Boris Vallejos

Mussorgsky - Boris Godounov (1869 & 1872 Versions) (Valery Gergiev, Kirov Opera & Orchestra) (5CD) (1998)

Mussorgsky - Boris Godounov (1869 & 1872 Versions) (Valery Gergiev, Kirov Opera & Orchestra) (5CD) (1998)
EAC Rip | (tracks+.cue, log) | Covers | RAR | 1418 mb
Classical, Opera | Label: Philips - 462 230-2, 462 547-2, 462 548-2, 462 549-2, 462 550-2, 462 551-2

Mussorgsky's masterpiece performed by Valery Gergiev and the Kirov Opera & Orchestra. This set includes both the 1869 and 1872 versions.

Boris RED (32/64 Bits)  Software

Posted by angus77 at May 16, 2011
Boris RED (32/64 Bits)

Boris RED (32/64 Bits)
Plugins | Multilingual | 493.08 MB

Boris RED 5 is an integrated application for 3D-compositing, titling and effects, and provides high performance in a video editor from Adobe, Apple, Avid, Grass Valley, Media 100, and Sony. It is an indispensable tool for post-production and broadcast, RED-5 offers a wide range of functions directly in the timeline of your NLE, at the same time, has built a standalone engine Red Engine to create effects and subsequent rendering.

Boris Karloff Tales of Mystery Complete  Comics

Posted by WEATHERMAX at Aug. 13, 2010
Boris Karloff Tales of Mystery Complete

Boris Karloff Tales of Mystery Complete
Eng | 97 Issues Complete | CBR & CBZ | Gold Key Comics | Oct 1 1962-Feb 1 1980 | 1.5 GB Total

A circus performer terrorized by mysterious powers from beyond . . . a jade idol of a monkey that carries a curse on a South Pacific island drives a man to the brink of madness . . . an art gallery haunted by paintings that come to life at night . . . a dictator who sees enemies around every corner, but who can't see the threat right before his eyes. For nearly twenty years, the comic-book series wove stories of intrigue, suspense, and macabre drama. Hosted by renowned actor Boris Karloff, the comic featured contributions from some of comics history's most well-known creators: Alex Toth, Joe Orlando (EC artist and editor), Mike Sekowsky ( artist), Frank Thorne, José Luis García-López, Arnold Drake, Len Wein (co-creator of and ), Al Williamson, Jerry Robinson (creator of the ), Dan Spiegle, and many others. --

Boris Vallejo Artwork  Graphics

Posted by vongola at Oct. 2, 2007
Boris Vallejo Artwork

Boris Vallejo Artwork
312 JPG | 900x1200 (average) | 3 RAR files (34+33+30Mb)

Boris Continuum Complete 10.0.5 for Adobe (x64)  Software

Posted by speedzodiac_ at Feb. 15, 2017
Boris Continuum Complete 10.0.5 for Adobe (x64)

Boris Continuum Complete 10.0.5 for Adobe After Effects & Premiere Pro | 252.7 MB

BCC 10 is the most complete plug-in collection available for Adobe Premiere Pro & After Effects users. Over 250 filters and tools for professional motion graphics, visual effects & finishing! Make it in post.
Uncertainty Modeling: Dedicated to Professor Boris Kovalerchuk on his Anniversary (Studies in Computational Intelligence)

Uncertainty Modeling: Dedicated to Professor Boris Kovalerchuk on his Anniversary (Studies in Computational Intelligence) by Vladik Kreinovich
English | 20 Feb. 2017 | ISBN: 3319510517 | 292 Pages | PDF | 6.75 MB

This book commemorates the 65th birthday of Dr. Boris Kovalerchuk, and reflects many of the research areas covered by his work. It focuses on data processing under uncertainty, especially fuzzy data processing, when uncertainty comes from the imprecision of expert opinions. The book includes 17 authoritative contributions by leading experts.

Boris Christoff - Mussorgsky: Boris Godunov (2015)  Music

Posted by tirexiss at Jan. 22, 2017
Boris Christoff - Mussorgsky: Boris Godunov (2015)

Boris Christoff - Mussorgsky: Boris Godunov (2015)
MP3 (CBR 320 kbps) | Digital Booklet | 02:53:33 | 422 MB
Genre: Opera | Label: Pristine

This release comes as quite a surprise. Although John Lucas in his 1993 biography of Sir Reginald Goodall refers in a footnote to the existence of a BBC radio recording of the performance of Boris Godunov given at the Royal Opera Covent Garden on 10 June 1961 under Goodall’s baton, he does not list it in his discography of the conductor’s work in the same volume. It was in the event — with the exception of a single performance of Rimsky-Korsakov’s Golden Cockerel — the last conducting engagement undertaken by Goodall at Covent Garden for ten years. When he next appeared in the pit at the Royal Opera to conduct Parsifal – a BBC recording of one of those performances has already emerged on CD – he had already established his reputation as a Wagnerian. But he had always enjoyed critical approval for his interpretation of Boris, and the appearance of another opera in the sparse representation of Goodall on disc is to be wholeheartedly welcomed.
Boris Giltburg - Shostakovich: Piano Concertos Nos. 1 & 2 & String Quartet No. 8 (2017)

Boris Giltburg - Shostakovich: Piano Concertos Nos. 1 & 2 & String Quartet No. 8
Classical | WEB FLAC (tracks) & d. booklet | 69:36 min | 236 MB
Label: Naxos | Tracks: 13 | 2017

Shostakovich’s two Piano Concertos span a period of almost thirty years. The youthful First Piano Concerto is a masterful example of eclecticism, its inscrutable humour and seriousness allied to virtuoso writing enhanced by the rôle for solo trumpet. Written as a birthday present for his son Maxim, the Second Piano Concerto is light-spirited with a hauntingly beautiful slow movement. With the permission of the composer’s family, Boris Giltburg has arranged the exceptionally dark, deeply personal and powerful String Quartet No. 8, thereby establishing a major Shostakovich solo piano composition.

Art - Boris Nikolic  Graphics

Posted by ringman at Jan. 8, 2017
Art - Boris Nikolic

Art - Boris Nikolic
22 JPG | ~800x1400 | 8.5 Mb

Boris Berezovsky - Chopin: Etudes (1991)  Music

Posted by tirexiss at Dec. 22, 2016
Boris Berezovsky - Chopin: Etudes (1991)

Boris Berezovsky - Chopin: Etudes (1991)
EAC | FLAC (image+.cue, log) | Covers Included | 01:08:17 | 238 MB
Genre: Classical | Label: Teldec | Catalog: B000000SED

Berezovsky is a sadly under-rated player, even though he won the Tchakovsky Competition in 1990. His natural talent is given full vent in these Etudes. One must remember that these were studies written by Chopin, each one exploring a singular technical idea - the 'Revolutionary' a test of left-hand power and flexibility, Op.10 No.1 a study in right-hand stretches, etc. Thus in each piece, Berezovsky utilises a different aspect of his phenomenal technique and gives a demonstration of how they should be played. In the CD booklet, one critic accurately observes that Berezovsky 'knows there is plenty of time ahead of him'; and rightly so! In a musical world today where everyone thinks they need to flex their muscle in order to gain attention, Berezovsky carries on at his own pace, regardless. There is no need to play everything at breakneck speed as does Argerich where the tendency is to sink into a show of bad taste and pointless pyrotechnics.