Bob James, who for many years has gained fame and fortune for his commercial pop/jazz crossover sets, on this set returns to his roots in straight-ahead jazz. James is showcased in a trio with bassist James Genus and drummer Billy Kilson, paying tribute to some of his favorite pianists. James' interpretations of nine standards are not necessarily in the style of the pianists, but there are moments when he consciously quotes one of their phrases, including putting a phrase from "Mona Lisa" in "Straighten Up and Fly Right" for Nat King Cole. Along the way he also pays homage to Red Garland, Glenn Gould (the classical pianist liked "Downtown" ), Oscar Peterson, Bill Evans, Ahmad Jamal, Erroll Garner (his version of "Caravan" ), Mal Waldron, and John Lewis. It is to Bob James' credit that he still sounds so natural playing this bop-oriented music; this is one of the most rewarding playing dates of his recording career.
In 2010 Universal Japan reissued a series of Impulse! classic jazz records on limited-edition CD. 20bit K2 mastering. One of the most accomplished jazz vibraphonists, Terry Gibbs made one of his best small group recordings for Impulse! in 1964. With Kenny Burrell and the strong rhythm section consisting of Sam Jones and Louis Hayes who were at the time working for Cannonball Adderley, Gibbs turns in a superb performance that is bluesy, swinging and modern!
The great Bohemian-born composer Gustav Mahler once said, "A symphony must be like the world. It must embrace everything." Over the course of its nearly 300-year life, the symphony has indeed embraced almost every trend to be found in Western concert music.
Thirty five years on since their debut album The Angels are still full of pep and Take It to the Streets sounds full of enthusiasm as if it was recorded by some highly inspired newcomers. “To the Streets” opening the album is pure classical hard rock that would appear modern in all times and this may be said about the whole collection…
This Expansion release from 2010 combines and on one compact disc. These were two of ' star-studded Arista-era albums, built on dancefloor R&B and quiet storm, highlighted by (featuring ), (), a cover of 's (), and This is a straightforward reissue of the two albums. There are no bonus tracks.
These two Ray Goodman and Brown albums date from mid to late 80’s and have the production style of that era. Take it to the limit from 86 contains the late boogie track ‘Why must I Wait’, whilst ‘Mood for Lovin’ from 88 has some nice 2-step grooves ‘Where did you get the love’ and ‘Mood for Lovin’, and the uptempo ‘Electrified’..