As the painter needs his framework of parchment, the improvising musical group needs its framework in time," says Bill Evans in the liner notes to Kind of Blue. "Miles Davis presents here frameworks which are exquisite in their simplicity and yet contain all that is necessary to stimulate performance with a sure reference to the primary conception." Amen. During the past 40 years, the performances Davis' stimulated from Evans, John Coltrane, Cannonball Adderley, Paul Chambers, Jimmy Cobb, and Wynton Kelly have become some of the most storied in jazz, and all of them - classics such as "Freddie the Freeloader," "All Blues," "Blue in Green," and, of course, "So What" (featured) - are featured on this Columbia/Legacy reissue.
130-track CD/DVD set comprising of 11 CD albums each with it's own distinct musical style which showcases his passion for the guitar, plus a DVD for the 'Stony Road' album. Having created the cover of Stony Road and interpreted the cover of The Blue Juke Box the close relationship between Chris Rea's music and his painting was defined. This relationship was clearly leading in one direction, a ground-breaking idea to link the two driving forces in his life. The idea of Blue Guitars was born. Eleven albums from Chris Rea in one book pack, 130 brand new Chris Rea songs inspired by the blues ranging globally across all his own interpretations of this musical form, songs that Chris believes are some of his best to date.
Grant Green, being known mainly as a soul-jazz guitarist, eventually gravitated into the popular boogaloo sound, a derivation of Latin music. The Latin Bit is the natural bridge to that next phase, though a bit premature for most in 1961-1963, even relative to the subsequent bossa nova craze. Pianist Johnny Acea, long an underrated jazzman, is the nucleus of this session, grounding it with witty chops, chordal comping, and rhythmic meat. The Latino rhythm section of drummer Willie Bobo and conga player Carlos "Patato" Valdes personify authentic, seasoned spice, while at times the chekere sound of Garvin Masseaux makes the soup too thick. At its collective best, the group presents a steady, serene, and steamy "Besame Mucho" and the patient, slow, slinky, sultry "Tico Tico.".