While audiophile editions of Thick as a Brick, Aqualung, Living in the Past, and A Passion Play are easily obtainable, Tull's very earliest albums have languished in substandard editions on CD for ten years. This triple-CD box from England, part of EMI's 100th Anniversary reissue series, rectifies the problem, featuring newly remastered versions of This Was, Stand Up, and Benefit, each packaged in a miniature re-creation of the original LP sleeve…
This budget-priced box set from the prog rock/folk greats rounds up five complete albums. First up is 1977's Songs from the Wood, which is the first in a trio of fan-favorite folk-centric releases that included Heavy Horses (1978) and Stormwatch (1979), both of which are also included in the package…
STAGE LEFT is Martin Barre's third studio CD, released in 2003. The title is a reference to his hallowed position on the Jethro Tull stage assignment. It was the first album of Martin Barre to be released both in U.K and in the United States. Stage Left was supported with a tour in small venues. Featuring 13 instrumental tracks (and one with vocals, "Don't Say a Word"), Barre moves through a wide range of guitar-based styles including (but not limited to) classical and blues acoustics, progressive rock, acoustic folk, 80s-styled finger picking and even ambient electronic styles.
A decent debut album, featuring a lively mix of hard rock and R&B with progressive rock, folk, and blues sources. It is one of those all too rare albums that brings you something new every time you play it.
John Surman, Stu Martin, Barre Phillips - Conflagration (Rare British jazz 1971 UK 6-track LP on the Dawn label, from Surman's highly regarded and influential Trio group, including the two expatriate American musicians Phillips and Martin, also starring Harold Beckett, Chick Corea, Mike Osborne, Alan Skidmore, John Taylor & more. The trio joined by a variety of other musicians. The songs are challenging in an Ornette Coleman sort of way but never inaccessible. Not a recording for the casual jazz listener - it's more for the adventurous jazz lover.
This set was also issued as two separate LPs under John Surman’s name, Vogue VJD 505/1 and VJD 505/2. Rare bit of free jazz by this trio of British players from the early 70′s. The music is very intense, without any of the noodling that sometimes ruins Brit sessions from the time. Surman plays baritone, soprano, and bass clarinet, and he really blows like mad in some passages. The sound quality of this album is stunning! In the autumn of 1969, John Surman decided to make a break and joined forces with Barre Phillips and Stu Martin, to form a group they called The Trio. Phillips had a varied background, having worked as a sideman with Archie Shepp, Jimmy Giuffre and George Russell, as well as performing solo in Leonard Bernstein and the New York Philharmonic.
Barre Phillips’s music always seems to be more about the obscuring than about what is being obscured. Such a description, I hope, does not merely practice what it preaches, but instead gives insight into his modus operandi. For this suite of six parts, ranging from organic to synthetic and back again, Phillips is joined by frequent collaborator John Surman and vocalist Aina Kemanis. The combination proves to be a formidable one. Phillips brings a delicate intensity to every cell of musical information he divides, especially in the slow buildup of Part III, while Surman threads not a few needles with the bevy of reeds at his disposal.