Bawdy and vaudeville-inspired light-hearted songs and routines make up the thrust of the fine performances found in this compilation. Despite the tongue-in-cheek attitude of these selections, there is no sacrifice of musical quality as both country (Bo Carter, Memphis Minnie) and urban (Buddie Burton, Butterbean and Susie) artists contribute such tunes as Banana Man, You Put It In I'll Take It Out, Adam And Eve and The Coldest Stuff In Town.– by Yazoo
This is a pretty uneven collection, which is not surprising given the fact that the title track by Reggie Perkins is one of the coolest things here and it's from a juvenile delinquency B-movie of the same name. The Jays' "Panic Stricken" is pretty fair rock & roll, but "Jitterbug Joe" is one of those minor embarrassments of the genre, a silly novelty tune.
Red Hot Rockabilly is a 50's Rockabilly Records compilation, was released in 1990 on the Magnum Force label. Red Hot Rockabilly CD music contains a single disc with 12 songs.
The central theme here was apparently at some point motorcycle songs, although only about half of the 31 songs here ended up being motorcycle songs. Those tracks alone, however, make this collection very unusual to start with. And the lineup of songs and players includes a name that was to become famous a few years later – Paul Simon in his Brill Building period working under the moniker Tico & the Triumphs, doing "Motorcycle," and an original credited to J. Landis…
Surf Fiction album was released Jul 12, 2001 on the ZYX label. It's that time of year again: boards, bikinis and beach parties! No party would be complete without The Beach Boys, Dick Dale & His Del-Tones, The Surfaris and more!! Includes the 'Pulp Fiction' hits 'Miserlou' and 'Bustin Surfboards.
The Best Of Sun Rockabilly Compilation was released in 1986 on the Charly label. Best Of Sun Rockabilly CD music contains a single disc with 22 songs.
Rockabilly's rough image can be traced to both Sam Phillips' lo-fi production ethic at Sun Records and the dangerous look of the many Elvis wannabes on the label's roster; it continued as a symbol of defiance thanks to the nouveau rockabilly look British teddy-boys sported in the '60s (greased hair, rolled-up pant leg) and the makeshift music the reconfigured teddies of punk rock made in the late '70s.