As the painter needs his framework of parchment, the improvising musical group needs its framework in time," says Bill Evans in the liner notes to Kind of Blue. "Miles Davis presents here frameworks which are exquisite in their simplicity and yet contain all that is necessary to stimulate performance with a sure reference to the primary conception." Amen. During the past 40 years, the performances Davis' stimulated from Evans, John Coltrane, Cannonball Adderley, Paul Chambers, Jimmy Cobb, and Wynton Kelly have become some of the most storied in jazz, and all of them - classics such as "Freddie the Freeloader," "All Blues," "Blue in Green," and, of course, "So What" (featured) - are featured on this Columbia/Legacy reissue.
This CD has an unusual cover picture showing Billy Eckstine singing while holding a trumpet. He does indeed take a few short trumpet solos on the well-rounded program, 24 songs (13 previously unissued) performed during one night in Las Vegas. Eckstine, who is backed by an orchestra arranged by his pianist Bobby Tucker, is heard in prime form on a variety of standards. His baritone voice (which was quite influential) straddles the boundary between middle-of-the-road pop and jazz on such numbers as "I've Grown Accustomed to Her Face," "Without a Song," "Prisoner of Love," "I Apologize", "Alright, Okay, You Win" and "'Deed I Do." A good example of his talents.
Features SHM-CD format and the latest 24bit 192kHz remastering. As Lee Morgan's career moved from hard and post-bop to soul-jazz, Delightfulee serves as a further bridge in a half-and-half fashion. Four of the seven cuts feature his potent quintet with a young and emerging tenor saxophonist, Joe Henderson, as his front line mate, McCoy Tyner ever brilliant on piano, and Billy Higgins firing up the rhythm as only the drummer could. The remainder of the date consists of tracks orchestrated by Oliver Nelson featuring an 11-piece ensemble. There are two selections that feature versions of compositions with both configurations.
Jan Garbarek's icy and haunting tones on tenor and soprano are in the forefront during much of this set. He performs six originals (which have simple but picturesque titles such as "Blue Sky," "Windows" and "The Red Roof") with the assistance of guitarist Bill Connors, pianist John Taylor, bassist Eberhard Weber and drummer Jon Christensen.