy Mayfield's blues ballad "Danger Zone." However, a few of the other selections (particularly Bernstein's four originals) are more complex and serve as evidence that the music was being performed in 1996, not 1966. The musicians all play up to their capabilities and Goldings shows that he was one of the most inventive organists of the decade.