This powerful record brings together two of the most seminal works for viola and orchestra of the twentieth century. Although these pieces are as different as they are similar, together they form a distinct balance of sentiment and execution.
Das Orchester der Beethovenhalle Bonn, seit 1995 unter der Leitung von Marc Soustrot, wurde 1897 in Koblenz als Philharmonisches Orchester gegründet und zehn Jahre später von der Stadt Bonn übernommen. Erst 1957, mit Errichtung der Beethovenhalle, erhielt es seinen jetzigen Namen. Von großen Dirigenten geleitet hat sich das Orchester in der deutschen und internationalen Musikszene etabliert. Soustrot gehört zu den wenigen französischen Dirigenten, die sich nicht auf Konzert oder Oper spezialisiert haben und daher über vielseitige Erfahrungen in beiden Bereichen verfügen…
Anthony Ventura is the only big-band instrumantalist who could rightly rival the orchestras of Paul Mauriat & James Last. The only reason why many of our contemporaries have not heard of Anthony Ventura & his orchestra is because the albums that were released originally, many years ago, in the vinyl version, are no longer burnt into cds by the big record companies today. Since most people nowadays no longer own a record/vinyl player - it's all cds & more in today's days - these wonderful albums are fast disappearing with the mists of Time. Ventura's music selections are marked by style, romance & sophistication and by his harmonious & nostalgic melodies of very familiar tracks that have trickled down to us through the decades.
Limited edition 100 CD box set on the premiere classical label Deutsch Grammophon. Subtitled from Gregorian Chant to Gorecki. For some it will be the ultimate reference tool. For others a big place to start on something they always wanted to know about. Either way, the idea is to present a comprehensive history of Classical Music from its origins to the present day, covering all periods, including all major composers.
Very few conductors have recorded as much Bach as Karl Richter and none can lay a stronger claim to a legacy based on championing the master. Richter's reverence for Bach is evinced by the simplicity, splendor, and grandeur with which he consistently imbued his performances exemplified here by these landmark recordings of the Brandenburg Concertos and Orchestral Suites. In Archiv's original-image bit-processing remastered transfers as well, the sound is better than ever. This is cornerstone Bach that should not be missed.
Markus Stenz and the Gürzenich Orchestra Köln have demonstrated a special aptitude for performing large scale post-Romantic works, notably the symphonies of Gustav Mahler, which they recorded for Oehms Classics as a series of hybrid SACDs. They have followed that impressive cycle with what is probably the most Mahlerian work Arnold Schoenberg ever composed, the massive Gurrelieder for solo voices, multiple choruses, and large orchestra. This 2015 Hyperion release is impressive in its crisp details, vibrant tone colors, and startling clarity, all of which are evident in the opening instrumental passages in the Prelude, and which continue through the nearly operatic vocal parts, which have remarkable presence in the face of an orchestra that exceeds Wagnerian proportions. The recording is presented on two CDs that offer extraordinary sound for digital stereo, and the only disappointment is that this wasn't released as a multichannel recording. Listeners who find Schoenberg's modernist music difficult may be more receptive to this cantata, which is his most openly Romantic score and strongly reminiscent of Wagner's music dramas. Highly recommended.