As the painter needs his framework of parchment, the improvising musical group needs its framework in time," says Bill Evans in the liner notes to Kind of Blue. "Miles Davis presents here frameworks which are exquisite in their simplicity and yet contain all that is necessary to stimulate performance with a sure reference to the primary conception." Amen. During the past 40 years, the performances Davis' stimulated from Evans, John Coltrane, Cannonball Adderley, Paul Chambers, Jimmy Cobb, and Wynton Kelly have become some of the most storied in jazz, and all of them - classics such as "Freddie the Freeloader," "All Blues," "Blue in Green," and, of course, "So What" (featured) - are featured on this Columbia/Legacy reissue.
130-track CD/DVD set comprising of 11 CD albums each with it's own distinct musical style which showcases his passion for the guitar, plus a DVD for the 'Stony Road' album. Having created the cover of Stony Road and interpreted the cover of The Blue Juke Box the close relationship between Chris Rea's music and his painting was defined. This relationship was clearly leading in one direction, a ground-breaking idea to link the two driving forces in his life. The idea of Blue Guitars was born. Eleven albums from Chris Rea in one book pack, 130 brand new Chris Rea songs inspired by the blues ranging globally across all his own interpretations of this musical form, songs that Chris believes are some of his best to date.
In the late '30s and early '40s, pianist Teddy Wilson was a big deal in the land of jazz. He had many opportunities to perform as a sideman, and eventually got his breaks. These sessions showcase of variety of his efforts with big bands, large ensembles, small groups, and a singer named Billie Holiday. Though none of his own compositions are credited ("Big Apple" should be,) he certainly had a hand in the arrangements, and was given space to play quite a bit of piano. The Hep label has generously provided 23 selections with Wilson and bandmates including stalwarts Hot Lips Page, Lester Young, Freddie Green, Red Norvo and Pee Wee Russell, as well as backing trombonist Benny Morton's All Stars. There are two takes of "Ain't Misbehavin'," "Just a Mood" (Blue Mood,) "When You're Smiling," and "I Can't Believe That You're in Love with Me" for contrast sake. The sound reproduction of these vintage performances is excellent, and this one can easily be recommended to both fan and novice.