Blue Note

Lee Morgan - Search For The New Land (1964) {Blue Note Japan SHM-CD UCCQ-5106 rel 2015} (24-192 remaster)

Lee Morgan - Search For The New Land (1964) {Blue Note Japan SHM-CD UCCQ-5106 rel 2015} (24-192 remaster)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 281 Mb | MP3 @320 -> 100 Mb
Full Artwork @ 600 dpi (png) -> 168 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 1964, 2015 Universal Japan / Blue Note | BN 75th The Masterworks | UCCQ-5106
Jazz / Hard Bop / Trumpet

Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. A brilliant album that proves that even at the height of his success, Lee Morgan was one of the freest thinkers on Blue Note – always coming up with fresh ideas that continued to grow his talents! The first cut on the album is keep roof of that fact – the title track "Search For The New Land" – a beautiful 16 minute exploration of modal jazz themes, with an unusual stop/start device as a means of ushering solos by different bandmates – including Wayne Shorter on tenor, Grant Green on guitar, and Herbie Hancock on piano!
The Three Sounds - Black Orchid (1962) {Blue Note Japan SHM-CD UCCQ-5104 rel 2015} (24-192 remaster)

The Three Sounds - Black Orchid (1962) {Blue Note Japan SHM-CD UCCQ-5104 rel 2015} (24-192 remaster)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 456 Mb | MP3 @320 -> 164 Mb
Full Artwork @ 600 dpi (png) -> 246 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 1962, 2015 Universal Japan / Blue Note | BN 75th The Masterworks | UCCQ-5104
Jazz / Post Bebop / Soul Jazz / Hard Bop / Piano Trio

Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. Between 1958 and 1962, the Three Sounds were one of the most prolific artists on Blue Note, recording over ten albums worth of material during those four years. During all that time, the group never changed their style much, concentrating on lightly swinging, lightly soulful mainstream jazz that balanced jazz and pop standards with bluesy originals. As time progressed, they veered closer to soul-jazz, but each of their records sounded quite similiar and were equally satisfying. Black Orchid, their last album for Blue Note in the early '60s (they would rejoin the label in another four years), was no exception to the rule.
Lou Donaldson - Alligator Bogaloo (1967) {Blue Note Japan SHM-CD UCCQ-5074 rel 2014} (24-192 remaster)

Lou Donaldson - Alligator Bogaloo (1967) {Blue Note Japan SHM-CD UCCQ-5074 rel 2014} (24-192 remaster)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 212 Mb | MP3 @320 -> 84 Mb
Full Artwork @ 600 dpi (png) -> 235 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 1967, 2014 Universal Japan / Blue Note | BN 75th The Masterworks | UCCQ-5074
Jazz / Soul Jazz / Saxophone

Features SHM-CD format and the latest 24bit 192kHz remastering. Alligator Bogaloo is one example of Lou Donaldson's successful combinations of hard bop and soul-jazz. Of the six tunes, three are Donaldson originals, including the title hit. The excellent band, consisting of Melvin Lastin, Sr. on cornet, George Benson on guitar, Lonnie Smith on organ, and Leo Morris on drums, mixes laid-back vamps beneath driving hard bop charts. As the '60s turned into the '70s, Donaldson began shaving off hard bop invention for a more radio-friendly and 45 rpm length, leaving soulful – yet monotonous – vamping. At that point, Donaldson's material suffered from a lack of originality. That's not the case on Alligator Bogaloo.
Lonnie Smith - Turning Point (1969) {Blue Note Japan SHM-CD UCCQ-5127 rel 2014} (24-192 remaster)

Lonnie Smith - Turning Point (1969) {Blue Note Japan SHM-CD UCCQ-5127 rel 2014} (24-192 remaster)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 237 Mb | MP3 @320 -> 86 Mb
Full Artwork @ 600 dpi (png) -> 168 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 1969, 2015 Universal Japan / Blue Note | BN 75th The Masterworks | UCCQ-5127
Jazz / Soul Jazz / Post Bop / Organ

Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. A stone killer from organist Lonnie Smith – one of his completely cooking early albums for Blue Note, and a hard-burner all the way through! Smith's working here with a really great group that includes Idris Muhammad on drums and Melvin Sparks on guitar – both of whom give the album a really heavy bottom, and almost make the set feel like one of those classic Prestige jammers from the same time.

Freddie Hubbard - The Blue Note Years (2009)  Music

Posted by Designol at June 12, 2018
Freddie Hubbard - The Blue Note Years (2009)

Freddie Hubbard - The Blue Note Years (2009)
EAC | FLAC | Tracks (Cue&Log) ~ 494 Mb | Mp3 (CBR320) ~ 181 Mb | Scans included | 01:14:01
Hard Bop, Post-Bop, Trumpet Jazz | Label: EMI Japan/Blue Note | # TOCJ-66485

One of the great jazz trumpeters of all time, Freddie Hubbard formed his sound out of the Clifford Brown/Lee Morgan tradition, and by the early '70s was immediately distinctive and the pacesetter in jazz.
Sonny Clark Trio - Blues In The Night (1958) {Blue Note Japan TOCJ-1618 rel 1996}

Sonny Clark Trio - Blues In The Night (1958) {Blue Note Japan TOCJ-1618 rel 1996}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 230 Mb | MP3 @320 -> 80 Mb
Full Artwork @ 300 dpi (jpg) -> 32 Mb | 5% repair rar
© 1958, 1996 Blue Note / Toshiba-EMI Japan | TOCJ-1618 | The BN Works 1500 Unissued Series
Jazz / Bop / Hard Bop / Jazz Piano Trio

The piano trio material included in this Japanese reissue, along with another session from late 1958 (see The Art of the Trio, aka "The 45 Sessions"), constitutes a body of work which was never released in LP format during Sonny Clark's tragically short life. Clark was an underrated master of the hard bop genre who had a very subtle, artful touch. On this date, he exhibits the influence of Ahmad Jamal and Red Garland (a lighter sound) and less of the Bud Powell-inspired, hard-driving bebop lines.
Ronnie Foster - Two Headed Freap (1972) {Blue Note Japan SHM-CD UCCQ-5055 rel 2014} (24-192 remaster)

Ronnie Foster - Two Headed Freap (1972) {Blue Note Japan SHM-CD UCCQ-5055 rel 2014} (24-192 remaster)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 250 Mb | MP3 @320 -> 88 Mb
Full Artwork @ 600 dpi (png) -> 300 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 1972, 2014 Universal Japan / Blue Note | BN 75th The Masterworks | UCCQ-5055
Jazz / Jazz Funk / Soul Jazz / Groove / Organ

Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. Amazing stuff by Ronnie Foster – a sweet little album of slow funky keyboard tones, much more loosely arranged than his later work, with a dope groove that was years ahead of its time! The album's in some ways a blueprint for some of our favorite jazz-based hip hop – and although Ronnie's playing organ, on most of the cuts, he handles the instrument more like it's a Fender Rhodes! Funky jazz with a sinister, soulful groove – with players including Gene Bianco on harp, Arthur Jenkins on congas, George Duvivier and Gordon Edwards on bass, Jimmy Johnson on drums, Gerorge Dvens on vibes and Gene Gertoncini on guitar. Includes the massive cut "Mystic Brew", which is a tasty Tribe sample, plus lots of other goodies like "Chunky", "Summer Song", and "Don't Knock My Love".
Lee Morgan - The Gigolo (1965) {Blue Note Japan SHM-CD UCCQ-5048 rel 2014} (24-192 remaster)

Lee Morgan - The Gigolo (1965) {Blue Note Japan SHM-CD UCCQ-5048 rel 2014} (24-192 remaster)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 345 Mb | MP3 @320 -> 111 Mb
Full Artwork @ 600 dpi (png) -> 225 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 1965, 2014 Universal Japan / Blue Note | BN 75th The Masterworks | UCCQ-5048
Jazz / Hard Bop / Trumpet

Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. Tremendous work by Lee Morgan – easily one of his greatest albums, and a soaring session of modal energy that easily rivals the best work of the Impulse era! The album's got a slightly different feel than usual for Blue Note – a sense of freedom, joy, and soaring energy that's totally great – explored by a crack group that features Morgan on trumpet, Wayne Shorter on tenor, Harold Mabern on piano, Bob Cranshaw on bass, and Billy Higgins on drums – all coming together with a unique sense of creativity!
Edmond Hall, James P. Johnson, Sidney De Paris, Vic Dickenson - The Complete Blue Note Sessions (1985) {4CD Mosaic rec 1941-52}

Edmond Hall, James P. Johnson, Sidney De Paris, Vic Dickenson - The Complete Blue Note Sessions (1985) {4CD Mosaic rec 1941-52}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 883 Mb | MP3 @320 -> 628 Mb
Full Artwork @ 300 dpi (jpg) -> 186 Mb | 5% repair rar
© 1941-52, 1985 Mosaic Records / Blue Note | MD4-109
Jazz / Early Jazz / New Orleans Jazz / Swing / Dixieland / Stride

To say that this limited-edition six-LP Mosaic box is overflowing with classics is an understatement. Included are a variety of small-group sessions (with overlapping personnel) from the early days of Blue Note. The Edmond Hall Celeste Quartet has five songs that are the only existing examples of Charlie Christian playing acoustic guitar; clarinetist Hall, Meade Lux Lewis (on celeste), and bassist Israel Crosby complete the unique group. The king of stride piano, James P. Johnson, is heard on eight solos; other combos are led by Johnson, Hall (who heads four groups in all), trumpeter Sidney DeParis, and trombonist Vic Dickenson (heard in a 1952 quartet with organist Bill Doggett).
Thelonious Monk - Paris 1969 (2013) {CD+DVD5 NTSC Blue Note B001882000}

Thelonious Monk - Paris 1969 (2013) {CD+DVD5 NTSC Blue Note B001882000}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 302 Mb | MP3 @320 -> 147 Mb
DVD5 -> 2.36 Gb | All Regions | NTSC 4:3 | Dolby AC3, 2 ch | ~ 68m | ISO Image
Subs: English, Portugues, Espanol, Italiano, Deutsch, Francaias
Full Artwork @ 600 dpi (png) -> 239 Mb | 5% repair rar
© 1969, 2013 Blue Note / Laser Swing Pro. | B001882000
Jazz / Bop / Piano

A lost treasure from the legendary Thelonious Monk – a live date recorded in Paris at the end of the 60s – late in Monk's life, and every bit as wonderful as his famous 60s studio work with his quartet! Of that group, only Charlie Rouse remains on tenor sax – but Rouse is more than enough to make things great, and the interplay between his tenor and Monk's piano is completely sublime – full of angular movements, underscored with plenty of soul – and given support from Nate Hygelund on bass and either Paris Wright or Philly Joe Jones on drums. There's a rough edge to the music that's really great – that sharper, more sinister vibe that Monk could have in a live setting – and titles include "Light Blue", "Bright Mississippi", "I Mean You", "Ruby My Dear", "I Love You Sweetheart Of All My Dreams", "Crepuscule With Nellie", and "Nutty". Special package comes with a bonus DVD of the performance!