A stunning side project First Protocol from Incognito leader Bluey and guitarist Tony Remy, continuing the Incognito tradition of seamlessly blending jazz and house.
In 2013, Jean-Paul "Bluey" Maunick stepped out with his first solo album, Leap of Faith a stylistically varied set on which he performed the lead vocals but he quickly went to work on fresh material with the group he has led for over four decades. Leap of Faith evidently didn't drain his creativity, as Amplified Soul is another double-length Incognito album, 70 minutes in duration. Though it doesn't feature Maysa Leak or any collaborator on the level of Transatlantic R.P.M. contributors Chaka Khan, Leon Ware, and Al McKay, it certainly isn't short on powerful and uplifting lead vocal turns.
Incognito are a 15 piece acid jazz ensemble formed in 1980 by Jean Paul 'Bluey' Maunick who has been at the core of the band ever since. Over the years he has been joined by a host of UK and US artists including Carleen Anderson, Tony Momrelle and Gavin Harrison. They released the first of their eleven studio albums Jazz Funk in 1981, although there would be a 10 year wait for the follow up. They have had success in the UK singles charts with the top 10 hit "Always There" (with Jocelyn Brown), and the top 30 hits "Don't You Worry 'Bout a Thing" and "Everyday". Their work has been popular with producers and has been remixed by Masters at Work, Roger Sanchez and David Morales.
From the opening bars of "Wild and Peaceful" (almost a description of the group's style) with its soaring strings, crystalline piano, and flawless vocal harmonies, it's apparent that No Time Like the Future is rich with Incognito's patented blend of soul and finesse. "It Ain't Easy," with its refrain of Marvin Gaye's "What's Goin' On," is a classic funk outcry; "Fearless" is a wordless chant with some great rhythm guitar and booting jazz saxophone; "Nights Over Egypt" backs another great vocal with popping bass and orchestral atmospherics; "Black Rain" mixes exotic drumming with some subliminal dissonance. Producer-composer-guitarist Jean-Paul "Bluey" Maunick has added string arrangements by Simon Hale, appearances by the horns of the hot Cuban band Irakere, and the performances of small army of R&B singers (Maysa, especially) and British contemporary jazz players (Ed Jones stands out on tenor and soprano). The result is an irresistible combination of strong songs and pulsing rhythm tracks, all polished to slippery perfection.
"Bluey" Maunick celebrated Incognito's 30th birthday on stage at the London INDIGO2 with a thrilling concert in summer 2009. It was a fantastic night: with their blend of soul and jazz, funk and fusion almost 30 musicians, with several surprise guest appearances, electrified the audience. Thanks to the contagious energy and the virtuoso solo numbers, each song became something special. And as if this band hadn't given us enough variety already, the strings of the Millenia Ensemble provided a delightful additional interplay of sound. Incognito didn't just celebrate 30 years of first-rate music and continued success with this performance - they also gave their fans an unforgettable gift.
Bluey’s overall life perspective throughout Life Between the Notes is well articulated, anchored by his first-rate musicianship, sensitive lead vocals and a firm supporting cast of Incognito alumni including Richard Bull and Matt Cooper. For a world-class musician who has been there and done that personally and professionally, Bluey nails all the essentials, making Life Between the Notes an even more intriguing listening pleasure.
A powerful new album from the UK’s favourite soul/funk/jazz band, with the addition of outstanding new male vocalist Mo Brandis and established UK jazz singer Natalie Williams, who join Maysa and Vanessa Haynes. A fresh sounding Incognito reflecting the energy of their live shows. “Surreal” is full of beautiful songs delivered over a bed of fluid bass lines and irresistible drum grooves - Incognito at their creative best!
This album's got lots of nice jazz fusion tracks, blended with the nice R&B tip that the band usually has. Titles include "Love In the Dark", "Soho", "One Step To A Miracle", "Smile", and their great cover of "Always There".
Back in 2000, Golden Bay Records released an album hailed as one of the best New Zealand produced ambient records of the decade. Featuring a warm, watery womb of sound that leaves you feeling naked and newborn, Bluey relies on the dislocating properties of dub to give a sense of strangeness and space, creating an effect that will have you sinking so deep into the upholstery, you'll need a ladder to climb out! A journey into all things deep, downbeat and dubby, the album opens with the epic, Rhythm and Sound-esque title track, which has been a crowd favourite every time Bluey has played live. While Just One More and 8m Swell are bouncy breaks numbers, and All The Time In The World and Sticky Pond fuse dub and trance tracks such as Skip'n'Swing show a more funky side…